The Blues

Of course, it is all music, but Blues fans tend to set themselves apart. The Blues are iconic to American music. There are special blues awards and a blues association in nearly every large city. Blues clubs, blues festivals, all trying to keep the blues alive.

 

Steinar Ytrehus

Steinar Ytrehus

This is what is online:

Steinar Ytrehus is a guitarist and recordingartist from Norway. He started out playing the guitar when he was 15 years old, and soon after he started recording music on his Tascam 4track Taperecorder. Since then he has always been making and recording music . Some of his songs were even used on several Norwegian TV shows. The music is a mix of blues, rock, country, jazz and Americana.

For some years he was an active remixer on Indaba music, and he won several contests. When Indaba Music was discontinued he decided to just write and record his own music. Until the end of his remixing career he only made instrumentals, but from now on he started writing lyrics and doing the vocals too.

The result was the release of his debut album Dark Songs in early 2020. The following year he also released 4 singles and he did some collaborations with other artists.

After building up a brand new studio in 2021, he has now finished a new album called “Black Coffee and Sweet Lovesongs” which was released on the 17th of June 2022.

What makes this musician interesting to Roaming the Arts:

Given, he is channeling the sound of other artists, especially Mark Knopfler, but he is writing very good original music, recording and marketing it himself on platforms such as Spotify, and creating a brooding, melancholy sound that is hard to stop listening to. His recent single “Call me King,” is another good example why Steinar Ytrehus deserves, and will be getting more attention well beyond the borders of Norway.

Follow him on Facebook and Instagram.

Tedeschi Trucks Band

Go back to December 31, 2008 when guitarist Derek Trucks and his wife, singer/guitarist Susan Tedeschi, were preparing to ring in the New Year. Married since 1999, these two soulmates, equally steeped in the musical roots of blues, jazz, and gospel, had finally decided the time was right to set aside their successful solo careers and commit to a new band melding their vision and talent. It wasn’t the first time they had collaborated; they had shared a stage countless times and traded album guest appearances, all while starting a family together. But on that night, hitting the stage together with members of the Derek Trucks Band and a guest horn section they heard the future.

“The 12-piece outfit puts out a big band sound that still rings intimate, shaking listeners to their emotional core.” – Rolling Stone

Two years later, the couple debuted Tedeschi Trucks Band. The nation’s economy was heading into recession. The popular music landscape was filled with technological theatrics and auto-tuned singers. And here were Tedeschi and Trucks along with their (then) 8-member band, loading up two tour buses and hitting the road with a sound that defied conventional genre boundaries or traditional labels; a gypsy caravan on the rock-and-roll highway. To call it ambitious was an understatement.

During their five-year rise, the group toured incessantly, raising their profile and being handpicked to play with the likes of Eric Clapton, Bob Dylan, and Santana

In pursuit of their ideal sound driven by world class musicianship, Tedeschi and Trucks put together a musical collaborative like no other, flying in the face of any practical or economic considerations. There have been evolutionary changes to the band along the way, but the freight-train force of veteran drummers J.J. Johnson and Tyler Greenwell were there from the start, along with two brilliant Trucks Band veterans to amplify the rhythm section: Kofi Burbridge with his prodigious talent on keys and flute, and Mike Mattison, with his dynamic vocals and songwriting skills. A 3-piece horn section brought on for studio work proved indispensable to the group’s sound and became a permanent addition – now composed of Kebbi Williams’ intergalactic saxophone, Ephraim Owens on trumpet and Elizabeth Lea on trombone. Industry-renowned bassist Tim Lefebvre (David Bowie, Elvis Costello, Sting) joined in 2013, and two years later a third incredible voice, Alecia Chakour, was added to the background vocals provided by Mark Rivers and Mattison; each more than capable of delivering a stirring turn as a lead vocalist.

