Alice Peacock is an American folk singer and has recorded five independent albums and an album released by Aware/Columbia Records. Wikipedia
Much has changed for singer-songwriter Alice Peacock since her last solo studio album, 2009’s Love Remains. She’s had three kids, moved to Cincinnati and…gotten 10 years older. “Feel the weight of the world on my shoulders / Am I wiser or am I just older?” she sings on “Dry Spell,” from her new collection, Minnesota. The record suggests that despite her “wondering what all is yet to be,” she has indeed attained a measure of wisdom.
I have embedded a classic video with a special guest backing her up.
Current videos available on her web site and You Tube.
You Might also like
A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.
Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.
“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”
Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.
Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.
After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.Post Views: 2,670
is the continuation of Kevin Russell’s musical journey that began in Beaumont, TX when, at 14, he found his father’s guitar under his bed, along with a sewing machine, a billy club and a box of comic books. Luckily he chose the guitar. A Shinyribs show is an exaltation of spirit. It’s a hip shaking, belly laughing, soul-singing, song-slinging, down-home house party. All styles of American music are likely to be touched on, squeezed on, kissed on by this world-class band featuring Winfield Cheek on Keyboards, Keith Langford on Drums, Jeff Brown on Bass, the Tijuana Trainwreck Horns, and The Shiny Soul Sisters – Kelley Mickwee & Alice Spencer. Whether on his 6 string Uke or his Electric guitar or singing a cappella, Russell will entertain you like no one else. The freedom with which he moves, coupled with his incredible voice is an experience in and of itself. His original songs laced with magical-realism along with novel interpretations of popular songs old and new (George Jones, TLC, Leadbelly, T-Pain) are the true art that runs throughout. He’s Burl Ives meets Al Green; Hank, Jr. meets Teddy Pendergrass. Wendell Berry meets Chuck Berry.Post Views: 2,367
Greg Brown’s mother played electric guitar, his grandfather played banjo, and his father was a Holy Roller preacher in the Hacklebarney section of Iowa, where the Gospel and music are a way of life. Brown’s first professional singing job came at age 18 in New York City, running hootenannies (folksinger get-togethers) at the legendary Gerdes Folk City. After a year, Brown moved west to Los Angeles and Las Vegas, where he was a ghostwriter for Buck Ram, founder of the Platters. Tired of the fast-paced life, Brown traveled with a band for a few years, and even quit playing for a while before he moved back to Iowa and began writing songs and playing in midwestern clubs and coffeehouses.
Brown’s songwriting has been lauded by many, and his songs have been performed by Willie Nelson, Carlos Santana, Michael Johnson, Shawn Colvin, and Mary Chapin Carpenter. He has also recorded more than a dozen albums, including his 1986 release, Songs of Innocence and of Experience, when he put aside his own songwriting to set poems of William Blake to music. One Big Town, recorded in 1989, earned Brown three and a half stars in Rolling Stone, chart-topping status in AAA and The Gavin Report’s Americana rankings and Brown’s first Indie Award from NAIRD (National Association of Independent Record Distributors). The Poet Game, his 1994 CD, received another Indie award from NAIRD. His critically acclaimed 1996 release, Further In, was a finalist for the same award. Rolling Stone’s four-star review of Further In called Brown “a wickedly sharp observer of the human condition.” 1997’s Slant 6 Mind (Red House Records) earned Brown his second Grammy nomination. His latest CD, One Night (Red House), is a re-release of a 1983 live performance originally on Minneapolis’ Coffeehouse Extemporé Records. (Bio from gregbrown.org)Post Views: 2,581