For those who have followed McNally’s nearly twenty year career the thing that most sticks with the listener about her, is the timeless effortlessness that she brings to all she does. With a long catalog and longer list of peers with whom she has written, recorded and toured, McNally continues to turn out great music that defies blatant genre-fication.
At home across the American (Americana) music spectrum, the Grammy nominee who’s live music career began on the jam band circuit of the 1990’s with bands like Robert Randolph and Derek Trucks, writes as well as she interprets the songs of others, has a top tier musicality to her craft, a soul stirring voice that immediately grabs one by the heart strings and a troubadour’s wanderlust, not to mention as it turns out, she is also an excellent electric guitar player.
Note: Embedded video goes back a few years to Shannon’s Bobby Charles Tribute recording. With so much new McNally music since and readily available online we thought this video might be missed. Enjoy.
You Might also like
A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.
Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.
“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”
Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.
Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.
After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.Post Views: 1,346
Bela Fleck (& the Flecktones)
“Béla Fleck has taken banjo playing to some very unlikely places — not just bluegrass and country and “newgrass,” but also into classical concertos, jazz and a documentary about the banjo’s deep African roots, not to mention the time he toured with throat singers from Tuva. He’s also baffled the Grammy awards, winning for country and jazz in the same year and also winning in pop, world music, classical crossover and, yes, folk. That’s a lot of territory for five strings.”
— JON PARELES, THE NEW YORK TIMESPost Views: 1,036
What sustains a band for more than three decades? Not a hit radio band, but a roll-up-your-sleeves/drive to the next gig overnight/carry your own gear up the steps and night after night make people happy kind of band. One that makes them dance; sends them home to come back again—and again. What makes that kind band stay together through relatively few personnel changes? Answer: A good idea; a universal yet somehow unique, good idea.
The Nighthawks sought not so much to reinvent rock and roll, but simply to have it reinvent itself by taking the original ingredients and following—if somewhat loosely—the original recipe. And like good cooks, the individual personalities involved ultimately affected the outcome.
The band was over 10 years old and had baffled the mainstream industry before the term “roots rock” was coined to explain the likes of West Coasters like Los Lobos and The Blasters. By then, the affiliation with many of the living blues greats seemed to brand The Nighthawks a “blues band” despite the fact that they played with Carl Perkins as well as Muddy Waters.
The Nighthawks had its genesis when lead singer-harmonica player extraordinaire Mark Wenner returned to his native Washington, D.C. after six years in New York City, lured back by the success of his friend Bobby Radcliff’s local acclaim with a blues band. Mark joined forces with a then very young Jimmy Thackery and formed The Nighthawks in 1972. They spent a couple of years building The Nighthawks’ reputation with a revolving cast of characters until, in 1974, they decided to get the best rhythm section the area had to offer: Jan Zukowski on bass and Pete Ragusa on drums.
The Nighthawks set off on a musical mystery tour that took them to 49 states and a dozen countries. They played with nearly all the living blues legends as well as a new generation of bands, sometimes called “the Blue Wave”, and released several important albums including the best-selling Jacks and Kingswith Pinetop Perkins, Luther “Guitar Junior” Johnson, Calvin Jones and Bob Margolin. (Servern Records 2017)
Could not resist the throwback video..enjoyPost Views: 1,405