On the road for upwards of 200 days a year, the TTB family has grown strong, bonding over backyard BBQs and long bus rides, all the while developing a growing repertoire of original material and paying homage to an extensive canon of influences ranging from Sly & the Family Stone, Miles Davis and George Jones to Joe Cocker, Nina Simone, and even Indian sarod master Ali Akbar Khan. Embracing improvisation over convention, and set lists rarely repeated, the collective is adept at exploring almost any musical territory. The genuine respect within its ranks is evident on stage. Trucks’ masterful guitar skills and Tedeschi’s soaring vocals and bluesy guitar shine but don’t overpower the breadth of talent, happily yielding the spotlight as needed in service of what the song deserves.

“I saw them live and it was mind blowing. [Derek] has taken the guitar, specifically slide guitar, somewhere it has never been. His phrasing both with and without slide is uniquely his and just odd and jarring and exciting to listen to. [Susan] is an earnest blues player as well and her voice is astounding. The band was mind-blowing. They take a form that is arguably tired and turn it inside out with originality and musicianship and make it totally their own.” – Marc Maron

Trucks and Tedeschi’s uncompromising vision has paid off. Now 12-members strong, and with a catalog of five albums and nearly a decade of steady touring in the U.S. and abroad, Tedeschi Trucks Band carries a distinguished reputation earned from both audiences and critics as one of the premier live bands in the world. Sold-out multi-night runs at venerable venues like the Beacon Theatre, Ryman Auditorium and Red Rocks Amphitheater are a testament to the can’t-miss concert experience fans have come to anticipate. The band’s own “Wheels of Soul” tour has become a sought-after summer experience from promoters across the country, bringing TTB’s unique stew of upbeat rock and soul together on stage with a slew of guests, sit ins, and supporting bands that have included the late Sharon Jones, Los Lobos and most recently The Wood Brothers and Hot Tuna. 2018 will also mark the sixth year for the TTB-curated Sunshine Music Festival, hosted each January in their home state of Florida.

“Epic is an overused word, but if one contemporary rock band were to rightfully wear it, the Tedeschi Trucks Band might be the ones.” – Santa Barbara Independent

TTB’s most recent CD/film release, Live From The Fox Oakland (2017) was nominated for a Grammy and follows a quartet of critically-hailed and commercially successful albums, including the Grammy-winning debut, Revelator (2011) and Let Me Get By (2016), called “one of the great records of the year” by the Associated Press. The film documents the progress the band has made since its inception, while also showcasing its endless potential to bring out the best in each other every night in any musical direction they choose. It’s clear that the leaders have no intention of slowing down now. As Trucks remarked to Mark Maron on his WTF podcast featured in the film, “I haven’t found this band’s ceiling yet.” For Tedeschi Trucks Band, there may not be one.

Jimmy Carpenter

Jimmy Carpenter

Jimmy Carpenter is on a roll. For over 40 years Carpenter has plied his trade as Saxophonist, singer-songwriter, and arranger. Having won the 2021 and 2022 Blues Music Award for Best Instrumentalist/Horn, he is nominated again in ’23, his 8th nomination overall. He is also a Grammy-Winning Composer, for a composition he contributed to the New Orleans Nightcrawlers’ winning album, Atmosphere. After many years living and working in New Orleans, Jimmy now resides in Las Vegas, where he serves as Musical Director of The Big Blues Bender.

Praise for The Louisiana Record, Released September 2022 on Gulf Coast Records:
The Louisiana Record is the kind of set that will get your whole neighborhood dancing if played loud enough. Get it and get going! Mike O’Cull, Rock and Blues Muse

“I enjoyed this album from start to finish. Carpenter does a great job on vocals and tenor saxophone throughout and the bands does an exceptional job, too!”  Steve Jones, Blues Blast Magazine

“Carpenter’s singing seems to get more soulful with every outing..” Grant Britt, No Depression

“This has really become an album that can really get a party started.” Bluestown, The Netherlands

