Tiny Desk Concerts
Among the best online options to watch your favorite artists in performance.
An eclectic collection of 3 song sets recorded in the offices of NPR in Washington, D.C. by a wide assortment of well known and soon to be known musical artists. Check out the video of Tower of Power in the office at NPR.
Follow the YouTube channel.
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The Record Company
The Record Company
The Record Company is an American rock band from Los Angeles. The members are Chris Vos, Alex Stiff, and Marc Cazorla. Their music is influenced by blues musicians like John Lee Hooker, early punk bands like The Stooges, and rock bands like The Rolling Stones. Wikipedia
These rising stars have been riding up the charts with their latest release Play Loud.
Below is an excerpt from an excellent article featured in RELIX…where Music meets Journalism
From Play Loud’s first notes, it’s quite evident that something has changed. The raw, bluesy feel that lined The Record Company’s first two albums is no longer there; instead, there’s a rock[1]and-roll swagger that shines through. It’s energetic in ways that feel more apt for arenas instead of the home-studio recordings that often looked inward. On the album’s opener “Never Leave You,” Vos laments being a bit lost, searching for answers, finding solace in the sun. It’s a simple song about relationship confusion, but it sets the tone for Play Loud: The music here is catchy as hell. The single “How High” is an anthemic number, driven by Stiff and Cazorla’s thumping rhythms. At times, it feels like a pure adrenaline rush, especially when the chorus asks listeners to consider “how high do you want to fly”—in an aspirational way.
That’s not to say that their past is completely devoid on Play Loud. “Today Forever” is a slow, bluesy number that finds Vos passionately declaring to a lover that a great move would be to run away for “a day that will last forever.” It’s grand gesture thinking, but that’s the running thread throughout Play Loud—be yourself, take a chance, do it with some gusto.
Most of the songs were written pre-pandemic, but the Play Loud recording sessions took place in the spring of 2020. Unexpectedly, the lyrics seem to take on a new life once they started laying down the tracks, particularly “How High,” which seems to touch on themes relating to recovery.
“We were in a new, challenging time,” Vos says. “But at my core, as a human, I was back to being a 14-year-old kid sitting on the edge of my bed, playing guitar because I had nothing else to do today. The only thing on my mind was music. It was the only thing that would make me feel better, making the record. It became the absolute focal point of our lives. That was unexpectedly positive in a field of a lot of negativity. That was one area where we did benefit from being isolated. These songs for me were very emotionally profound. We’d written a lot before [the pandemic] but, all of a sudden, you’re taking it into the studio, and you’re singing this song—and this life, it means something different. We all have a relatable struggle. We all didn’t see our moms and dads for a long time. We all didn’t see our friends for a long time. That’s something we all share.”
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Etienne Charles
Etienne Charles
Hailed by The New York Times as “an auteur” (Ben Ratliff), by Jazz Times as “A daring improviser who delivers with heart-wrenching lyricism” (Bill Milkowski). According to Downbeat Magazine “Charles delivers his ebullient improvisations with the elegance of a world-class ballet dancer.” (John Murph). He has received critical acclaim for his exciting performances, thrilling compositions and knack for connecting with audiences worldwide. In June 2012, Etienne was written into the US Congressional Record for his musical contributions to Trinidad & Tobago and the World. Perhaps more than any other musician of his generation or Eastern Caribbean origin, Etienne brings a careful study of myriad rhythms from the French, Spanish, English, and Dutch speaking Caribbean to the table. Crucially, as a soloist, he fully understands the New Orleans trumpet tradition; which is readily discernible in his trademark instrumental swagger, and what famed Crescent City Pianist, Jelly Roll Morton so succinctly captured in the now immortal phrase, ‘The Spanish Tinge’. He has performed and or recorded with Monty Alexander, Roberta Flack, Frank Foster, Ralph MacDonald, Johnny Mandel, Wynton Marsalis, Marcus Roberts, Maria Schneider, Count Basie Orchestra, Eric Reed, Lord Blakie, David Rudder, and many others. He holds a Master’s degree from the Juilliard School and a Bachelor’s degree from Florida State University. Etienne Charles has taught as an Assistant Professor of Jazz Trumpet at Michigan State University and the University of Miami.
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Neal Francis
Neal Francis
Liberated from a self-destructive past and born anew in sobriety, Francis has captured an inspired collection of songs steeped in New Orleans rhythms, Chicago blues, and early 70s rock n’ roll. His music evokes a bygone era of R&B’s heyday while simultaneously forging a new path on the musical landscape. Colemine Records“The reincarnation of Allen Toussaint.” Craig Charles, BBC Radio 6
“Think New Orleans meets the Midwest with a little bit of California sun shining in the background.” -TwinCitiesMedia.net
“There’s a good chance you’ll have heard of Francis by the time the year is over…classic Funk, Soul and R&B.” Cincinnati CityBeat
“…gleefully mired In 70s style funk.” – NPR
“Soulful style…uplifting vibe…” – Dusty Groove
“Instant Americana-funk classic…R&B, blues and touches of gospel and good old fashioned funk merge into pure beauty and soul here, making the appetite and excitement for whatever Francis does next all the more intense.” – Record Crates United
