Nicholas “Nick” Drain Lowe, is an English singer-songwriter, musician and producer. A noted figure in power pop and new wave, Lowe has recorded a string of well-reviewed solo albums. Along with vocals, Lowe plays guitar, bass guitar, piano and harmonica. Wikipedia
Nick Lowe has made his mark as a producer (Elvis Costello-Graham Parker-Pretenders-The Damned), songwriter of at least three songs you know by heart, short-lived career as a pop star, and a lengthy term as a musicians’ musician. But in his current ‘second act’ as a silver-haired, tender-hearted but sharp-tongued singer-songwriter, he has no equal.
Starting with 1995′s ‘The Impossible Bird’ through to 2011′s ‘The Old Magic,’ Nick has turned out a fantastic string of albums, each one devised in his West London home, and recorded with a core of musicians who possess the same veteran savvy. Lowe brings wit and understated excellence to every performance, leading Ben Ratliff of the New York Times to describe his live show as “elegant and nearly devastating.”
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Tom Rush
Tom Rush
Tom Rush is a gifted musician and performer, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humour and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling, the sweet melancholy of ballads and the passion of gritty blues. (website)
Interview – Over 55 years of recording and performing
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Dawes
Dawes is an American folk-rock band that has spent the last decade and a half serving as the primary torchbearers for the “Laurel Canyon sound.” Formed in Los Angeles in 2009 following the dissolution of the post-punk band Simon Dawes, the group transitioned into a more organic, roots-oriented aesthetic. Led by brothers Taylor and Griffin Goldsmith, the band quickly established itself as a critical darling, blending the poetic introspection of 1970s singer-songwriters with the muscular, live-performance energy of a seasoned rock ensemble. Their music is often described as timeless, evoking the ghost of Jackson Browne, the harmonies of Crosby, Stills, and Nash, and the gritty guitar sensibilities of Neil Young.At the heart of the band’s identity is Taylor Goldsmith’s songwriting. He is widely regarded as one of his generation’s most gifted lyricists, possessing an uncanny ability to spin conversational phrases into profound existential observations. His songs often function as short stories, populated by characters grappling with the passage of time, the nuances of modern love, and the quiet tragedies of everyday life. This narrative depth is anchored by his brother Griffin’s drumming, which is characterized by a melodic, soulful touch that provides the band’s rhythmic backbone. Together, their sibling chemistry creates a telepathic musical foundation that has remained the group’s constant through various lineup changes.The band’s discography serves as a chronicle of their evolution from retro-leaning folk-rockers to sophisticated studio craftsmen. Their debut album, North Hills, was recorded live to analog tape, capturing a warm, hazy atmosphere that felt like a rediscovered relic from 1971. As they progressed through albums like Nothing Is Wrong and Stories Don’t End, their sound expanded to include more polished production and adventurous arrangements. However, they never lost the “live in a room” feel that makes their records feel intimate and authentic. By the time they reached All Your Favorite Bands, they had solidified their status as a premiere live act, known for extended jams and a rotating setlist that rewards a dedicated, cult-like following.In recent years, Dawes has navigated a significant transition. After the departure of long-time members Wylie Gelber and Lee Pardini, the Goldsmith brothers decided to continue as a duo, a move reflected in their ninth studio album, Oh Brother (2024). This latest era emphasizes the raw connection between the two siblings, stripping back some of the auxiliary instrumentation to focus on the interplay between Taylor’s guitar and Griffin’s percussion. Despite the smaller core membership, the band continues to tour with a robust live lineup, maintaining their reputation for high-energy performances that bridge the gap between indie-folk and classic stadium rock.Ultimately, Dawes occupies a unique space in the modern musical landscape. They are a band’s band, frequently invited to back legendary artists like Jackson Browne, Robbie Robertson, and Elvis Costello. They have avoided the fleeting trends of the digital age, opting instead for a career built on craftsmanship, touring, and a deep respect for the tradition of American songwriting. For their fans, a Dawes song is more than just a melody; it is a mirror reflecting the complexities of growing up and growing older in an ever-changing world.Dawes-FB page
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Peter Wolf
A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.
Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.
“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”
Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.
Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.
After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.
