also see Trigger Hippy
Jackie Greene is an American singer-songwriter and musician. He has a solo career and was a member of the final lineup of the Black Crowes, who disbanded in January 2015. Wikipedia
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“It’s over now / The flag is sunk / The world has flattened out,” are the first words of Extralife, the new album by Boston-based quartet Darlingside. While the band’s critically acclaimed 2015 release Birds Say was steeped in nostalgia and the conviction of youth, Extralife grapples with dystopian realities and uncertain futures. Whether ambling down a sidewalk during the apocalypse or getting stuck in a video game for eternity, the band asks, sometimes cynically, sometimes playfully: what comes next? Their erstwhile innocence is now bloodshot for the better.
Hope arrives in the form of Darlingside’s signature superpower harmonies, drawing frequent comparisons to late-60’s era groups like Crosby, Stills & Nash; Simon & Garfunkel; and The Byrds. And yet, their penchant for science fiction and speculative futurism counteracts any urge to pigeonhole their aesthetic as “retro”. The four close friends construct every piece of their music collaboratively, pooling musical and lyrical ideas so that each song bears the imprint of four different writing voices. NPR Music dubs the result “exquisitely-arranged, literary-minded, baroque folk-pop”, and calls Extralife “perfectly crafted”.
Darlingside perform all of their music around a single vocal microphone, inviting audiences into a lush, intimate world where four voices are truly one. Their 2016 performance at the Cambridge Folk Festival “earned an ecstatic reception and turned them into instant stars”, according to The Daily Telegraph. The band tours regularly throughout the United States, Canada, the UK, and Europe.Post Views: 2,667
What sustains a band for more than three decades? Not a hit radio band, but a roll-up-your-sleeves/drive to the next gig overnight/carry your own gear up the steps and night after night make people happy kind of band. One that makes them dance; sends them home to come back again—and again. What makes that kind band stay together through relatively few personnel changes? Answer: A good idea; a universal yet somehow unique, good idea.
The Nighthawks sought not so much to reinvent rock and roll, but simply to have it reinvent itself by taking the original ingredients and following—if somewhat loosely—the original recipe. And like good cooks, the individual personalities involved ultimately affected the outcome.
The band was over 10 years old and had baffled the mainstream industry before the term “roots rock” was coined to explain the likes of West Coasters like Los Lobos and The Blasters. By then, the affiliation with many of the living blues greats seemed to brand The Nighthawks a “blues band” despite the fact that they played with Carl Perkins as well as Muddy Waters.
The Nighthawks had its genesis when lead singer-harmonica player extraordinaire Mark Wenner returned to his native Washington, D.C. after six years in New York City, lured back by the success of his friend Bobby Radcliff’s local acclaim with a blues band. Mark joined forces with a then very young Jimmy Thackery and formed The Nighthawks in 1972. They spent a couple of years building The Nighthawks’ reputation with a revolving cast of characters until, in 1974, they decided to get the best rhythm section the area had to offer: Jan Zukowski on bass and Pete Ragusa on drums.
The Nighthawks set off on a musical mystery tour that took them to 49 states and a dozen countries. They played with nearly all the living blues legends as well as a new generation of bands, sometimes called “the Blue Wave”, and released several important albums including the best-selling Jacks and Kingswith Pinetop Perkins, Luther “Guitar Junior” Johnson, Calvin Jones and Bob Margolin. (Servern Records 2017)
Could not resist the throwback video..enjoyPost Views: 2,226
The Pretenders/Chrissie Hynde
Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde’s songwriting, yet they were a full-fledged band when they formed in the late ’70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also melodic and immediately accessible. Hynde was an invigorating singer who bent the traditional male roles of rock & roll to her own liking, while guitarist James Honeyman-Scott created a sonic palette filled with suspended chords, effects pedals, and syncopated rhythms that proved remarkably influential over the next two decades. After Honeyman-Scott’s death, the Pretenders became a straightforward rock band, yet Hynde’s semi-autobiographical songwriting and bracing determination meant that the group never became just another rock band, even when their music became smoother and pop-oriented.
