“Simply one of the finest singer-songwriters of his generation, Alejandro Escovedo’s critical cachet has always outstripped his name recognition and commercial impact.” — Slant
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The music industry and local musical artists have had to navigate their careers differently since the Covid-19 lockdown. It’s very important for us as consumers to continue to support our favorite music artists, especially during the Covid-19 pandemic. People throughout the United States are struggling during this time. Millions of people are unemployed and are unable to return to work. Thousands of businesses have shut down and even music artists are having trouble making money during this time. Music artists are unable to make money while on a tour which is greatly affecting their ability to earn income. Many bands and hip-hop artists have pointed out in the past that the majority of the money they make is on tour. Even indie artists make a large portion of here money touring local areas to keep the band going. Consumers should try to support their favorite artists so they can stay intact. Artists are unable to have in-person events and signings which can be so exciting and beneficial to the artist. Spotify and streaming services do not pay artists large amounts of money. In 2020 physical albums are almost non-existent and most music is available for free. Roaming the Arts has an online community that supports musicians, artists, and writers. Now is the time for consumers to stand up and support artists during this difficult time!
Ways to Support Artists During Covid
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- Branding and promotion can be so beneficial to musical artists. Spreading your favorite artist’s music on social media can be so helpful to them. Retweets and posts on Instagram can during this time will e greatly appreciated.
- You can share music and resources within your circle of friends
- Encourage your friends to support their favorite artists. Buy and stream most as often as you can.
- Tweet and reach out to your favorite artists and tell them how much you love and appreciate their music. Bands and rappers need to know their fans still want them to keep releasing must and that they will be first in line to buy their tickets once they can go on tour again. If you are employed or cannot work it’s fully understandable if you cannot financially support your favorite artists. The smallest things such as a tweet or direct message will always be appreciated. This can potentially help boost sales.
- Music streaming sites don’t pay large amounts of money but they still make up nearly 20% of an artist’s income. If you consumers can accumulate enough stream it definitely can be beneficial to an artist. Streaming sites are even introducing tipping options. If you would like to you can support artists by sending them money directly. Establishing more revenue flow can be so helpful to struggling indie artists.
- Many artists have YouTube channels and live streams where you can come support them I’ve seen many artists focus more on making content and releasing music on youtube to make a living.
The Pretenders/Chrissie Hynde
Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde’s songwriting, yet they were a full-fledged band when they formed in the late ’70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also melodic and immediately accessible. Hynde was an invigorating singer who bent the traditional male roles of rock & roll to her own liking, while guitarist James Honeyman-Scott created a sonic palette filled with suspended chords, effects pedals, and syncopated rhythms that proved remarkably influential over the next two decades. After Honeyman-Scott’s death, the Pretenders became a straightforward rock band, yet Hynde’s semi-autobiographical songwriting and bracing determination meant that the group never became just another rock band, even when their music became smoother and pop-oriented.
Originally from Akron, Ohio, Hynde moved to England in the early ’70s, when she was in her twenties. British rock journalist Nick Kent helped her begin writing for New Musical Express; she wrote for the newspaper during the mid-’70s. She also worked in Malcolm McLaren’s SEX boutique before she began performing. After playing with Chris Spedding, she joined Jack Rabbit; she quickly left the band and formed the Berk Brothers.
In 1978, Hynde formed the Pretenders, which eventually consisted of Honeyman-Scott, bassist Pete Farndon, and drummer Martin Chambers. Later in the year, they recorded a version of Ray Davies’ “Stop Your Sobbing,” produced by Nick Lowe. The single made it into the British Top 40 in early 1979. “Kid” and “Brass in Pocket,” the group’s next two singles, were also successful. Their debut album, Pretenders, was released in early 1980 and eventually climbed to number one in the U.K. The band was nearly as successful in America, with the album reaching the Top Ten and “Brass in Pocket” reaching number 14.
During an American tour in 1980, Hynde met Ray Davies and the two fell in love. Following a spring 1981 EP, Extended Play, the group released their second album, Pretenders II. Although it fared well on the charts, it repeated the musical ideas of their debut. In June of 1982, Pete Farndon was kicked out of the band due to his drug abuse. A mere two days later, on June 16, James Honeyman-Scott was found dead of an overdose of heroin and cocaine. Pregnant with Davies’ child, Hynde went into seclusion following Honeyman-Scott’s death. In 1983, two months after Hynde gave birth, Farndon also died of a drug overdose.
