St. Paul and the Broken Bones
St. Paul and The Broken Bones is an American eight-piece soul band based in Birmingham, Alabama, United States, that formed in 2012. The band is composed of Paul Janeway, Browan Lollar, Jesse Phillips, Kevin Leon, Al Gamble, Allen Branstetter, Amari Ansari, and Chad Fisher. Wikipedia
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When it comes to Deanna Bogart, everyone wants to claim her as their own — her hometown, her fans, her fellow musicians and even her instruments. She’s that good–and that good-natured.
Born in Detroit, Deanna spent her early years in Phoenix and New York City, climbing on any available piano bench to plunk and play with preternatural panache. Around the age of six, she was “gently removed” from the Brooklyn Conservatory of Music for playing piano by ear instead of learning to read music. While in middle school, Deanna yearned to play the saxophone. Typical of those times though, she was told, “Girls play the clarinet, not the sax.” Thankfully for us all, that tide has changed.
Today, Deanna Bogart is an award-winning multi-instrumentalist and multifaceted musician whose fans value the diversity of her genre-free zone. As a bandleader/singer/songwriter/producer/pianist/sax player, Deanna combines the best of boogie-woogie, contemporary blues, country and jazz into a splendid blend she calls “blusion.”
Deanna’s fusion of blusion — spontaneous, sophisticated, fearless and fun — has garnered her three consecutive Blues Music Awards’ Horn Instrumentalist of the Year for 2008, 2009 and 2010 and an endorsement contract with Rico Reeds. She has won, at last count, more than 20 Wammies, the music awards for the hotly contested Washington, D.C. region.
Recognized for her dazzling keyboards, soulful saxophone, smoky vocals and cut-above songwriting, Deanna easily wins the hearts of fans on land and at sea on chartered cruises. She is a featured player in the Legendary Rhythm and Blues Revue, jamming with Tommy Castro, Magic Dick (founding member of the J. Geils Band), as well as prominent guitar slingers. Deanna remembers well her early years as a budding musician and is an avid educator and mentor, sharing her insight and wisdom with students of all ages.Post Views: 2,815
Soars got bitten by the blues bug via a legendary source in 1988, when he won a guitar and two tickets in a raffle to see B.B. King in concert. Meeting the iconic guitarist and singer further enhanced the young musician’s quest to learn more about the timeless power of the music. Soars started his blues recording career a decade ago with the 2008 release Back of My Mind, followed by More Bees With Honey (2011) and Full Moon Night in Memphis (2014). Collectively, his catalog has received extensive airplay on the XM Radio programs of Little Steven (“Underground Garage”) and B.B. King (“Bluesville”); Top 50 status on the “Living Blues” charts, Blues Music Award nominations for “Best Contemporary Male Blues Artist of the Year,” and “Best Blues CD” and “Album of the Year” accolades from the Palm Beach Post.
A gritty and expressive vocalist, Soars elicits signature tones from hollow-body guitars, plus a home-made two-string cigar box guitar for his incendiary slide guitar playing. All of which has helped him earn dates at the Baltic Sea Festival in Germany, the Liberation Day Festival in Holland, and other shows in France, Switzerland, Luxembourg, Austria, and Colombia as well as road work throughout the United States and Canada.Post Views: 2,808
The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland subway station, but the band has stayed true to that organic, street-level feel. Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals. More like parties than traditional concerts, their shows feature extensive off-stage jamming and crowd interaction. “The whole point is to erase the boundaries between the crowd and us,” Wierzynski says. “We don’t make setlists. We want requests. We want crowd involvement, to make people become a part of the whole thing by dancing along, singing, picking the songs and generally coming out of their shells.”Post Views: 1,554