Marshall Crenshaw
Born in 1953 in Detroit, Michigan, Marshall Crenshaw learned to tune a guitar correctly at age ten and has been trying ever since. His first big break came in 1978 playing John Lennon in “Beatlemania”, first as an understudy in New York, then in the West Coast company followed by a national touring company. Removing himself from that situation in Feb. 1980, Marshall settled in New York City. After crossing paths with the great and legendary Alan Betrock, Marshall recorded his debut single “Something’s Gonna Happen” (for Betrock’s Shake Records label), which led to a deal with Warner Bros. His debut album, Marshall Crenshaw, was acclaimed as a masterpiece upon its release in 1982 and established him as a singular songwriter, record maker, and guitarist. The album spawned the hit single “Someday, Someway,” and other classics such as “(You’re My) Favorite Waste of Time,” “Whenever You’re On My Mind” and “Cynical Girl.”
Over the course of a career that’s spanned three decades, 13 albums, Grammy and Golden Globe nominations, film and TV appearances (Buddy Holly in “La Bamba”) and thousands of performances, Marshall Crenshaw’s musical output has maintained a consistent fidelity to the qualities of artfulness, craftsmanship and passion, and his efforts have been rewarded with the devotion of a broad and remarkably loyal fan base.
Along with touring around the country and the occasional recording project, Marshall currently hosts his own radio show, “The Bottomless Pit”, every Saturday at 10 PM on New York’s WFUV. Other current projects include a documentary film-in progress about legendary record producer Tom Wilson. Says Crenshaw, “This is a road that I never imagined taking before, but it’s been amazing and is going great..”
“Although he was seen as a latter-day Buddy Holly at the outset, he soon proved too talented and original to be anyone but himself.” – Trouser Press
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NRBQ
NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass).[1][2] The group formed in the mid- 1960’s. Through various incarnations, all of them relevant, they remain a force nearly 55 years later.
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Leftover Salmon
Leftover Salmon
For the past quarter-century, Colorado’s Leftover Salmon has established itself as one of the great purveyors of Americana music, digging deep into the well that supplies its influences; rock ‘n’ roll, folk, bluegrass, Cajun, soul, zydeco, jazz and blues. During their twenty-five plus years as a band they have headlined shows and festivals from coast to coast, released nine albums, and maintained a vibrant, relevant and influential voice in the music world. The evolution of Leftover Salmon’s music is influenced by Leftover Salmon co-founders Drew Emmitt (mandolin/vocals) and Vince Herman‘s (guitar/singer) keen musical instincts, and follows a musical path that adheres to the deep tradition the duo started when they first formed the group along with deceased banjo player Mark Vann. The addition of new band members over the years has nurtured an unmistakable evolution and freshness in Leftover Salmon’s sound, and has added an edge to the long-lasting power of the band’s music. (youtube)
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Allman Betts Band
Allman Betts Band
Devon Allman and Duane Betts unite in this exciting band.
Back on the Road. (Somtimes with friends)
The Allman Betts Band includes Devon Allman & Duane Betts on guitars and vocals, Berry Oakley Jr. on bass, Johnny Stachela on slide guitar, John Ginty on Hammond B3 (Robert Randolph/Dixie Chicks) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum. The show features original music from their two recent BMG albums, songs from their solo projects as well as classic songs by The Allman Brothers Band, the legendary group founded by Devon and Duane’s fathers, Gregg Allman & Dickey Betts.
Their sophomore album, Bless Your Heart, was released on August 28, 2020. Like their debut album, Bless Your Heart was recorded at the legendary Muscle Shoals Sound Studios and produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley).
“This is The Allman Betts Band’s best offering yet, showcasing a band still tethered to their legacy but finding their own way with a sound that honors their roots without stepping all over them.” – No Depression