Originally from Akron, Ohio, Hynde moved to England in the early ’70s, when she was in her twenties. British rock journalist Nick Kent helped her begin writing for New Musical Express; she wrote for the newspaper during the mid-’70s. She also worked in Malcolm McLaren’s SEX boutique before she began performing. After playing with Chris Spedding, she joined Jack Rabbit; she quickly left the band and formed the Berk Brothers.
In 1978, Hynde formed the Pretenders, which eventually consisted of Honeyman-Scott, bassist Pete Farndon, and drummer Martin Chambers. Later in the year, they recorded a version of Ray Davies’ “Stop Your Sobbing,” produced by Nick Lowe. The single made it into the British Top 40 in early 1979. “Kid” and “Brass in Pocket,” the group’s next two singles, were also successful. Their debut album, Pretenders, was released in early 1980 and eventually climbed to number one in the U.K. The band was nearly as successful in America, with the album reaching the Top Ten and “Brass in Pocket” reaching number 14.
During an American tour in 1980, Hynde met Ray Davies and the two fell in love. Following a spring 1981 EP, Extended Play, the group released their second album, Pretenders II. Although it fared well on the charts, it repeated the musical ideas of their debut. In June of 1982, Pete Farndon was kicked out of the band due to his drug abuse. A mere two days later, on June 16, James Honeyman-Scott was found dead of an overdose of heroin and cocaine. Pregnant with Davies’ child, Hynde went into seclusion following Honeyman-Scott’s death. In 1983, two months after Hynde gave birth, Farndon also died of a drug overdose.
Hynde regrouped the Pretenders in 1983, adding former Manfred Mann’s Earth Band guitarist Robbie McIntosh and bassist Malcolm Foster; the reconstituted band released “2000 Miles” in time for Christmas. The new Pretenders released Learning to Crawl early in 1984 to positive reviews and commercial success. Ending her romance with Ray Davies, Hynde married Jim Kerr, the lead vocalist of Simple Minds, in May of 1984.
Apart from a performance at Live Aid, the only musical activity from the Pretenders in 1985 was Hynde’s appearance on UB40’s version of “I Got You Babe.” Hynde assembled another version of the Pretenders for 1986’s Get Close. Only she and McIntosh remained from Learning to Crawl; the rest of the album was recorded with session musicians. Get Close showed the Pretenders moving closer to MOR territory, with the bouncy single “Don’t Get Me Wrong” making its way into the American Top Ten in 1987. Hynde recorded another duet with UB40 in 1988, a cover of Dusty Springfield’s “Breakfast in Bed.”
Hynde’s marriage to Kerr fell apart in 1990, the same year Packed! was released, although it failed to ignite the charts in either America or Britain. Hynde was relatively quiet for the next few years, re-emerging in 1994 with Last of the Independents, which was hailed as a comeback by some quarters of the press. The album did return the Pretenders to the Top 40, with the ballad “I’ll Stand by You.” In the fall of 1995, the live album Isle of View was released, then the group remained silent for a few years. Hynde finally returned in 1999 with an album of new material, Viva el Amor. Three years later, the Pretenders left their longtime label for Artemis. The reggae-tinged Loose Screw appeared in November and a tour followed in January 2003. In March 2006, the band released their first-ever box set, Pirate Radio, via Rhino. The four-disc package included over five hours of music and a DVD of rare performances. Two years later, the Pretenders released Break Up the Concrete, their first album in six years; it debuted at 32 on the Billboard charts and 35 in the U.K.
Following the release of Break Up the Concrete, the Pretenders spent the next few years touring, but after 2012, Hynde put the band on hiatus. In 2014, she released Stockholm, her first-ever solo album, which was followed in 2015 by her memoir Reckless: My Life as a Pretender. In 2016, Hynde revived the Pretenders to record a new album with Black Keys guitarist Dan Auerbach as producer. Alone emerged in October 2016. 2019 saw the belated release of The Pretenders with Friends, a CD, DVD, and Blu-ray package that documented both sound and images from a 2006 concert in which Hynde and her bandmates were joined on-stage by Iggy Pop, Shirley Manson of Garbage, and members of Incubus and Kings of Leon. The Pretenders reunited with producer Stephen Street for 2020’s Hate for Sale, which also was the first album since Loose Screw to feature Chambers on drums. ~ Stephen Thomas ErlewinePost Views: 1,812