Chuck Prophet shapes his restless career with inimitable subtle flair: a vivid parade of razor-edged one-liners camouflaged in a slack-jawed drawl, songs about heartbreak and everyman heroism, drenched in twisted lines of rude Telecaster.
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D.K. Harrell
D.K. Harrell is a prominent young American blues singer, guitarist, and songwriter known for his soulful vocals, stinging guitar style, and dynamic stage presence. Born in Ruston, Louisiana, in 1998, Harrell was heavily influenced by B.B. King from an early age, learning King’s music, tone, and stage craft by studying concert footage. This dedication led to an invitation to play one of King’s iconic “Lucille” guitars at the B.B. King Symposium in 2019, his first paying gig.
Harrell quickly made a name for himself in the blues world, winning the 2022 B.B. King “King of the Blues” Award and finishing third in the International Blues Challenge. His 2023 debut album, The Right Man on the Little Village Foundation label, received critical acclaim for its 11 original songs and blend of blues, soul, funk, and gospel elements. The album earned him the 2024 Blues Music Award in the “Best Emerging Artist Album” category.
Now signed to the legendary Alligator Records, Harrell released his second album, Talkin’ Heavy, in June 2025. The album, produced by Christoffer “Kid” Andersen, features twelve original tracks that cement his place among the new generation of blues stars, showcasing his ability to bridge traditional blues with a modern, fresh perspective. At just 27 years old, Harrell is hailed as a leading light of the younger generation of blues artists, bringing a vital energy and authenticity to the genre. Known for his magnetic stage presence, dapper tuxedo attire, and engaging interaction with the audience, Harrell is dedicated to preserving the blues while ensuring it resonates with contemporary audiences. He has toured extensively across the U.S., Canada, and Europe, performing at major festivals and captivating audiences with his high-energy, unpredictable live shows. As Blues Blast called him, he is “The fastest-rising talent in the blues today.”
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Dustbowl Revival
Dustbowl Revival
Check out the Sway at Home music festivals on youtube and and on their web site.
Over the past few years, The Dustbowl Revival has been making a name for itself with a vibrant mix of vintage Americana sounds. Critics have proclaimed that this eclectic eight-piece “would have sounded utterly at home within the hallowed confines of Preservation Hall in New Orleans’ French Quarter” (Los Angeles Times) and their “upbeat, old-school, All-American sonic safaris exemplify everything shows should be: hot, spontaneous, engaging and, best of all, a pleasure to hear”
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Lucinda Williams
Three-time Grammy Award winner, Lucinda Williams has been carving her own path for more than three decades now. Born in Lake Charles, Louisiana, Williams had been imbued with a “culturally rich, economically poor” worldview. Several years of playing the hardscrabble clubs gave her a solid enough footing to record a self-titled album that would become a touchstone for the embryonic Americana movement – helping launch a thousand musical ships along the way.
While not a huge commercial success at the time Lucinda Williams (aka, the Rough Trade album) retained a cult reputation, and finally got the reception it deserved upon its reissue in 2014. Jim Farber of New York’s Daily News hailed the reissue by saying “Listening again proves it to be that rarest of beasts: a perfect work. There’s not a chord, lyric, beat or inflection that doesn’t pull at the heart or make it soar.”
For much of the next decade, Williams moved around the country, stopping in Austin, Los Angeles, Nashville, and turning out work that won immense respect within the industry (winning a Grammy for Mary Chapin Carpenter’s version of “Passionate Kisses”) and a gradually growing cult audience. While her recorded output was sparse for a time, the work that emerged was invariably hailed for its indelible impressionism — like 1998’s Car Wheels on a Gravel Road, which notched her first Grammy as a performer.
The past decade brought further development, both musically and personally, evidenced on albums like West (2007), which All Music Guide called “flawless…destined to become a classic” and Blessed (2011), which the Los Angeles Times dubbed “a dynamic, human, album, one that’s easy to fall in love with.” Those albums retained much of Williams’ trademark melancholy and southern Gothic starkness, but also exuded more rays of light and hope. This all lead to the 2014 release of Williams’ first double studio album Down Where The Spirit Meets The Bone. The album received overwhelming praise from the media and fans, thus proving that Williams’ songwriting is as strong and important as it has ever been.
