Bandhouse Gigs
BandHouse Gigs, founded in 2004 by local Bethesda, Maryland musicians Ronnie Newmyer and Chuck Sullivan, and later joined by David Sless, Greg Hardin, and Danny Schwartz, is the D.C. area’s premier producer of one-of-a-kind tribute concerts for iconic artists and influential musical movements. Over the past 13 years BandHouse has produced 25 sold out shows at The Warner Theater, The Music Center at Strathmore, The Fillmore Silver Spring, Wolf Trap, Rams Head On Stage, and The Hamilton Live.
They collaborate with professionals willing to donate their services, including writers, graphic artists, videographers, photographers, make-up artists, lighting designers, marketing professionals, and audio engineers. Together they are the BandHouse Team.
Bandhouse Gigs on Facebook
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The Boneshakers
The Boneshakers w/Jenny Langer
The iconic band lead by world-renowned guitarist Randy Jacobs of Was (Not Was). The Boneshakers and members have toured and recorded with Bonnie Raitt, BB King, Seal, Keb Mo, Aretha Franklin, Elton John, Mindi Abair, Bootsy Collins, Tears 4 Fears, Bob Dylan, Stevie Wonder, Iggy Pop…just to name a few. STORIED CAREER Flashback to 1980 — During his maiden session for Don and David Was, Randy Jacobs meets Sweetpea Atkinson on a cold night in the Motor City at Sound Suite Studio (the recording home of the fledgling band Was (Not Was). The connection was immediate and a bond was forged between the two artists. Their combined talents would help Was (Not Was) become a successful act during the 80’s and into the early 90s culminating with the worldwide hit “Walk The Dinosaur ” co-written by Jacobs. After their European tour with Dire Straits in 1992, the Was Band went on hiatus and Randy started playing and recording with the likes of Bonnie Raitt, BB King, Seal, Paula Abdul, Kris Kristofferson, Ofra Haza, Tears For Fears, Warren Hill and others. Sweetpea was in Los Angeles adding background vocals to artists like Neil Diamond, Bonnie Raitt, Keb Mo, and Bob Segar. When Atkinson heard that Jacobs was putting together a new project, he jumped at the chance to be a part of it. It was Bonnie Raitt who inadvertently gave them their name “Boneshakers” while they were working on her “Longing In Our Hearts” CD. In 1996, the two were signed to Pointblank/Virgin Records and produced two CDs for the label: “Book Of Spells” (1997) which included Randy’s rockin’ swing arrangement of James Brown’s “Cold Sweat” and the powerful “Shake The Planet” (1998). Over the years, The Boneshakers released another four successful albums. Additionally, they joined forces with sax queen Mindi Abair and released Live in Seattle on Concord Records. Two more albums were credited to Mindi Abair and The Boneshakers: The EastWest Sessions (2017) and All I Got for Christmas Is the Blues (2018).
In 2020, the band suffered an unimaginable loss with news of the passing of Sweetpea. THE LEGACY CONTINUES Now in 2022, as The Boneshakers celebrate the 25th anniversary of their first release, a new energy and excitement has emerged. Producer John Wooler, who originally signed The Boneshakers in 1997, connected Randy and the incredible Jenny Langer– a powerhouse singer who was inducted into the Blues Hall of Fame (NYC and VA) at the age of 28 and won the 2020 Int’l Blues Challenge for Best SelfProduced Album. What started as a few tracks for her project quickly morphed in a new album with The Boneshakers featuring no-holds-barred funk, blues, and rock that marries the sounds and spirits of Detroit Rock City, Memphis, and Mussel Shoals. Produced by Wooler, it is back to the original vision of The Boneshakers’ fiery sound, with the vocal dynamo Jenny Langer behind the mic and original musicians from “The Book Of Spells” Sergio Gonzales (Drums), Nathan Brown (Bass), Jon Gilutin (Keys), The Texacali Horns (Joe Sublett, Mark Pender, and Randy’s former band mate from Was (Not Was) Sir Harry Bowens on vocals.
BAND MEMBERS:
Randy Jacobs (Guitar/Vocals)
Holly Montgomery (Bass/Vocals)
Arthur Thompson (Drums/vocals)
Jenny Langer (Vocals) -
Peter Himmelman
Peter Himmelman
is a man of many talents and accomplishments who is known to those who have heard of him, but haven’t heard him, as Bob Dylan’s son-in-law. He has been playing in and with bands since sixth grade in the Minneapolis suburb of St. Louis Park. (Filmmakers Joel and Ethan Coen, Sen. Al Franken, and New York Times columnist Thomas L. Friedman are also SLP natives.) He has released a dozen rock albums since 1986�the first half dozen on major corporate record labels, others on smaller indies, others self-released�all of which have received love from critics and none of which have sold well. The only Billboard chart on which he has ever appeared is the Heatseekers chart, limited to artists who have never had an album in the top 200. But the quality of his work has never flagged, and lately he has released some of his finest work, including Imperfect World (2005) and The Mystery and the Hum (2010). There is also an intentional oddity called Flimsy (2011), a collection of spoken-word songs ranging from the absurd to the heartbreaking. His new album, The Boat That Carries Us, now available on his own Himmelsongs label, is about motion, or being in motion, by air (“33K Feet”), by car (“Green Mexican Dreams”), or in spirit (“Angels Die”). (Read more at peterhimmelman.com)
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California Honeydrops
California Honeydrops
The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland subway station, but the band has stayed true to that organic, street-level feel. Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals. More like parties than traditional concerts, their shows feature extensive off-stage jamming and crowd interaction. “The whole point is to erase the boundaries between the crowd and us,” Wierzynski says. “We don’t make setlists. We want requests. We want crowd involvement, to make people become a part of the whole thing by dancing along, singing, picking the songs and generally coming out of their shells.”
