The Avett Brothers are an American folk rock band from Concord, North Carolina. The band is made up of two brothers, Scott Avett and Seth Avett along with Bob Crawford and Joe Kwon. Mike Marsh and Bonnie Avett-Rini are touring members of the band. Wikipedia
also see Trigger Hippy
Joan Elizabeth Osborne is an American singer, songwriter, and interpreter of music, having recorded and performed in various popular American musical genres including pop, soul, R&B, blues, and country. She is best known for her recording of the Eric Bazilian song “One of Us”, from her debut album Relish. Wikipedia
BandHouse Gigs, founded in 2004 by local Bethesda, Maryland musicians Ronnie Newmyer and Chuck Sullivan, and later joined by David Sless, Greg Hardin, and Danny Schwartz, is the D.C. area’s premier producer of one-of-a-kind tribute concerts for iconic artists and influential musical movements. Over the past 13 years BandHouse has produced 25 sold out shows at The Warner Theater, The Music Center at Strathmore, The Fillmore Silver Spring, Wolf Trap, Rams Head On Stage, and The Hamilton Live.
They collaborate with professionals willing to donate their services, including writers, graphic artists, videographers, photographers, make-up artists, lighting designers, marketing professionals, and audio engineers. Together they are the BandHouse Team.
Dawes is an American folk rock band from Los Angeles, California, composed of brothers Taylor and Griffin Goldsmith, along with Wylie Gelber and Lee Pardini. Wikipedia
A group of road warriors who’ve carved out their blend of amplified folk-rock, the music is nuanced and collaborative, with no single instrument dominating the track list. Dawes-FB page
Eric Brace runs Red Beet Records and makes music on his own, with Last Train Home and as a trio with Peter Cooper and Thomm Jutz. In 2003, he founded the label and he and his band, Last Train Home moved to East Nashville from the Washington DC area. Brace had been a journalist at the Washington Post and had run the Top Records label.
Eric returns to the DC area with some frequency, playing clubs where he built his loyal following and participating, as in the embedded video, in numerous BandhouseGigs productions, including the recent live stream “From BandHouse to Your House.”
Washington, D.C. soul/pop artist and bassist Eric Scott has enjoyed a varied and interesting musical journey. As an artist and sideman, he has toured internationally, sharing the stage with artists as diverse as Deanna Bogart, Aaron Neville, Mavis Staples, Ray Charles, Roger Waters, Tom Morello, Little Feat, and Billy Corgan, His original songs have appeared on ABC-TV, Showtime, Starz Network, Cinemax, the WB, as well as several major and indie motion pictures. He has also lent his singing voice to ad campaigns for HGTV, DC Lottery, and Nat Geo, Ford, Chevy, Jeep, Chrysler, and many more. He is a 15-time Wammie winner, as awarded by the Washington Area Music Association (WAMA).
The journey continues in 2019 with the release of the EP THE CHARM CITY SESSIONS and the full-length CD PEACE BOMB, both on his own Itzall Goode Music label. His ‘Modern Soul’ sound continues to evolve, yet remains funky, upbeat, socially aware, and ever soulful. Pop tunes and hooks meld seamlessly with groovy new school RnB, nasty funk, and the introspective lyrical approach of a singer/songwriter that examines relationships, the world we live in, and being true to one’s self. Scott’s gospel drenched voice always remains front and center. A passionate and energetic performer, his show is funky, thoughtful, and uplifting…and not to be missed!
Scott frequently participates in the musical collaborations of BandhouseGigs, including the recent live stream “From BandHouse to Your House.”
