Lyle Lovett
Lyle Pearce Lovett is an American singer, songwriter, actor and record producer. Active since 1980, he has recorded 13 albums and released 25 singles to date, including his highest entry, the number 10 chart hit on the U.S. Billboard Hot Country Songs chart, “Cowboy Man”. Wikipedia
-
The Boneshakers
The Boneshakers w/Jenny Langer
The iconic band lead by world-renowned guitarist Randy Jacobs of Was (Not Was). The Boneshakers and members have toured and recorded with Bonnie Raitt, BB King, Seal, Keb Mo, Aretha Franklin, Elton John, Mindi Abair, Bootsy Collins, Tears 4 Fears, Bob Dylan, Stevie Wonder, Iggy Pop…just to name a few. STORIED CAREER Flashback to 1980 — During his maiden session for Don and David Was, Randy Jacobs meets Sweetpea Atkinson on a cold night in the Motor City at Sound Suite Studio (the recording home of the fledgling band Was (Not Was). The connection was immediate and a bond was forged between the two artists. Their combined talents would help Was (Not Was) become a successful act during the 80’s and into the early 90s culminating with the worldwide hit “Walk The Dinosaur ” co-written by Jacobs. After their European tour with Dire Straits in 1992, the Was Band went on hiatus and Randy started playing and recording with the likes of Bonnie Raitt, BB King, Seal, Paula Abdul, Kris Kristofferson, Ofra Haza, Tears For Fears, Warren Hill and others. Sweetpea was in Los Angeles adding background vocals to artists like Neil Diamond, Bonnie Raitt, Keb Mo, and Bob Segar. When Atkinson heard that Jacobs was putting together a new project, he jumped at the chance to be a part of it. It was Bonnie Raitt who inadvertently gave them their name “Boneshakers” while they were working on her “Longing In Our Hearts” CD. In 1996, the two were signed to Pointblank/Virgin Records and produced two CDs for the label: “Book Of Spells” (1997) which included Randy’s rockin’ swing arrangement of James Brown’s “Cold Sweat” and the powerful “Shake The Planet” (1998). Over the years, The Boneshakers released another four successful albums. Additionally, they joined forces with sax queen Mindi Abair and released Live in Seattle on Concord Records. Two more albums were credited to Mindi Abair and The Boneshakers: The EastWest Sessions (2017) and All I Got for Christmas Is the Blues (2018).
In 2020, the band suffered an unimaginable loss with news of the passing of Sweetpea. THE LEGACY CONTINUES Now in 2022, as The Boneshakers celebrate the 25th anniversary of their first release, a new energy and excitement has emerged. Producer John Wooler, who originally signed The Boneshakers in 1997, connected Randy and the incredible Jenny Langer– a powerhouse singer who was inducted into the Blues Hall of Fame (NYC and VA) at the age of 28 and won the 2020 Int’l Blues Challenge for Best SelfProduced Album. What started as a few tracks for her project quickly morphed in a new album with The Boneshakers featuring no-holds-barred funk, blues, and rock that marries the sounds and spirits of Detroit Rock City, Memphis, and Mussel Shoals. Produced by Wooler, it is back to the original vision of The Boneshakers’ fiery sound, with the vocal dynamo Jenny Langer behind the mic and original musicians from “The Book Of Spells” Sergio Gonzales (Drums), Nathan Brown (Bass), Jon Gilutin (Keys), The Texacali Horns (Joe Sublett, Mark Pender, and Randy’s former band mate from Was (Not Was) Sir Harry Bowens on vocals.
BAND MEMBERS:
Randy Jacobs (Guitar/Vocals)
Holly Montgomery (Bass/Vocals)
Arthur Thompson (Drums/vocals)
Jenny Langer (Vocals) -
Etienne Charles
Etienne Charles
Hailed by The New York Times as “an auteur” (Ben Ratliff), by Jazz Times as “A daring improviser who delivers with heart-wrenching lyricism” (Bill Milkowski). According to Downbeat Magazine “Charles delivers his ebullient improvisations with the elegance of a world-class ballet dancer.” (John Murph). He has received critical acclaim for his exciting performances, thrilling compositions and knack for connecting with audiences worldwide. In June 2012, Etienne was written into the US Congressional Record for his musical contributions to Trinidad & Tobago and the World. Perhaps more than any other musician of his generation or Eastern Caribbean origin, Etienne brings a careful study of myriad rhythms from the French, Spanish, English, and Dutch speaking Caribbean to the table. Crucially, as a soloist, he fully understands the New Orleans trumpet tradition; which is readily discernible in his trademark instrumental swagger, and what famed Crescent City Pianist, Jelly Roll Morton so succinctly captured in the now immortal phrase, ‘The Spanish Tinge’. He has performed and or recorded with Monty Alexander, Roberta Flack, Frank Foster, Ralph MacDonald, Johnny Mandel, Wynton Marsalis, Marcus Roberts, Maria Schneider, Count Basie Orchestra, Eric Reed, Lord Blakie, David Rudder, and many others. He holds a Master’s degree from the Juilliard School and a Bachelor’s degree from Florida State University. Etienne Charles has taught as an Assistant Professor of Jazz Trumpet at Michigan State University and the University of Miami.
