Donna the Buffalo offers everything you want in a roots band — songs that matter, a groove that makes you dance, an audience that spans generations, and a musical voice that evokes a sense of community.
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Bandhouse Gigs
Bandhouse Gigs
BandHouse Gigs, founded in 2004 by local Bethesda, Maryland musicians Ronnie Newmyer and Chuck Sullivan, and later joined by David Sless, Greg Hardin, and Danny Schwartz, is the D.C. area’s premier producer of one-of-a-kind tribute concerts for iconic artists and influential musical movements. Over the past 13 years BandHouse has produced 25 sold out shows at The Warner Theater, The Music Center at Strathmore, The Fillmore Silver Spring, Wolf Trap, Rams Head On Stage, and The Hamilton Live.
They collaborate with professionals willing to donate their services, including writers, graphic artists, videographers, photographers, make-up artists, lighting designers, marketing professionals, and audio engineers. Together they are the BandHouse Team.
Bandhouse Gigs on Facebook
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Bela Fleck
Bela Fleck (& the Flecktones)
“Béla Fleck has taken banjo playing to some very unlikely places — not just bluegrass and country and “newgrass,” but also into classical concertos, jazz and a documentary about the banjo’s deep African roots, not to mention the time he toured with throat singers from Tuva. He’s also baffled the Grammy awards, winning for country and jazz in the same year and also winning in pop, world music, classical crossover and, yes, folk. That’s a lot of territory for five strings.”
— JON PARELES, THE NEW YORK TIMES
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Allen Toussaint
in memorium
Artist Biography by Steve Huey
Producer, songwriter, arranger, session pianist, solo artist — Allen Toussaint wore all these hats over the course of his lengthy and prolific career, and his behind-the-scenes work alone would have been enough to make him a legend of New Orleans R&B. Thanks to his work with numerous other artists, Toussaintbore an enormous amount of responsibility for the sound of R&B in the Crescent City from the ’60s on into the ’70s. His productions kept with the times, moving from rollicking, earthy soul in the ’60s to gritty, rambunctious funk in the ’70s. As a composer, Toussaint proved himself a consistent hitmaker, penning more than a few gems that have since become R&B standards and been covered by countless artists working in many different styles. In keeping with that across-the-board appeal, Toussaint worked in some supporting capacity for a wide variety of rock and blues legends, particularly from the ’70s on. On top of all that, Toussaint waxed his own records from time to time, enjoying a creative peak in the ’70s with several albums that highlighted his laid-back vocals and elegantly funky piano work. Even if he wasn’t always the most visible figure, Toussaint‘s contributions to New Orleans music — and to rock & roll in general — were such that he earned induction into the Rock and Roll Hall of Fame in 1998.
