David Albert Alvin is an American singer-songwriter, guitarist, music producer and poet. He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations.
These days the touring band is prinarily Dave Alvin & Jimmie Dale Gilmore with The Guilty Ones.
Jimmie Dale Gilmore is a Texan who spent a few formative years in California. Dave Alvin is a Californian who has spent alot of time in Texas. So of course, when the Blaster and the Flatlander began performing together after nearly thirty years of friendship, they leaned into the overlap. The duo’s first album, 2018’s Downey to Lubbock, was named for their respective childhood homes. Now they’re back with Texicali, from Yep Roc Records. (Texas Monthly)
More about Jimmie Dale:
with brother Phil Alvin.
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Lawrence
Lawrence the Band
They are brother and sister with an eight-piece band delivering soul-pop music with some hints of funk, R&B, and rock and roll.
Most of all they are young and having fun.
Latest release – Hotel TV
Funniest Video – It’s Not All About You
Clyde Lawrence and Gracie Lawrence have been writing songs and listening to countless Stevie Wonder, Randy Newman, and Aretha Franklin records in the living room of their family’s New York City apartment since they were little kids. After years of playing together, they officially created Lawrence, an eight-piece soul-pop band comprised of musician friends from childhood and college. In June 2019, Lawrence became the first band to sign with Beautiful Mind Records, the label of Grammy-winning producer/song-writer/artist Jon Bellion. In the weeks following the signing, they released the Bellion-produced single “Casualty,” and embarked as support on Bellion’s Summer 2019 Glory Sound Prep Tour. The signing followed the release of Lawrence’s sophomore album, Living Room, in September of 2018. Co-produced by bandmates Jordan Cohen and Jonny Koh, Brooklyn-based producer Eli Crews, and Clyde and Gracie themselves, Living Room chronicles the trials and tribulations of growing up, including break-ups, make-ups, and a family loss. Living Room built sonically on the band’s first album, Breakfast (2016), which was produced by Grammy Award-winner Eric Krasno (Lettuce/Soulive). In addition to the band, Clyde has also amassed a considerable resume writing songs and score for films and television, while Gracie is an accomplished film, television, and theater actress. (Splitter.fm)
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John Hiatt
John Robert Hiatt is an American singer-songwriter and musician. He has played a variety of musical styles on his albums, including new wave, blues, and country. Hiatt has been nominated for nine Grammy Awards and has been awarded a variety of other distinctions in the music industry.
COUNTRY MUSIC HALL OF FAME® AND MUSEUM TO FEATURE JOHN HIATT AS NEXT POETS AND PROPHETS HONOREE
NASHVILLE, Tenn. – July 9, 2024 – The Country Music Hall of Fame® and Museum will feature singer-songwriter John Hiatt in the next installment of its in-depth interview series Poets and Prophets. The series features songwriters who have made significant contributions to country music. The program will take place on Saturday, Aug. 10, at 2:30 p.m. in the museum’s Ford Theater and is included with museum admission.
Throughout his 50-year recording career, Hiatt has established himself as one of the most acclaimed singer-songwriters of his generation, as well as a hit composer for country and rock artists alike. Bob Dylan, Bruce Springsteen and Country Music Hall of Fame members Emmylou Harris and Willie Nelson are among the artists who have covered his acerbic, soul-stirring songs.
Hiatt began his professional songwriting career at age 18, when he moved to Nashville to work at Tree Publishing. Over the next two decades, his songs became hits for Rosanne Cash (“The Way We Make a Broken Heart”), the Desert Rose Band (“She Don’t Love Nobody”) and Three Dog Night (“”Sure as I’m Sittin’ Here”). Hiatt found success as a recording artist with his landmark 1987 album, Bring the Family, which featured “Have a Little Faith in Me” and “Memphis in the Meantime,” among other enduring songs. In its wake, he went from earning cuts to being covered by some of music’s biggest names, including Bonnie Raitt (“Thing Called Love”) and B. B. King and Eric Clapton (“Riding with the King”).
Following a stint in Los Angeles, Hiatt returned to Nashville in the mid-1980s and has continued to write, perform and record. He has released more than two dozen albums, most recently 2021’s Leftover Feelings, a highly regarded collaboration with the Jerry Douglas Band, recorded at historic RCA Studio B. In 2008, Hiatt was inducted into the Nashville Songwriters Hall of Fame and received a lifetime achievement award for songwriting from the Americana Music Association. In 2019, he became the third recipient of the BMI Troubadour Award, which recognized his work as a songwriter.
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The Jayhawks
The Jayhawks
One of the most enduring and beloved groups of the last thirty years, The Jayhawks first emerged from Minneapolis in the mid-1980’s, though their commercial and critical breakthrough didn’t arrive until the release of their 1992 masterpiece, Hollywood Town Hall. Over the ensuing decades, the band would go on to record a series of highly influential albums and tour the world countless times over, sharing stages with everyone from Bob Dylan and Tom Petty to Lucinda Williams and Wilco along the way. Following an extended hiatus in the mid-2000’s, Louris and his long-time bandmates—bassist Marc Perlman, drummer Tim O’Reagan, and keyboardist Karen Grotberg—returned to the studio, most recently releasing the acclaimed Paging Mr. Proust and Back Roads and Abandoned Motels in 2016 and 2018, respectively.
The 11th Jayhawks studio album XOXO was released on July 10, 2020 through Sham/Thirty Tigers. Recorded in late 2019 at Pachyderm and Flowers Studios in Minnesota, XOXO represents a bold step forward. For the first time, all four members contribute writing and lead vocal duties. XOXO is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.