“Tenor sax man Jimmy Carpenter reminds me of 50s and 60s R&Ber King Curtis, with his big sound grooving through vintage juke box tunes of that period.” George W Harris, JazzWeekly.com

“I have been a Jimmy Carpenter fan for 20 years, from the first time I heard him play with Jimmy Thackery. He’s always been one of the premier sax players around. But Jimmy is also a stellar songwriter and singer. His voice is at its best on ‘Soul Doctor’,  Jimmy’s best record to date. This album oozes cool and rocks hard with a classic sound that only Jimmy Carpenter can bring to the table.”  — Mike Zito

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Allman Betts Band

Allman Betts Band

Devon Allman and Duane Betts unite in this exciting band.

Back on the Road. (Somtimes with friends)

The Allman Betts Band includes Devon Allman & Duane Betts on guitars and vocals, Berry Oakley Jr. on bass, Johnny Stachela on slide guitar, John Ginty on Hammond B3 (Robert Randolph/Dixie Chicks) and Devon Allman Project percussionists R. Scott Bryan (Sheryl Crow) and John Lum.  The show features original music from their two recent BMG albums, songs from their solo projects as well as classic songs by The Allman Brothers Band, the legendary group founded by Devon and Duane’s fathers, Gregg Allman & Dickey Betts.

Their sophomore album, Bless Your Heart, was released on August 28, 2020.  Like their debut album, Bless Your Heart was recorded at the legendary Muscle Shoals Sound Studios and produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley).

“This is The Allman Betts Band’s best offering yet, showcasing a band still tethered to their legacy but finding their own way with a sound that honors their roots without stepping all over them.” – No Depression

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Neal Francis

Neal Francis

Liberated from a self-destructive past and born anew in sobriety, Francis has captured an inspired collection of songs steeped in New Orleans rhythms, Chicago blues, and early 70s rock n’ roll. His music evokes a bygone era of R&B’s heyday while simultaneously forging a new path on the musical landscape. Colemine Records

 

“The reincarnation of Allen Toussaint.” Craig Charles, BBC Radio 6

“Think New Orleans meets the Midwest with a little bit of California sun shining in the background.” -TwinCitiesMedia.net

“There’s a good chance you’ll have heard of Francis by the time the year is over…classic Funk, Soul and R&B.” Cincinnati CityBeat

“…gleefully mired In 70s style funk.” – NPR

“Soulful style…uplifting vibe…” – Dusty Groove

 “Instant Americana-funk classic…R&B, blues and touches of gospel and good old fashioned funk merge into pure beauty and soul here, making the appetite and excitement for whatever Francis does next all the more intense.” – Record Crates United

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Dion

Dion (Dimucci)

“Dion, like a circling star that never fades, generates the energy and fire we need to pull ourselves up and start again.” (Pete Townsend)

Dion may be a household name and Hall of Famer but has earned a post here as he remains relevant at 82.
Currently charting with a new record, Stomping Ground, featuring collaboration with over a dozen major artists.
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Read and remember:

Dion DiMucci had a career unlike any other in 20th century popular music, one that took him from harmonizing doo wop on the streets of the Bronx to baring his soul on a series of singer/songwriter albums in the ’70s, spending his later years bringing his blues into the 21st century. First famous for the hits he had as a teen with the Belmonts, “The Wanderer” and “Ruby Baby” were covers that established Dion as a solo star in the late ’50s, while “Runaround Sue” and “Lovers Who Wander,” which he co-wrote, revealed a songwriting talent that would flourish over the years. DiMucci kept recording after the British Invasion changed the rock & roll landscape of the ’60s, but he didn’t have another big hit until the bittersweet “Abraham, Martin and John” in 1968, a single that introduced a period as an idiosyncratic singer/songwriter, an era encapsulated on the 1975 cult classic Born to Be with YouDion spent some time singing Christian music and oldies before returning to fresh material with 1989’s Dave Edmunds-produced Yo Frankie. From that point forward, DiMucci split the difference between R&B throwbacks and new tunes, eventually settling into a blues groove, beginning with 2006’s Bronx in Blue and stretching into 2021’s Stomping Ground.