-
Don Winslow
Don Winslow
An author with an impact and a message – see Don Winslow Films
January 2026 – He’s back with – The Final Score
April 2024 – City in Ruins
April 2023 – City of Dreams
April 2022 – The start of a new trilogy – City on Fire
“Epic, ambitious, majestic, City on Fire is The Godfather for our generation.” – Adrian McKinty, New York Times bestselling author of The Chain
Two criminal empires together control all of New England.
Until a beautiful woman comes between the Irish and the Italians, launching a war that will see them kill each other, destroy an alliance, and set a city on fire.
Danny Ryan yearns for a more “legit” life and a place in the sun. But as the bloody conflict stacks body on body and brother turns against brother, Danny has to rise above himself. To save the friends he loves like family and the family he has sworn to protect, he becomes a leader, a ruthless strategist, and a master of a treacherous game in which the winners live and the losers die.
From the gritty streets of Providence to the glittering screens of Hollywood to the golden casinos of Las Vegas, two rival crime families ignite a war that will leave only one standing. The winner will forge a dynasty.
Exploring the classic themes of loyalty, betrayal, and honor, City on Fire is a contemporary masterpiece in the tradition of The Godfather, Casino, and Goodfellas—a thrilling saga from Don Winslow, “America’s greatest living crime writer” (Jon Land, Providence Journal).
A most unusual review – #BooksWithWallace
2020 release, “Broken.”
In six intense short novels connected by the themes of crime, corruption, vengeance, justice, loss, betrayal, guilt and redemption, Broken is #1 international bestseller Don Winslow at his nerve-shattering, heart-stopping, heartbreaking best. In Broken, he creates a world of high-level thieves and low-life crooks, obsessed cops struggling with life on and off the job, private detectives, dope dealers, bounty hunters and fugitives, the lost souls driving without headlights through the dark night on the American criminal highway.
With his trademark blend of insight, humanity, humor, action and the highest level of literary craftsmanship, Winslow delivers a collection of tales that will become classics of crime fiction.
The Trilogy
Of all the blows delivered by Don Winslow’s Cartel trilogy, none may be as devastating as the timing of “The Border,” its stunner of a conclusion. Though Winslow cannot have engineered all of this 14 years ago when he started this series, his sweeping new novel concerns subjects that put it right on the culture’s front burner: the Mexican-American border, the handling of migrant children, the opioid crisis and some barely fictionalized claims about how foreign money has bought influence at the highest level of the U.S. government.
The book’s title, “The Border,” refers to both physical and moral barriers. Winslow is well aware that both that and its cover image, which depicts a razor-wire-topped wall spreading across a desert landscape, are politically loaded. “Loaded phrases, like loaded guns, are more interesting, aren’t they?” Winslow said to Entertainment Weekly in September. As for the book’s depiction of fiercely partisan American politics, including its treatment of characters who are unmistakable versions of the current president and his son-in-law: “I know this book is going to make some people angry. I can live with that.”
Even though the first installment of this trilogy was named “The Power of the Dog,” after a biblical intimation of evil (“Deliver my soul from the sword; my love from the power of the dog,” Psalms 22:20), it only hinted at the magnitude and ferocity of what was to come. That opening novel now looks like the series’ relatively innocent prologue — and it is as blade-sharp, violent, pulse-quickening and reportorially shocking as the pinnacle of some lesser series might be.
“The Power of the Dog” is, in brief, about the first decades that bind the destinies of Art Keller, a Vietnam veteran and later D.E.A. agent, and Adán Barrera, a young Mexican who will go on to achieve the most dizzying heights of power. The book begins in a burning Mexican poppy field in 1975 (“Only in hell, Art Keller thinks, do flowers bloom fire”) and leaves Keller among more poppies in 2004. Many unspeakable acts happen in between, melding the personal with the political (Iran-contra). It is all rendered unputdownable by Winslow’s unrivaled skill at his game.
