Danny O’Keefe
In the 1970’s, Danny O’Keefe put out a string of albums that cemented his reputation as being among the best songwriters of his generation. These days, casual fans know him best for his Top Ten hit “Good Time Charlie’s Got The Blues” or Jackson Browne’s version of “The Road” from the classic Running On Empty album. But the story didn’t end in the 70’s. He recorded “The Day To Day” in 1985 with the two Top Twenty Adult Contemporary songs “Along For The Ride” and “Someday”. Working with Bob Dylan’s company, Special Rider Music, he co-wrote “Well, Well, Well” with Bob and other songs successfully recorded by artists like Nickel Creek, Alison Krauss, and Alan Jackson.
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Sierra Hull
Sierra Hull is a virtuoso mandolinist and singer-songwriter who has redefined the boundaries of modern bluegrass. Originally from Byrdstown, Tennessee, Hull was a child prodigy who made her Grand Ole Opry debut at age 11 alongside her mentor, Alison Krauss. She later became the first bluegrass musician to receive the Presidential Scholarship to Berklee College of Music.
Hull’s career is marked by historic achievements, including being the first woman to win the International Bluegrass Music Association’s Mandolin Player of the Year—an honor she has now won seven times. Her discography, featuring Grammy-nominated albums like Weighted Mind and 25 Trips, showcases her evolution from a traditional picker to an inventive artist blending folk, jazz, and pop.In 2025, she released her first independent album, A Tip Toe High Wire, which earned four nominations at the 2026 Grammy Awards, including Best Bluegrass Album. Beyond performing, she mentors the next generation as an instructor at ArtistWorks, cementing her status as a leading creative force in contemporary acoustic music.
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Samantha Fish
Samantha Fish
A blues musician from Kansas City, Missouri, Samantha Fish impressed industry professionals as a teenager before scoring her first Billboard blues number one in her mid-twenties. Fish grew up in a musical family with a variety of genres, including a steady diet of classic rock radio. Her father played guitar and would sometimes jam with friends at home. Young Samantha started out as a drummer but switched to guitar at the age of 15. As a teen, she would sneak into local blues landmark the Knuckleheads Saloon to hear touring musicians, and she began sitting in with them from time to time after she became legal at 18.
In 2009, Fish recorded the live album Live Bait as the Samantha Fish Blues Band, and the rock-edged guitar work brought her to the attention of Ruf Records. The label featured her alongside Cassie Taylor and Dani Wilde on the 2011 release Girls with Guitars, which featured covers of the Rolling Stones and the Steve Miller Band as well as original material from the three guitarist/singer/songwriters. Later that same year, Fish released her solo debut, Runaway, also with Ruf Records. It was produced by mentor and frequent collaborator Mike Zito.
She saw her first chart success with her sophomore LP, Black Wind Howlin’, also produced by Zito. It hit the Billboard Heatseekers chart and reached the Top Ten of the blues albums chart upon release in 2013. She followed it with Wild at Heart in 2015, which became a blues number one. In 2017, she returned with her fourth studio album, Chills & Fever. Recorded in Detroit with members of the Detroit Cobras it featured covers of obscure pop and soul tunes.Also in 2017, Fish issued Belle of the West, recorded in Missouri with Luther Dickinson and featuring musical contributions by guitarist/harmonica player Lightnin’ Malcolm, former-Squirrel Nut Zipper Jimbo Mathus, violinist Lillie Mae Rische, and others. The album helped the guitarist pick up a 2018 Blues Music Association award for Contemporary Female Artist of the Year. Fish‘s seventh studio album, Kill or Be Kind, arrived in 2019 and found her working with producer Scott Billington in Memphis.
Artist Biography by Marcy Donelson
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Chuck Prophet
Chuck Prophet shapes his restless career with inimitable subtle flair: a vivid parade of razor-edged one-liners camouflaged in a slack-jawed drawl, songs about heartbreak and everyman heroism, drenched in twisted lines of rude Telecaster.
