Just two lovebirds singing without reverb. The War and Treaty, a married duo comprised of Michael and Tanya Trotter, whose songs such as “All I Wanna Do” and “Healing Tide” convey an ecstatic, empowering sense of partnership that serves as the duo’s creative engine and core message.
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Bela Fleck
Bela Fleck (& the Flecktones)
“Béla Fleck has taken banjo playing to some very unlikely places — not just bluegrass and country and “newgrass,” but also into classical concertos, jazz and a documentary about the banjo’s deep African roots, not to mention the time he toured with throat singers from Tuva. He’s also baffled the Grammy awards, winning for country and jazz in the same year and also winning in pop, world music, classical crossover and, yes, folk. That’s a lot of territory for five strings.”
— JON PARELES, THE NEW YORK TIMES
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James McMurtry
James McMurtry is an American rock and folk rock/americana singer, songwriter, guitarist, bandleader, and occasional actor. He performs with veteran bandmates Daren Hess, Cornbread, and Tim Holt. His father, novelist Larry McMurtry, gave him his first guitar at age seven.
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California Honeydrops
California Honeydrops
The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland subway station, but the band has stayed true to that organic, street-level feel. Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals. More like parties than traditional concerts, their shows feature extensive off-stage jamming and crowd interaction. “The whole point is to erase the boundaries between the crowd and us,” Wierzynski says. “We don’t make setlists. We want requests. We want crowd involvement, to make people become a part of the whole thing by dancing along, singing, picking the songs and generally coming out of their shells.”
