Danielle Nicole is a Blues/Roots/Soul Singer and Bassist based in Kansas City, MO. Formerly bassist and shared vocalist of popular band Trampled Under Foot.

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Blackie and The Rodeo Kings
Blackie and The Rodeo Kings
Blackie and the Rodeo Kings originally formed in 1996 when Colin Linden, Stephen Fearing and Tom Wilson came together to record what was suppose to be a one- off tribute album to the great Canadian songwriter Willie P. Bennett.
At the time, all three members were deeply committed to burgeoning solo careers that they had no intentions of putting on hold, and had no plans to turn Blackie into an ongoing concern.
Now twenty years later, 8 albums , one Juno award and several Juno nominations under their belts, Blackie and the Rodeo Kings have organically evolved into one of the finest roots-oriented bands in North America. Blackie and the Rodeo Kings remains one of Canada’s greatest musical treasures.
Extra Video for their classic song STONED (click here to view)
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Lake Street Dive
Lake Street Dive
Lake Street Dive is a multigenre band that was founded in 2004 in Boston, Massachusetts. The band’s original members are Rachael Price (lead vocals), Mike “McDuck” Olson (trumpet, guitar), Bridget Kearney (upright bass), and Mike Calabrese (drums). Akie Bermiss (keyboards) joined the band on tour in 2017 and is on their 2018 album. Lake Street Dive started at the New England Conservatory of Music in Boston.[1] The band was named after a street with many dive bars in Olson’s hometown of Minneapolis, Minnesota. The band tours in North America, Australia, and Europe from their base in Brooklyn.
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The Record Company
The Record Company
The Record Company is an American rock band from Los Angeles. The members are Chris Vos, Alex Stiff, and Marc Cazorla. Their music is influenced by blues musicians like John Lee Hooker, early punk bands like The Stooges, and rock bands like The Rolling Stones. Wikipedia
These rising stars have been riding up the charts with their latest release Play Loud.
Below is an excerpt from an excellent article featured in RELIX…where Music meets Journalism
From Play Loud’s first notes, it’s quite evident that something has changed. The raw, bluesy feel that lined The Record Company’s first two albums is no longer there; instead, there’s a rock[1]and-roll swagger that shines through. It’s energetic in ways that feel more apt for arenas instead of the home-studio recordings that often looked inward. On the album’s opener “Never Leave You,” Vos laments being a bit lost, searching for answers, finding solace in the sun. It’s a simple song about relationship confusion, but it sets the tone for Play Loud: The music here is catchy as hell. The single “How High” is an anthemic number, driven by Stiff and Cazorla’s thumping rhythms. At times, it feels like a pure adrenaline rush, especially when the chorus asks listeners to consider “how high do you want to fly”—in an aspirational way.
That’s not to say that their past is completely devoid on Play Loud. “Today Forever” is a slow, bluesy number that finds Vos passionately declaring to a lover that a great move would be to run away for “a day that will last forever.” It’s grand gesture thinking, but that’s the running thread throughout Play Loud—be yourself, take a chance, do it with some gusto.
Most of the songs were written pre-pandemic, but the Play Loud recording sessions took place in the spring of 2020. Unexpectedly, the lyrics seem to take on a new life once they started laying down the tracks, particularly “How High,” which seems to touch on themes relating to recovery.
“We were in a new, challenging time,” Vos says. “But at my core, as a human, I was back to being a 14-year-old kid sitting on the edge of my bed, playing guitar because I had nothing else to do today. The only thing on my mind was music. It was the only thing that would make me feel better, making the record. It became the absolute focal point of our lives. That was unexpectedly positive in a field of a lot of negativity. That was one area where we did benefit from being isolated. These songs for me were very emotionally profound. We’d written a lot before [the pandemic] but, all of a sudden, you’re taking it into the studio, and you’re singing this song—and this life, it means something different. We all have a relatable struggle. We all didn’t see our moms and dads for a long time. We all didn’t see our friends for a long time. That’s something we all share.”
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