One of the most impressive guitarists to emerge from the rich Bayous of Southern Louisiana in recent years, Tab Benoit’s guitar tone can be recognized before his Otis-Redding-ish voice resonates from the speakers. He doesn’t rely on any effects and his set up is simple. It consists of a guitar, cord, and Category 5 Amplifier. The effects that you hear come from his fingers.
In the world of music, The Mavericks are celebrated for their “post-punk spaghetti-western” sound, blending neotraditional country with Latin, rock, and ska influences.
Led by the incomparable voice of Raul Malo, the band became a symbol of musical eclecticism. Tragically, the music community mourned the loss of Malo in December 2025 at the age of 60. Fans and colleagues remember him as a legendary performer who treated every audience, regardless of size, with the same “awesome” energy. His death marked the end of an era for a group that refused to be pigeonholed into a single genre, consistently proving that authentic artistry knows no borders. Raul Malo was widely regarded as one of the finest vocalists of his generation, often compared to Roy Orbison for his power, range, and emotive delivery. Born in Miami to Cuban parents, his music served as a bridge between cultures and languages.
Founded in 1989 in Miami, Florida, The Mavericks quickly established themselves as “mavericks” in both name and practice. While they initially found success in the Nashville country scene, they were never easily categorized, drawing heavily from Malo’s Cuban-American heritage and various retro influences.
Montbleau’s been pouring his heart out in song since the early 2000’s, when he first began performing around his native Massachusetts. He’d go on to collaborate with Martin Sexton, Trombone Shorty, and Galactic among others, and share bills and stages with artists as diverse as Tedeschi Trucks Band, Ani DiFranco, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples, but it was Montbleau’s ecstatic headline shows—often more than 200 of them a year—that solidified his reputation as a live powerhouse and an inexorable road warrior. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relix hailed his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity. (from Ryan Montbleau.com)
See more great videos from latest recording “Woodstock Sessions” on Ryan’s website.
“It’s over now / The flag is sunk / The world has flattened out,” are the first words of Extralife, the new album by Boston-based quartet Darlingside. While the band’s critically acclaimed 2015 release Birds Say was steeped in nostalgia and the conviction of youth, Extralife grapples with dystopian realities and uncertain futures. Whether ambling down a sidewalk during the apocalypse or getting stuck in a video game for eternity, the band asks, sometimes cynically, sometimes playfully: what comes next? Their erstwhile innocence is now bloodshot for the better.
Hope arrives in the form of Darlingside’s signature superpower harmonies, drawing frequent comparisons to late-60’s era groups like Crosby, Stills & Nash; Simon & Garfunkel; and The Byrds. And yet, their penchant for science fiction and speculative futurism counteracts any urge to pigeonhole their aesthetic as “retro”. The four close friends construct every piece of their music collaboratively, pooling musical and lyrical ideas so that each song bears the imprint of four different writing voices. NPR Music dubs the result “exquisitely-arranged, literary-minded, baroque folk-pop”, and calls Extralife “perfectly crafted”.
Darlingside perform all of their music around a single vocal microphone, inviting audiences into a lush, intimate world where four voices are truly one. Their 2016 performance at the Cambridge Folk Festival “earned an ecstatic reception and turned them into instant stars”, according to The Daily Telegraph. The band tours regularly throughout the United States, Canada, the UK, and Europe.