Hynde regrouped the Pretenders in 1983, adding former Manfred Mann’s Earth Band guitarist Robbie McIntosh and bassist Malcolm Foster; the reconstituted band released “2000 Miles” in time for Christmas. The new Pretenders released Learning to Crawl early in 1984 to positive reviews and commercial success. Ending her romance with Ray Davies, Hynde married Jim Kerr, the lead vocalist of Simple Minds, in May of 1984.
Apart from a performance at Live Aid, the only musical activity from the Pretenders in 1985 was Hynde’s appearance on UB40’s version of “I Got You Babe.” Hynde assembled another version of the Pretenders for 1986’s Get Close. Only she and McIntosh remained from Learning to Crawl; the rest of the album was recorded with session musicians. Get Close showed the Pretenders moving closer to MOR territory, with the bouncy single “Don’t Get Me Wrong” making its way into the American Top Ten in 1987. Hynde recorded another duet with UB40 in 1988, a cover of Dusty Springfield’s “Breakfast in Bed.”
Hynde’s marriage to Kerr fell apart in 1990, the same year Packed! was released, although it failed to ignite the charts in either America or Britain. Hynde was relatively quiet for the next few years, re-emerging in 1994 with Last of the Independents, which was hailed as a comeback by some quarters of the press. The album did return the Pretenders to the Top 40, with the ballad “I’ll Stand by You.” In the fall of 1995, the live album Isle of View was released, then the group remained silent for a few years. Hynde finally returned in 1999 with an album of new material, Viva el Amor. Three years later, the Pretenders left their longtime label for Artemis. The reggae-tinged Loose Screw appeared in November and a tour followed in January 2003. In March 2006, the band released their first-ever box set, Pirate Radio, via Rhino. The four-disc package included over five hours of music and a DVD of rare performances. Two years later, the Pretenders released Break Up the Concrete, their first album in six years; it debuted at 32 on the Billboard charts and 35 in the U.K.
Following the release of Break Up the Concrete, the Pretenders spent the next few years touring, but after 2012, Hynde put the band on hiatus. In 2014, she released Stockholm, her first-ever solo album, which was followed in 2015 by her memoir Reckless: My Life as a Pretender. In 2016, Hynde revived the Pretenders to record a new album with Black Keys guitarist Dan Auerbach as producer. Alone emerged in October 2016. 2019 saw the belated release of The Pretenders with Friends, a CD, DVD, and Blu-ray package that documented both sound and images from a 2006 concert in which Hynde and her bandmates were joined on-stage by Iggy Pop, Shirley Manson of Garbage, and members of Incubus and Kings of Leon. The Pretenders reunited with producer Stephen Street for 2020’s Hate for Sale, which also was the first album since Loose Screw to feature Chambers on drums. ~ Stephen Thomas ErlewinePost Views: 2,537
Band of Heathens
Performance Video — Heaven Help Us All
When The Band of Heathens decided to dub their sixth studio album of original material Stranger (its first since 2017’s Duende), the veteran band, formed in Austin, TX nearly 15 years ago, had no idea how prophetic that title would turn out to be. Although the name references the famed existential Albert Camus novel and Robert Heinlein’s sci-fi classic Stranger in a Strange Land, it also touches on the “strangers” who make up the band’s loyal fan base, who supported the band during this period with all touring canceled.
As co-founder Ed Jurdi acknowledges, it is certainly an unusual time to release a new album. “The strangest,” he says. “Maybe no time stranger. Since we started, there have been sweeping, revolutionary changes in the music business, but, in this global pandemic, we’re just a microcosm.”
“We’re really fortunate that we have been able to turn directly to our fan base during the pandemic,” adds fellow co-founder Gordy Quist. “The last few months we’ve spent four nights a week live-streaming personal private concerts to fans, and one night a week publicly live-streaming with the whole band Zooming in from their respective homes in California, Texas, North Carolina and Tennessee. At first it seemed very strange until
these walls started coming down and we realized how connected we are by the fabric of music.”
Extending the metaphor of Stranger even further. The Band of Heathens traveled to another city, Portland, OR, with a brand-new producer, Tucker Martine [The Decemberists, My Morning Jacket, Modest Mouse, Camera Obscura], and the result is something different – a more airy, intimate atmosphere, with added emphasis on songcraft and intricate arrangements set in a spacious sonic landscape that reinvents the band’s sound. These are songs stripped of pretense, but teeming with the emotion borne of personal experience, as has been The Band of Heathens’ method from the very start. Stranger moves off into a new place, but still echoes the group’s artful songwriting and multi-layered narrative observations.
The Stranger was released in 2020 and is a top ten roots rock album riding high in the charts.Post Views: 2,528