When Dion began recording in the late ’50s, it was as the lead singer of a group of friends who sang on Bronx street corners. Billing themselves Dion & the Belmonts (Dion had released a previous single with the Timberlanes), their first few records were prime Italian-American doo wop; “I Wonder Why” was their biggest hit in this style. Dion‘s biggest single with the Belmonts was “A Teenager in Love,” which pointed the way for the slightly self-pitying, pained odes to adolescence and early adulthood that would characterize much of his solo work.

Dion went solo in 1960 (the Belmonts did some more doo wop recordings on their own), moving from doo wop to more R&B/pop-oriented tunes with great success. He handled himself with a suave, cocky ease on hits like “The Wanderer,” “Runaround Sue,” “Lovers Who Wander,” “Ruby Baby,” and “Donna the Prima Donna,” which cast him as either the jilted, misunderstood youngster or the macho lover, capable of handling anything that came his way (especially on “The Wanderer”).

In 1963, Dion moved from Laurie to the larger Columbia label, an association that started promisingly with a couple of big hits right off the bat, “Ruby Baby” and “Donna the Prima Donna.” By the mid-’60s, his heroin habit (which he’d developed as a teenager) was getting the best of him, and he did little recording and performing for about five years. When he did make it into the studio, he was moving in some surprisingly bluesy directions; although much of it was overlooked or unissued at the time, it can be heard on the Bronx Blues reissue CD.

In 1968, he kicked heroin and re-emerged as a gentle folk-rocker with a number four hit single, “Abraham, Martin and John.” Dion would focus upon mature, contemporary material on his late-’60s and early-’70s albums, which were released to positive critical feedback, if only moderate sales. The folk phase didn’t last long; in 1972 he reunited with the Belmonts and in the mid-’70s cut a disappointing record with Phil Spector as producer. He recorded and performed fairly often in the years that followed (sometimes singing Christian music), to indifferent commercial results. But his critical rep has risen steadily since the early ’60s, with many noted contemporary musicians showering him with praise and citing his influence, such as Dave Edmunds (who produced one of his periodic comeback albums) and Lou Reed (who guested on that record). Dion continued to be active as the 21st century opened, releasing Déjà Nu in 2000, Under the Influence in 2005, and Bronx in Blue in 2006. His first major-label album since 1989’s Yo FrankieSon of Skip James was released by Verve in 2007, while 2008’s Heroes: Giants of Early Guitar Rock saw him tackling 15 songs from the classic rock & roll era. Influenced by a conversation with rock critic Dave Marsh about his long and still relevant career, and a dare from his wife Susan to prove it, Dion cut Tank Full of Blues, producing and playing the guitars himself on the recording and writing or co-writing all but one track on the set. Issued on Blue Horizon, it is the final recording in the trilogy that began with Bronx in Blue.

Dion signed to Instant Records in 2015 and immediately set to recording a new studio album. Entitled New York Is My Home, its first single and title track — a duet with Paul Simon — was pre-released in November digitally and as a striking video. The album was issued in the winter of 2016.

Then the singer/songwriter and Norton Records surprised everyone. In 1965, DiMucci was signed to Columbia, and had cut 15 new songs — all produced by Tom Wilson, who was recording Bob Dylan in the same studios at roughly the same time — for an album that the label, for whatever reason, decided not to release. Dion left the label over the decision. Some tracks were issued on singles, others later on various compilations. But for over 50 years, the tapes sat. That’s where Norton’s Miriam Linna and Billy Miller came in. They received the rights to release the entire record as it was originally intended, completely remastered from the original tapes. Featuring ten originals, one by Mort Shuman (who had co-written “Teenager in Love” with Doc Pomus for Dion & the Belmonts), and three by Dylan (who had been enamored with Dion since the ’50s). Though Miller passed before it was issued, Kickin’ Child: The Lost Columbia Album 1965 was released by the label in May.

