Iris Dement
Embedded Video is also featured on her web site.
Included here just in case you missed it. Ergo..don’t miss it.
“Iris DeMent makes music that celebrates humanity’s efforts toward salvation, while acknowledging that most of our time on Earth is spent reconciling with the fact that we don’t feel so redeemed. Grounded in hymns, early country songs, gospel and folk, DeMent’s work is treasured by those who know it for its insight and unabashed beauty.” ~ NPR

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The Pretenders/Chrissie Hynde
The Pretenders/Chrissie Hynde
Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde’s songwriting, yet they were a full-fledged band when they formed in the late ’70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also melodic and immediately accessible. Hynde was an invigorating singer who bent the traditional male roles of rock & roll to her own liking, while guitarist James Honeyman-Scott created a sonic palette filled with suspended chords, effects pedals, and syncopated rhythms that proved remarkably influential over the next two decades. After Honeyman-Scott’s death, the Pretenders became a straightforward rock band, yet Hynde’s semi-autobiographical songwriting and bracing determination meant that the group never became just another rock band, even when their music became smoother and pop-oriented.
Originally from Akron, Ohio, Hynde moved to England in the early ’70s, when she was in her twenties. British rock journalist Nick Kent helped her begin writing for New Musical Express; she wrote for the newspaper during the mid-’70s. She also worked in Malcolm McLaren’s SEX boutique before she began performing. After playing with Chris Spedding, she joined Jack Rabbit; she quickly left the band and formed the Berk Brothers.
In 1978, Hynde formed the Pretenders, which eventually consisted of Honeyman-Scott, bassist Pete Farndon, and drummer Martin Chambers. Later in the year, they recorded a version of Ray Davies’ “Stop Your Sobbing,” produced by Nick Lowe. The single made it into the British Top 40 in early 1979. “Kid” and “Brass in Pocket,” the group’s next two singles, were also successful. Their debut album, Pretenders, was released in early 1980 and eventually climbed to number one in the U.K. The band was nearly as successful in America, with the album reaching the Top Ten and “Brass in Pocket” reaching number 14.
During an American tour in 1980, Hynde met Ray Davies and the two fell in love. Following a spring 1981 EP, Extended Play, the group released their second album, Pretenders II. Although it fared well on the charts, it repeated the musical ideas of their debut. In June of 1982, Pete Farndon was kicked out of the band due to his drug abuse. A mere two days later, on June 16, James Honeyman-Scott was found dead of an overdose of heroin and cocaine. Pregnant with Davies’ child, Hynde went into seclusion following Honeyman-Scott’s death. In 1983, two months after Hynde gave birth, Farndon also died of a drug overdose.
Hynde regrouped the Pretenders in 1983, adding former Manfred Mann’s Earth Band guitarist Robbie McIntosh and bassist Malcolm Foster; the reconstituted band released “2000 Miles” in time for Christmas. The new Pretenders released Learning to Crawl early in 1984 to positive reviews and commercial success. Ending her romance with Ray Davies, Hynde married Jim Kerr, the lead vocalist of Simple Minds, in May of 1984.
Apart from a performance at Live Aid, the only musical activity from the Pretenders in 1985 was Hynde’s appearance on UB40’s version of “I Got You Babe.” Hynde assembled another version of the Pretenders for 1986’s Get Close. Only she and McIntosh remained from Learning to Crawl; the rest of the album was recorded with session musicians. Get Close showed the Pretenders moving closer to MOR territory, with the bouncy single “Don’t Get Me Wrong” making its way into the American Top Ten in 1987. Hynde recorded another duet with UB40 in 1988, a cover of Dusty Springfield’s “Breakfast in Bed.”