Peter Himmelman is a man of many talents and accomplishments who is known to those who have heard of him, but haven’t heard him, as Bob Dylan’s son-in-law. He has been playing in and with bands since sixth grade in the Minneapolis suburb of St. Louis Park. (Filmmakers Joel and Ethan Coen, Sen. Al Franken, and New York Times columnist Thomas L. Friedman are also SLP natives.) He has released a dozen rock albums since 1986�the first half dozen on major corporate record labels, others on smaller indies, others self-released�all of which have received love from critics and none of which have sold well. The only Billboard chart on which he has ever appeared is the Heatseekers chart, limited to artists who have never had an album in the top 200. But the quality of his work has never flagged, and lately he has released some of his finest work, including Imperfect World (2005) and The Mystery and the Hum (2010). There is also an intentional oddity called Flimsy (2011), a collection of spoken-word songs ranging from the absurd to the heartbreaking. His new album, The Boat That Carries Us, now available on his own Himmelsongs label, is about motion, or being in motion, by air (“33K Feet”), by car (“Green Mexican Dreams”), or in spirit (“Angels Die”). (Read more at peterhimmelman.com)
The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland subway station, but the band has stayed true to that organic, street-level feel. Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals. More like parties than traditional concerts, their shows feature extensive off-stage jamming and crowd interaction. “The whole point is to erase the boundaries between the crowd and us,” Wierzynski says. “We don’t make setlists. We want requests. We want crowd involvement, to make people become a part of the whole thing by dancing along, singing, picking the songs and generally coming out of their shells.”
“Fifty years have passed in a flash,” says Texas-born, Louisiana-raised pianist, songwriter and vocalist Marcia Ball of her long and storied career. Ball, the 2018 Texas State Musician Of The Year, has won worldwide fame and countless fans for her ability to ignite a full-scale roadhouse rhythm and blues party every time she takes the stage. Her rollicking Texas boogies, swampy New Orleans ballads and groove-laden Gulf Coast blues have made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls and clubs. The New York Times says, “Marcia Ball plays two-fisted New Orleans barrelhouse piano and sings in a husky, knowing voice about all the trouble men and women can get into on the way to a good time.” The Houston Chronicle says simply, “She’s as perfect as an artist can be.”
His first band “The Sixpacks” became “The Wildweeds,” recording a regional hit “No Good To Cry” that went on to chart nationally. With a change in record labels (from Chess to Vanguard) and a change in musical direction, Al caught the attention of the members of NRBQ. In 1971, Al left Connecticut for New York’s to enroll at the “University of Q” — a 22 year planetary course in all things musical. Al’s exposure to a evener wider range of musical genres served him well in the “Q.” His mind and string-bending guitar playing coupled with his giant stage presence had become legendary, and in the course of recording over a dozen albums with them, he had written some of the band’s most memorable songs — ‘Ridin in My Car’, ‘Never Take The Place of You,’ It Was An Accident,’ ‘Comes to Me Naturally,’ ‘What a Nice Way to Go,’ ‘Feel You around Me,’ and many more.
After over two decades of hard touring, hard living and encyclopedic musical knowledge, Al was ready to change his already prodigious song writing talent into a full-time venture.
Two years before he left NRBQ, he wrote a song with Carlene Carter, “Every Little Thing” that she took to top 5 all over the world. That song, and meeting music publisher Pat Daniel McMurry (Escott), were the turning points in Al’s career and life. With the support, guidance and belief that Pat provided, Al became unstoppable. At the same time that Al signed with Pat, he decided to quit drinking and suddenly became one of the most prolific writers in Nashville. “I went from 3 songs a year to writing sometimes 3 a day”.
The parade of hits is long and include singles and cuts by Vince Gill, Bonnie Raitt, Trisha Yearwood, Jimmy Buffett, Martina McBride, Patty Loveless, George Jones, Sheryl Crow, Leann Rimes, Tim McGraw, George Strait, Rascall Flatts, Zac Brown, Anthony Hamilton, Harry Connick Jr and many others.
He latest love is Music City’s premier rock band “The World Famous Headliners” rounded out with top tier penmen/artists/musicians extraordinaire Pat McLaughlin, Shawn Camp, Michael Rhodes and Greg Morrow