Allman Betts Band
Devon Allman and Duane Betts unite in this exciting band.
Back on the Road. (Somtimes with friends)
The Allman Betts Band includes Devon Allman & Duane Betts on guitars and vocals, Berry Oakley Jr. on bass, Johnny Stachela on slide guitar, John Ginty on Hammond B3 (Robert Randolph/Dixie Chicks) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum. The show features original music from their two recent BMG albums, songs from their solo projects as well as classic songs by The Allman Brothers Band, the legendary group founded by Devon and Duane’s fathers, Gregg Allman & Dickey Betts.
Their sophomore album, Bless Your Heart, was released on August 28, 2020. Like their debut album, Bless Your Heart was recorded at the legendary Muscle Shoals Sound Studios and produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley).
“This is The Allman Betts Band’s best offering yet, showcasing a band still tethered to their legacy but finding their own way with a sound that honors their roots without stepping all over them.” – No Depression
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Blues Time with Bill Wax
Bill Wax on the Blues
For those who are unfamiliar with me, I was the Program Director and Host of Bluesville on XM Satellite Radio. The channel was renamed B.B. King’s Bluesville in 2008. I managed the channel from its inception until 2013, when I retired. I also have over 35 years of experience in non-commercial radio, both as a host on various Blues and Rhythm and Blues shows and as Program Director at two stations: KOPN in Columbia, MO, and KBOO in Portland, OR.
I never thought much about writing until they reached out to me about working on Roaming The Arts. They were quite convincing, and I loved the concept for the website. So here I am. I hope to promote contemporary blues musicians, as well as recognize those who have already left the stage.
Watch Bill tell his story on Time Signatures with Jim Ervin ( from Capital Area Blues Society – Lansing, Michigan)
There are two men in the music I want to highlight in our first post.
The first is David Earl, founder and owner of Severn Records, a label located near Annapolis, MD. David passed on September 7, 2025, at the age of 57. I first met David in the early to mid-1990s, when he started showing up at open mics with his guitar and eventually played in a couple of DC/Baltimore Blues bands. In 1997, David began Echo Records and changed its name to Severn Records in 1998. The catch phrase for the label was ‘Roots Music for the 21st Century, and that is just what his label became. His first three releases were Darrell Nulisch’s “The Whole Truth”, Big Joe Maher’s “I’m Still Swinging”, and Benjie Porecki’s “Servin’ It Up”. His label has since issued over 60 discs. Some of the artist who have recorded for Severn, an incredible roster, include: Steve Guyger, Sugar Ray and the Bluetones, Lou Pride, Mike Morgan and the Crawl, Tad Robinson, Jimmy Earl, Kim Clark Organ Trio, Ola Dixon, Roy Gaines, Louisiana Red, J Street Jumpers, Nora Jean Burso, Roy Carrier, Bruce Katz, Alex Schultz, Buck Hill, Clarence Spady, Charles Wilson, Johnny Moeller, Mud Morganfield, The Nighthawks, The Fabulous Thunderbirds, Bryan Lee, and Ursula Ricks. Below is a starter list of some of my favorite tunes from Severn’s catalogue:
Roy Gaines – Hind Ends and Elbows
Darrell Nulisch -Leaving On the Morning Train
Clarence Spady – Just Between Us
Sugar Ray and the Bluetones – The Last Words of a Fool
Tad Robinson – Broken Hearted Man
Mud Morganfield/Kim Wilson – I Love the Life I Live
Ursula Ricks – My Street
The Nighthawks – Damn Good Time
Big Joe and the Dynaflows – How Come People Act Like That?
Steve Guyger – I’m Shakin’
Happy 100th Birthday B.B. King – September 16, 2025 (click link for a welcome rememberence)
The second musician I want to highlight is Sherman Holmes, the last man standing from the Holmes Brothers Band. They were a roots blues music group that was active between 1975 and 2015. They recorded 11 discs and won two Blues Music Awards. Sherman turned 86 on September 29, 2025. One of the most rewarding benefits of doing a radio show is that you never know who is listening. Sherman’s cousin is a fan of my radio show on WPFW. He heard me announce that I was going to play several tunes featuring Sherman and contacted Sherman so he could listen. I, of course, was both honored and touched that Sherman might be listening. I was also a bit intimidated that he might be listening. After the show, I got a note to call Pinky Sherman, who lives with Sherman. They called to thank me for playing the tunes and remembering Sherman and the Holmes Brothers. It made my week, and when Pinky told me Sherman was smiling, well, that makes it all worthwhile. Below is a starter list of some of the songs that Sherman sings lead on with the Holmes Brothers or from his solo disc called “The Richmond Sessions”:
Sherman Holmes/Joan Osborne – Dark End of the Street
Holmes Brothers – There’s A Train
Holmes Brothers – Promised Land
Holmes Brothers – If I Needed You
Holmes Brothers – If I Had a Boat
Holmes Brothers – Something Is Missing
Thanks for reading and listening.