Hynde’s marriage to Kerr fell apart in 1990, the same year Packed! was released, although it failed to ignite the charts in either America or Britain. Hynde was relatively quiet for the next few years, re-emerging in 1994 with Last of the Independents, which was hailed as a comeback by some quarters of the press. The album did return the Pretenders to the Top 40, with the ballad “I’ll Stand by You.” In the fall of 1995, the live album Isle of View was released, then the group remained silent for a few years. Hynde finally returned in 1999 with an album of new material, Viva el Amor. Three years later, the Pretenders left their longtime label for Artemis. The reggae-tinged Loose Screw appeared in November and a tour followed in January 2003. In March 2006, the band released their first-ever box set, Pirate Radio, via Rhino. The four-disc package included over five hours of music and a DVD of rare performances. Two years later, the Pretenders released Break Up the Concrete, their first album in six years; it debuted at 32 on the Billboard charts and 35 in the U.K.
Following the release of Break Up the Concrete, the Pretenders spent the next few years touring, but after 2012, Hynde put the band on hiatus. In 2014, she released Stockholm, her first-ever solo album, which was followed in 2015 by her memoir Reckless: My Life as a Pretender. In 2016, Hynde revived the Pretenders to record a new album with Black Keys guitarist Dan Auerbach as producer. Alone emerged in October 2016. 2019 saw the belated release of The Pretenders with Friends, a CD, DVD, and Blu-ray package that documented both sound and images from a 2006 concert in which Hynde and her bandmates were joined on-stage by Iggy Pop, Shirley Manson of Garbage, and members of Incubus and Kings of Leon. The Pretenders reunited with producer Stephen Street for 2020’s Hate for Sale, which also was the first album since Loose Screw to feature Chambers on drums. ~ Stephen Thomas Erlewine
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J. P. Soars
Soars got bitten by the blues bug via a legendary source in 1988, when he won a guitar and two tickets in a raffle to see B.B. King in concert. Meeting the iconic guitarist and singer further enhanced the young musician’s quest to learn more about the timeless power of the music. Soars started his blues recording career a decade ago with the 2008 release Back of My Mind, followed by More Bees With Honey (2011) and Full Moon Night in Memphis (2014). Collectively, his catalog has received extensive airplay on the XM Radio programs of Little Steven (“Underground Garage”) and B.B. King (“Bluesville”); Top 50 status on the “Living Blues” charts, Blues Music Award nominations for “Best Contemporary Male Blues Artist of the Year,” and “Best Blues CD” and “Album of the Year” accolades from the Palm Beach Post.
A gritty and expressive vocalist, Soars elicits signature tones from hollow-body guitars, plus a home-made two-string cigar box guitar for his incendiary slide guitar playing. All of which has helped him earn dates at the Baltic Sea Festival in Germany, the Liberation Day Festival in Holland, and other shows in France, Switzerland, Luxembourg, Austria, and Colombia as well as road work throughout the United States and Canada.
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Willie Porter
Willy Porter is a contemporary American rock musician and singer-songwriter from Mequon, Wisconsin. He is a graduate of the University of Wisconsin-Eau Claire. In April
Willy Porter Biography
by Richard Skelly – from Allmusic.com
Like Greg Brown, John Hammond, Leo Kottke, Stephen Fearing, Richard Shindell, Kelly Joe Phelps, and so many others, Willy Porter is often at his strongest as a solo act. He does work with a band periodically, but given the economics of touring in recent years, he seems to perform more frequently accompanying himself with guitar and mandolin. Porter honed his chops the natural way, busking across Europe and playing every little coffee house and dive bar on both sides of the Mississippi. He’s a veteran performer who takes his audiences with him on the journey. He elicits a rare kind of communication between artist and audience, mostly because he’s able to read his audiences so well.
Porter was raised near Milwaukee, and his first big breaks were playing theater-sized shows there and in Madison. As could be expected from someone from this part of the country, there’s an element of blues in Porter’s singing and songwriting and in most of his live shows, although he’s best thought of as a contemporary singer/songwriter, straight out of the world of folk music. He began playing viola, a notoriously difficult instrument to master, in his youth, but found he lacked the discipline for classical music as a career path. He had a revelation in his teens when he found Leo Kottke’s album, “6 & 12 String Guitar.” Kottke‘s playing opened up new vistas for Porter, who began playing guitar after dropping his viola studies.
As the occasion or tour dictates, you can catch Porter solo or with a backing band of veterans from Wisconsin.
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