Taj Mahal
In September 2014, some 50 years after moving to Los Angeles to form the band Rising Sons with fellow blues musician Ry Cooder and Jessie Lee Kincaid, Taj Mahal hightailed it to Nashville to receive an honor he called “one of the most powerful and wonderful things that could ever happen in my life.” Celebrating decades of recording and touring that have nearly singlehandedly reshaped the definition and scope of the blues via the infusion of exotic sounds from the Caribbean, Africa and South Pacific, the two-time Grammy winning singer, songwriter, film composer, guitarist and multi-instrumentalist was feted with the Lifetime Achievement for Performance Award at the 13th Annual Americana Honors and Awards.
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Crack the Sky
Crack the Sky
Crack the Sky is an American progressive rock band formed in Weirton, West Virginia in the early 1970s. In 1975, Rolling Stone declared their first album “debut album of the year”, and in 1978, Rolling Stone Record Guide compared them to Steely Dan; their first three albums charted on the Billboard 200. Wikipedia
Read about Crack the Sky in Rolling Stone – August 2018
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Jon Cleary
Jon Cleary’s love and affinity for New Orleans music goes back to the rural British village of Cranbrook, Kent, where he was raised in a musical family. Cleary’s maternal grandparents performed in London in the 1940s, under the respective stage names Sweet Dolly Daydream and Frank Neville, The Little Fellow With The Educated Feet – she as a singer, and he as a crooner and tap dancer.
As a teen Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s “Lady Marmalade,” Robert Palmer’s version of “Sneakin’ Sally Through the Alley,” and Frankie Miller’s rendition of “Brickyard Blues” – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn in New Orleans, with a copy of a Toussaint LP and two suitcases full of New Orleans R&B 45s.
In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker. Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano there – even though his first instrument was the guitar, which he still plays and has recently reintroduced into his live performances.
As word of Cleary’s burgeoning talent began to spread around town, he was hired by such New Orleans R&B legends as Snooks Eaglin, Earl “Trick Bag” King, Johnny Adams, and Jessie “Ooh Poo Pah Doo” Hill, while also gaining the respect of the great Crescent City pianists Dr. John and the late Allen Toussaint. Years later, in 2012, Cleary recorded a critically acclaimed album of all-Toussaint songs entitled Occapella.
Today, Cleary’s work pays obvious homage to the classic Crescent City keyboard repertoire created by such icons as Jelly Roll Morton, Fats Domino, Professor Longhair, Art Neville, Dr. John, and James Booker – while also using it as a launching pad for a style that incorporates such other diverse influences as ’70s soul and R&B, gospel music, funk, Afro-Caribbean and Afro-Cuban rhythms, and much more.Deciding to stay in New Orleans, Cleary recorded his first album of nine, to date, in 1989. His ever-elevating profile led to global touring work in the bands of Taj Mahal, John Scofield, Dr. John, and Bonnie Raitt. Cleary has led his own group, the Absolute Monster Gentlemen, for over two decades now, but he still collaborates frequently with these old friends. At the 2018 New Orleans Jazz & Heritage Festival, for instance, Cleary performed alongside Raitt in a heartfelt tribute to Fats Domino.
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Peter Himmelman
Peter Himmelman
is a man of many talents and accomplishments who is known to those who have heard of him, but haven’t heard him, as Bob Dylan’s son-in-law. He has been playing in and with bands since sixth grade in the Minneapolis suburb of St. Louis Park. (Filmmakers Joel and Ethan Coen, Sen. Al Franken, and New York Times columnist Thomas L. Friedman are also SLP natives.) He has released a dozen rock albums since 1986�the first half dozen on major corporate record labels, others on smaller indies, others self-released�all of which have received love from critics and none of which have sold well. The only Billboard chart on which he has ever appeared is the Heatseekers chart, limited to artists who have never had an album in the top 200. But the quality of his work has never flagged, and lately he has released some of his finest work, including Imperfect World (2005) and The Mystery and the Hum (2010). There is also an intentional oddity called Flimsy (2011), a collection of spoken-word songs ranging from the absurd to the heartbreaking. His new album, The Boat That Carries Us, now available on his own Himmelsongs label, is about motion, or being in motion, by air (“33K Feet”), by car (“Green Mexican Dreams”), or in spirit (“Angels Die”). (Read more at peterhimmelman.com)