More About Bill
Search for Bill’s on air shows at: “Roots and Fruits” on WPFW
Click here for posts of Roaming the Arts’ collection of Blues artists.
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The Record Company
The Record Company
The Record Company is an American rock band from Los Angeles. The members are Chris Vos, Alex Stiff, and Marc Cazorla. Their music is influenced by blues musicians like John Lee Hooker, early punk bands like The Stooges, and rock bands like The Rolling Stones. Wikipedia
These rising stars have been riding up the charts with their latest release Play Loud.
Below is an excerpt from an excellent article featured in RELIX…where Music meets Journalism
From Play Loud’s first notes, it’s quite evident that something has changed. The raw, bluesy feel that lined The Record Company’s first two albums is no longer there; instead, there’s a rock[1]and-roll swagger that shines through. It’s energetic in ways that feel more apt for arenas instead of the home-studio recordings that often looked inward. On the album’s opener “Never Leave You,” Vos laments being a bit lost, searching for answers, finding solace in the sun. It’s a simple song about relationship confusion, but it sets the tone for Play Loud: The music here is catchy as hell. The single “How High” is an anthemic number, driven by Stiff and Cazorla’s thumping rhythms. At times, it feels like a pure adrenaline rush, especially when the chorus asks listeners to consider “how high do you want to fly”—in an aspirational way.
That’s not to say that their past is completely devoid on Play Loud. “Today Forever” is a slow, bluesy number that finds Vos passionately declaring to a lover that a great move would be to run away for “a day that will last forever.” It’s grand gesture thinking, but that’s the running thread throughout Play Loud—be yourself, take a chance, do it with some gusto.
Most of the songs were written pre-pandemic, but the Play Loud recording sessions took place in the spring of 2020. Unexpectedly, the lyrics seem to take on a new life once they started laying down the tracks, particularly “How High,” which seems to touch on themes relating to recovery.
“We were in a new, challenging time,” Vos says. “But at my core, as a human, I was back to being a 14-year-old kid sitting on the edge of my bed, playing guitar because I had nothing else to do today. The only thing on my mind was music. It was the only thing that would make me feel better, making the record. It became the absolute focal point of our lives. That was unexpectedly positive in a field of a lot of negativity. That was one area where we did benefit from being isolated. These songs for me were very emotionally profound. We’d written a lot before [the pandemic] but, all of a sudden, you’re taking it into the studio, and you’re singing this song—and this life, it means something different. We all have a relatable struggle. We all didn’t see our moms and dads for a long time. We all didn’t see our friends for a long time. That’s something we all share.”
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Ballroom Thieves
“A rock band in a folk suit,” The Ballroom Thieves
Calin “Callie” Peters (vocals, cello, bass), Martin Earley (vocals, guitar), and Devin Mauch (vocals, percussion) – released their third album Unlovely on February 14, 2020. With subject matters ranging from female empowerment, to love in a committed relationship, to their fury about the current state of American leadership, this collection of tracks is the distillation of the band’s personal and political passions. Songs like “Vanity Trip” and title track “Unlovely” boil over with exasperation and disgust, in protest of today’s status quo. As the first album entirely co-written by Peters and Earley, Unlovely is also a tangible reflection of their evolution from band members to life partners, as heard in songs like “Love Is Easy.”
Incorporating musical styles that range from Motown to classic rock, Unlovely maintains the recognizable, nostalgia-tinged sound of The Ballroom Thieves’ previous outputs while pushing a heightened brashness. Since the release of their first EP and debut full-length, A Wolf in the Doorway, The Ballroom Thieves have consistently and skillfully crossed genres, joining artists like CAAMP, Langhorne Slim and Shakey Graves to bridge the gap between folk, rock, and soul. It’s their unique brand of powerful and harmonious music, while never shying away from topics and ideas they are passionate about, that has charmed fans around the country, while gaining a loyal live following and selling out shows. (Nettwerk Music Group)
