Mark Erelli
is an American singer/songwriter, multi-instrumentalist, and touring folk musician from Reading, Massachusetts who earned a master’s degree in evolutionary biology from the University of Massachusetts Amherst before pursuing a career in music. Wikipedia
Latest recording — Blindsided
“(Blindsided) soars on the wings of jangly guitars, heartfelt vocals and soulful harmony lines…Yep, that’s the sweet spot right there. And there’s enough of it to make this album matter.”
–The Associated Press
“Erelli is a throwback of sorts, a foursquare acoustic songwriter in an age of digital audio workstations. For ‘Blindsided’ he has amped up with a superb band…a rock ‘n’ soul set of songs with friction” –Boston Globe
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John Hiatt
John Robert Hiatt is an American singer-songwriter and musician. He has played a variety of musical styles on his albums, including new wave, blues, and country. Hiatt has been nominated for nine Grammy Awards and has been awarded a variety of other distinctions in the music industry.
COUNTRY MUSIC HALL OF FAME® AND MUSEUM TO FEATURE JOHN HIATT AS NEXT POETS AND PROPHETS HONOREE
NASHVILLE, Tenn. – July 9, 2024 – The Country Music Hall of Fame® and Museum will feature singer-songwriter John Hiatt in the next installment of its in-depth interview series Poets and Prophets. The series features songwriters who have made significant contributions to country music. The program will take place on Saturday, Aug. 10, at 2:30 p.m. in the museum’s Ford Theater and is included with museum admission.
Throughout his 50-year recording career, Hiatt has established himself as one of the most acclaimed singer-songwriters of his generation, as well as a hit composer for country and rock artists alike. Bob Dylan, Bruce Springsteen and Country Music Hall of Fame members Emmylou Harris and Willie Nelson are among the artists who have covered his acerbic, soul-stirring songs.
Hiatt began his professional songwriting career at age 18, when he moved to Nashville to work at Tree Publishing. Over the next two decades, his songs became hits for Rosanne Cash (“The Way We Make a Broken Heart”), the Desert Rose Band (“She Don’t Love Nobody”) and Three Dog Night (“”Sure as I’m Sittin’ Here”). Hiatt found success as a recording artist with his landmark 1987 album, Bring the Family, which featured “Have a Little Faith in Me” and “Memphis in the Meantime,” among other enduring songs. In its wake, he went from earning cuts to being covered by some of music’s biggest names, including Bonnie Raitt (“Thing Called Love”) and B. B. King and Eric Clapton (“Riding with the King”).
Following a stint in Los Angeles, Hiatt returned to Nashville in the mid-1980s and has continued to write, perform and record. He has released more than two dozen albums, most recently 2021’s Leftover Feelings, a highly regarded collaboration with the Jerry Douglas Band, recorded at historic RCA Studio B. In 2008, Hiatt was inducted into the Nashville Songwriters Hall of Fame and received a lifetime achievement award for songwriting from the Americana Music Association. In 2019, he became the third recipient of the BMI Troubadour Award, which recognized his work as a songwriter.
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Jesse Winchester
in memoriam
Jesse Winchester, the esteemed singer-songwriter who became a symbol of the anti-war movement when he moved to Canada to escape the draft in the Sixties, died April 11th, 2014, from bladder cancer. Winchester, who was living in Virginia when he died, was 69.
While never as well known as peers like James Taylor and Jackson Browne, Winchester wrote some of the defining singer-songwriter tracks of the seventies — evocations of American and Southern life like “Yankee Lady,” “Biloxi,” “Mississippi You’re on My Mind” and “The Brand New Tennessee Waltz” that ached with feelings of loss for the country he decided he had to leave. The songs gained him a cult following and critical respect, and were covered by everyone from George Strait to Tim Hardin. Winchester was considered such a formidable songwriter that a 2012 tribute album, Quiet About It, featured versions of his songs by Taylor, Elvis Costello, Jimmy Buffett, Rosanne Cash, Lucinda Williams, and Vince Gill, among others.
Born in Shreveport, Louisiana, in 1944, Winchester started playing music in Memphis, where his family later relocated. In 1967, he received a draft induction letter, but instead of showing up, he took a plane to Montreal. “I was so offended by someone’s coming up to me and presuming to tell me who I should kill and what my life was worth,” he told Rolling Stone in 1977. He arrived in Canada with only $300 and no connections, but settled into a new life, joining a local band and finally writing his own material. (Rolling Stone)
RIP Jesse -
Kathleen Edwards
For decades, Kathleen Edwards has been a cornerstone of North American roots music.
Since making her debut with 2002’s Failer, she’s spent the 21st century occupying the grey area between genres, swirling together her own mix of alt-country, folk, and heartland rock & roll. It’s a sound that has earned its creator more than a half-dozen Juno nominations, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty, Neil Young, and Lucinda Williams — she’s opened the door for others, too, inspiring a new generation of artists who, like her, blur the boundaries between genre and generation.
A native of Ottawa, Ontario, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album’s warm, woozy sound — crystallized on radio hits like “Six O’Clock News” — quickly turned her into one of the era’s alt-country heroes. From the very start, though, Edwards’ music seemed to exist somewhere out of time, resisting categorization even as Failer received a Juno nomination for “Roots & Traditional Album of the Year.”
“No one knew what to call my type of music back then,” she says of those early years. “The Americana genre didn’t exist yet, so they couldn’t categorize me. I just made the kind of music I wanted to make.”
Edwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012, Americana very much did exist as a genre, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard’s Folk Albums chart. Even so, a busy decade on the road had left her exhausted. After touring in support of Voyageur’s release, Edwards left the music business altogether and moved to suburban Ontario, where she opened a coffee shop called — defiantly — “Quitters.”
“Before I turned 30, I toured the world and put out nearly four records, performed on TV, and had an incredible run,” she says of her first 10 years in the spotlight. “What’s interesting is that I walked away from all of it, too — and when I came back, I felt better than the person who put out Failer.”
By the late 2010s, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris, who was looking for songwriting partners for a new project, Edwards jumped at the chance to collaborate. The two musicians co-wrote “Good Woman,” which appeared on Morris’ Grammy-nominated album Girl in 2019. Back home in Canada, Edwards continued to write new material, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020, the album expanded her sound and her audience, boosted by two hit songs — “Options Open” and “Hard on Everyone” — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn’t just mark her return to the music industry. It was a rebirth, too.
What’s next? New music, of course. She and Grammy-winner Jim Scott co-produced and released an album called Covers, which pays homage to some of her songwriting heroes – Tom Petty, REM, John Prine, Bruce Springsteen, et al. Edwards remains a fan of “ripping guitar riffs and good songs,” and she’s combining both into a follow-up album co-produced by Grammy-winners Jason Isbell and Gena Johnson that will showcase her legacy as well as her evolution.
She maintains a presence on the road, too, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson, John Fogerty, and Bob Dylan — the next.
“The amount of things I’ve gone through might make someone else quit…but quitting doesn’t quite do it for me,” she says. “I can’t help but want to write great songs, connect with people, and see what’s ahead. I don’t love looking behind, even though it’s one of the ways we can see what we’ve done, so I’m looking forward.” from High Road Touring bio
In keeping with her love of dogs and the great photo used on this post…give a listen to “Who Rescued Who”
2025 – new record out now “Billionaire”
