Yacht Rock Revue
The Yacht Rock Revue is everything the late ‘70s and early ‘80s should’ve been: massive sing-along soft rock hits, tight bell-bottom jeans, impeccable musicianship, polyester shirts, glorious vocal harmonies, sunglasses at night, breezy dancing and sax … lots of sax. “The Greatest Show on Surf.”
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Ronnie Baker Brooks
Ronnie Baker Brooks is a prominent American Chicago blues and soul blues guitarist, singer, and songwriter who has carved out a unique identity while honoring his “blues royalty” lineage as the eldest musical son of the late legendary Lonnie Brooks. Born in Chicago in 1967, he has emerged as one of the most electrifying and innovative bluesmen, blending traditional Chicago blues with elements of soul, electric blues, rock, and funk.
Brooks began his musical journey at an early age, first performing on stage with his father at just nine years old. He initially joined his father’s band as a roadie, working his way up through hard work and determination before becoming the full-time second guitarist. He learned not only from his father but also from blues greats such as B.B. King, Buddy Guy, Albert Collins, and Koko Taylor. Koko Taylor notably told him, “You learn from your daddy everything you can. And one day, it’ll be up to you to carry the blues forward,” a mandate he took to heart.
Embarking on a solo career in 1998 with his debut album Golddigger, Brooks established his own sound and label, Watchdog Records, which also released Take Me Witcha (2001) and the critically acclaimed The Torch (2006). His music is often described as witty, soulful, and ferociously energetic, with “astonishing guitar work” and a powerful stage presence. He views his role as a bridge between the traditional blues of his mentors and the younger generation, incorporating modern musical influences like hip-hop to ensure the genre’s continued evolution.
Ronnie’s 2017 album, Times Have Changed, produced by Steve Jordan, featured collaborations with an array of talent, including Bobby “Blue” Bland in one of his final recorded works.
Blues in My DNA, released in October 2024 on Alligator Records, marks his debut on the prestigious label that was home to his father. The album has been a major success, earning Brooks three 2025 Blues Music Awards: “Song of the Year” for the title track, “Contemporary Blues Album of the Year,” and “Contemporary Blues Male Artist of the Year”. This recognition solidifies his place in the upper echelons of the blues world, an honor he now embraces with pride rather than obligation.
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Peter Himmelman
Peter Himmelman
is a man of many talents and accomplishments who is known to those who have heard of him, but haven’t heard him, as Bob Dylan’s son-in-law. He has been playing in and with bands since sixth grade in the Minneapolis suburb of St. Louis Park. (Filmmakers Joel and Ethan Coen, Sen. Al Franken, and New York Times columnist Thomas L. Friedman are also SLP natives.) He has released a dozen rock albums since 1986�the first half dozen on major corporate record labels, others on smaller indies, others self-released�all of which have received love from critics and none of which have sold well. The only Billboard chart on which he has ever appeared is the Heatseekers chart, limited to artists who have never had an album in the top 200. But the quality of his work has never flagged, and lately he has released some of his finest work, including Imperfect World (2005) and The Mystery and the Hum (2010). There is also an intentional oddity called Flimsy (2011), a collection of spoken-word songs ranging from the absurd to the heartbreaking. His new album, The Boat That Carries Us, now available on his own Himmelsongs label, is about motion, or being in motion, by air (“33K Feet”), by car (“Green Mexican Dreams”), or in spirit (“Angels Die”). (Read more at peterhimmelman.com)
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Blues Time with Bill Wax
Bill Wax on the Blues
For those who are unfamiliar with me, I was the Program Director and Host of Bluesville on XM Satellite Radio. The channel was renamed B.B. King’s Bluesville in 2008. I managed the channel from its inception until 2013, when I retired. I also have over 35 years of experience in non-commercial radio, both as a host on various Blues and Rhythm and Blues shows and as Program Director at two stations: KOPN in Columbia, MO, and KBOO in Portland, OR.
I never thought much about writing until they reached out to me about working on Roaming The Arts. They were quite convincing, and I loved the concept for the website. So here I am. I hope to promote contemporary blues musicians, as well as recognize those who have already left the stage.
Watch Bill tell his story on Time Signatures with Jim Ervin ( from Capital Area Blues Society – Lansing, Michigan)
There are two men in the music I want to highlight in our first post.
The first is David Earl, founder and owner of Severn Records, a label located near Annapolis, MD. David passed on September 7, 2025, at the age of 57. I first met David in the early to mid-1990s, when he started showing up at open mics with his guitar and eventually played in a couple of DC/Baltimore Blues bands. In 1997, David began Echo Records and changed its name to Severn Records in 1998. The catch phrase for the label was ‘Roots Music for the 21st Century, and that is just what his label became. His first three releases were Darrell Nulisch’s “The Whole Truth”, Big Joe Maher’s “I’m Still Swinging”, and Benjie Porecki’s “Servin’ It Up”. His label has since issued over 60 discs. Some of the artist who have recorded for Severn, an incredible roster, include: Steve Guyger, Sugar Ray and the Bluetones, Lou Pride, Mike Morgan and the Crawl, Tad Robinson, Jimmy Earl, Kim Clark Organ Trio, Ola Dixon, Roy Gaines, Louisiana Red, J Street Jumpers, Nora Jean Burso, Roy Carrier, Bruce Katz, Alex Schultz, Buck Hill, Clarence Spady, Charles Wilson, Johnny Moeller, Mud Morganfield, The Nighthawks, The Fabulous Thunderbirds, Bryan Lee, and Ursula Ricks. Below is a starter list of some of my favorite tunes from Severn’s catalogue:
Roy Gaines – Hind Ends and Elbows
Darrell Nulisch -Leaving On the Morning Train
Clarence Spady – Just Between Us
Sugar Ray and the Bluetones – The Last Words of a Fool
Tad Robinson – Broken Hearted Man
Mud Morganfield/Kim Wilson – I Love the Life I Live
Ursula Ricks – My Street
The Nighthawks – Damn Good Time
Big Joe and the Dynaflows – How Come People Act Like That?
Steve Guyger – I’m Shakin’
Happy 100th Birthday B.B. King – September 16, 2025 (click link for a welcome rememberence)
The second musician I want to highlight is Sherman Holmes, the last man standing from the Holmes Brothers Band. They were a roots blues music group that was active between 1975 and 2015. They recorded 11 discs and won two Blues Music Awards. Sherman turned 86 on September 29, 2025. One of the most rewarding benefits of doing a radio show is that you never know who is listening. Sherman’s cousin is a fan of my radio show on WPFW. He heard me announce that I was going to play several tunes featuring Sherman and contacted Sherman so he could listen. I, of course, was both honored and touched that Sherman might be listening. I was also a bit intimidated that he might be listening. After the show, I got a note to call Pinky Sherman, who lives with Sherman. They called to thank me for playing the tunes and remembering Sherman and the Holmes Brothers. It made my week, and when Pinky told me Sherman was smiling, well, that makes it all worthwhile. Below is a starter list of some of the songs that Sherman sings lead on with the Holmes Brothers or from his solo disc called “The Richmond Sessions”:
Sherman Holmes/Joan Osborne – Dark End of the Street
Holmes Brothers – There’s A Train
Holmes Brothers – Promised Land
Holmes Brothers – If I Needed You
Holmes Brothers – If I Had a Boat
Holmes Brothers – Something Is Missing
Thanks for reading and listening.
More About Bill
Search for Bill’s on air shows at: “Roots and Fruits” on WPFW
Click here for posts of Roaming the Arts’ collection of Blues artists.