In 2020, Dion released Blues with Friends, a collection of original blues songs performed as duets with such superstar pals as Bruce SpringsteenPaul SimonVan Morrison, and Billy Gibbons. The album was released by KTBA Records (it stands for “Keeping the Blues Alive”), which brought out a similar set in November 2021, Stomping Ground. Another star-sprinkled set of original songs, Stomping Ground featured guest appearances from Rickie Lee JonesBoz ScaggsKeb’ Mo’Mark Knopfler, and many more. In between those two albums, in November 2020, Dion issued a Christmas single, featuring his versions of “Hello Christmas” (featuring Amy Grant) and “You Know It’s Christmas

Artist Biography by Richie Unterberger – via All Music Guide

 

The Nighthawks

What sustains a band for more than three decades? Not a hit radio band, but a roll-up-your-sleeves/drive to the next gig overnight/carry your own gear up the steps and night after night make people happy kind of band. One that makes them dance; sends them home to come back again—and again. What makes that kind band stay together through relatively few personnel changes? Answer: A good idea; a universal yet somehow unique, good idea.

The Nighthawks sought not so much to reinvent rock and roll, but simply to have it reinvent itself by taking the original ingredients and following—if somewhat loosely—the original recipe. And like good cooks, the individual personalities involved ultimately affected the outcome.

The band was over 10 years old and had baffled the mainstream industry before the term “roots rock” was coined to explain the likes of West Coasters like Los Lobos and The Blasters. By then, the affiliation with many of the living blues greats seemed to brand The Nighthawks a “blues band” despite the fact that they played with Carl Perkins as well as Muddy Waters.

The Nighthawks had its genesis when lead singer-harmonica player extraordinaire Mark Wenner returned to his native Washington, D.C. after six years in New York City, lured back by the success of his friend Bobby Radcliff’s local acclaim with a blues band. Mark joined forces with a then very young Jimmy Thackery and formed The Nighthawks in 1972. They spent a couple of years building The Nighthawks’ reputation with a revolving cast of characters until, in 1974, they decided to get the best rhythm section the area had to offer: Jan Zukowski on bass and Pete Ragusa on drums.

The Nighthawks set off on a musical mystery tour that took them to 49 states and a dozen countries. They played with nearly all the living blues legends as well as a new generation of bands, sometimes called “the Blue Wave”, and released several important albums including the best-selling Jacks and Kingswith Pinetop Perkins, Luther “Guitar Junior” Johnson, Calvin Jones and Bob Margolin. (Servern Records 2017)

Could not resist the throwback video..enjoy

Marcus King

Lead singer and guitarist for The Marcus King Band, 25-year-old Marcus King has a lot of experience under his belt despite his young age. With over a decade of performing live, King has already made a name for himself among today’s top indie artists. Not many musicians can claim to be a professional by the age of eleven! With King’s dedication to his craft, he has sought to revamp the indie music industry through his unique spin on the genre. Read on to learn more about The Marcus King band from Roaming the Arts.

Marcus King And The Early Years Of His Life

Music was a huge factor in King’s upbringing. With a four-generation legacy of musicians in the family, King seemed to be destined to leave his mark on music as well. Learning from both his father and his grandfather, Marcus King learned how to play the guitar by the tender age of just four years old. His passion for the guitar has only grown with time, prompting the design of the Marcus King Gibson ES 345, a custom vintage design inspired by the Blue Ridge Mountains King called home. Talent for string instruments can be traced back to King’s great-grandfather, who was an avid fiddler. With his grandfather transitioning from fiddle to guitar, and dear ol’ dad being a professional guitarist himself, King certainly had a lot of talent to learn from.

