Danielle Nicole is a Blues/Roots/Soul Singer and Bassist based in Kansas City, MO. Formerly bassist and shared vocalist of popular band Trampled Under Foot.
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Christone Kingfish Ingram
“Kingfish”
Christone “Kingfish” Ingram is a Grammy Award-winning blues guitarist and singer from Clarksdale, Mississippi, who is celebrated for reinvigorating the blues for a new generation. He began his musical journey at the Delta Blues Museum, mastering multiple instruments as a child before focusing on the guitar. Blending traditional Delta and Chicago blues with modern blues-rock, soul, and gospel, his music captivates audiences with its passion and technical skill.
Ingram quickly rose to prominence as a teenager, garnering millions of views for his YouTube performances, appearing in the Netflix series Luke Cage, and performing at the White House. His 2019 debut album, Kingfish, earned a Grammy nomination and shot to the top of the Billboard Blues Chart. His 2021 follow-up, 662—named for his Mississippi Delta area code—secured a Grammy Award for Best Contemporary Blues Album. His live performances are also critically acclaimed, with NPR noting he is “even scarier live”.
A prolific artist, Ingram has performed alongside musical legends like Buddy Guy, who has called him “the next explosion of the blues,” and even opened for The Rolling Stones. In 2024, Ingram launched his own label, Red Zero Records, and released his studio album, Hard Road. As a multi-instrumentalist with a powerful voice, Ingram continues to push the boundaries of the genre while honoring its rich history.
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Etienne Charles
Etienne Charles
Hailed by The New York Times as “an auteur” (Ben Ratliff), by Jazz Times as “A daring improviser who delivers with heart-wrenching lyricism” (Bill Milkowski). According to Downbeat Magazine “Charles delivers his ebullient improvisations with the elegance of a world-class ballet dancer.” (John Murph). He has received critical acclaim for his exciting performances, thrilling compositions and knack for connecting with audiences worldwide. In June 2012, Etienne was written into the US Congressional Record for his musical contributions to Trinidad & Tobago and the World. Perhaps more than any other musician of his generation or Eastern Caribbean origin, Etienne brings a careful study of myriad rhythms from the French, Spanish, English, and Dutch speaking Caribbean to the table. Crucially, as a soloist, he fully understands the New Orleans trumpet tradition; which is readily discernible in his trademark instrumental swagger, and what famed Crescent City Pianist, Jelly Roll Morton so succinctly captured in the now immortal phrase, ‘The Spanish Tinge’. He has performed and or recorded with Monty Alexander, Roberta Flack, Frank Foster, Ralph MacDonald, Johnny Mandel, Wynton Marsalis, Marcus Roberts, Maria Schneider, Count Basie Orchestra, Eric Reed, Lord Blakie, David Rudder, and many others. He holds a Master’s degree from the Juilliard School and a Bachelor’s degree from Florida State University. Etienne Charles has taught as an Assistant Professor of Jazz Trumpet at Michigan State University and the University of Miami.
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California Honeydrops
California Honeydrops
The Honeydrops have come a long way since guitarist and trumpeter Lech Wierzynkski and drummer Ben Malament started busking in an Oakland subway station, but the band has stayed true to that organic, street-level feel. Listening to Lech sing, it can be a surprise that he was born in Warsaw, Poland, and raised by Polish political refugees. He learned his vocal stylings from contraband American recordings of Sam Cooke, Ray Charles, and Louis Armstrong, and later at Oberlin College and on the club circuit in Oakland, California. With the additions of Johnny Bones on tenor sax and clarinet, Lorenzo Loera on keyboards, and Beau Bradbury on bass, they’ve built a powerful full-band sound to support Wierzynski’s vocals. More like parties than traditional concerts, their shows feature extensive off-stage jamming and crowd interaction. “The whole point is to erase the boundaries between the crowd and us,” Wierzynski says. “We don’t make setlists. We want requests. We want crowd involvement, to make people become a part of the whole thing by dancing along, singing, picking the songs and generally coming out of their shells.”