Further Inspiration For King’s Unique Brand Of Music

Through his upbringing in Greenville, South Carolina, much of the influence for The Marcus King Band can be attributed to his hometown. The indie music artist can be described as a powerhouse combination of classic rock-n-roll blended with soul and country influences. Some inspiration for this sound can be seen from King’s father, guitarist and singer Marvin King, who is known for his own band, Marvin King and The Blues Revival. King’s grandfather lent his guitar expertise to the country scene, contributing again to the type of music King would later showcase. 

Where The Marcus King Band Is Today

Alongside Marcus King (guitar and vocals), The Marcus King Band is made up of members Stephen Campbell (bass), Dean Mitchell (sax and guitar), Justin Johnson (trombone and trumpet), and Jack Ryan (drummer). The five musicians have been performing together since 2013 – That’s 8 years performing as the Marcus King Band! Their record, El Dorado, is out now and available to be enjoyed by music lovers everywhere! The group is currently located in Nashville, Tennessee, where they continue to write and perform music regularly. Concert information can be found on their website, along with all of the latest updates on The Marcus King Band.

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Samantha Fish

Samantha Fish

A blues musician from Kansas City, Missouri, Samantha Fish impressed industry professionals as a teenager before scoring her first Billboard blues number one in her mid-twenties. Fish grew up in a musical family with a variety of genres, including a steady diet of classic rock radio. Her father played guitar and would sometimes jam with friends at home. Young Samantha started out as a drummer but switched to guitar at the age of 15. As a teen, she would sneak into local blues landmark the Knuckleheads Saloon to hear touring musicians, and she began sitting in with them from time to time after she became legal at 18.

Girls with Guitars In 2009, Fish recorded the live album Live Bait as the Samantha Fish Blues Band, and the rock-edged guitar work brought her to the attention of Ruf Records. The label featured her alongside Cassie Taylor and Dani Wilde on the 2011 release Girls with Guitars, which featured covers of the Rolling Stones and the Steve Miller Band as well as original material from the three guitarist/singer/songwriters. Later that same year, Fish released her solo debut, Runaway, also with Ruf Records. It was produced by mentor and frequent collaborator Mike Zito.

Black Wind Howlin' She saw her first chart success with her sophomore LP, Black Wind Howlin’, also produced by Zito. It hit the Billboard Heatseekers chart and reached the Top Ten of the blues albums chart upon release in 2013. She followed it with Wild at Heart in 2015, which became a blues number one. In 2017, she returned with her fourth studio album, Chills & Fever. Recorded in Detroit with members of the Detroit Cobras it featured covers of obscure pop and soul tunes.

Also in 2017, Fish issued Belle of the West, recorded in Missouri with Luther Dickinson and featuring musical contributions by guitarist/harmonica player Lightnin’ Malcolm, former-Squirrel Nut Zipper Jimbo Mathus, violinist Lillie Mae Rische, and others. The album helped the guitarist pick up a 2018 Blues Music Association award for Contemporary Female Artist of the Year. Fish‘s seventh studio album, Kill or Be Kind, arrived in 2019 and found her working with producer Scott Billington in Memphis.

Artist Biography by Marcy Donelson

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Marcia Ball

Marcia Ball

“Fifty years have passed in a flash,” says Texas-born, Louisiana-raised pianist, songwriter and vocalist Marcia Ball of her long and storied career. Ball, the 2018 Texas State Musician Of The Year, has won worldwide fame and countless fans for her ability to ignite a full-scale roadhouse rhythm and blues party every time she takes the stage. Her rollicking Texas boogies, swampy New Orleans ballads and groove-laden Gulf Coast blues have made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls and clubs. 

The New York Times says, “Marcia Ball plays two-fisted New Orleans barrelhouse piano and sings in a husky, knowing voice about all the trouble men and women can get into on the way to a good time.” 

The Houston Chronicle says simply, “She’s as perfect as an artist can be.”

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