Bela Fleck (& the Flecktones)
“Béla Fleck has taken banjo playing to some very unlikely places — not just bluegrass and country and “newgrass,” but also into classical concertos, jazz and a documentary about the banjo’s deep African roots, not to mention the time he toured with throat singers from Tuva. He’s also baffled the Grammy awards, winning for country and jazz in the same year and also winning in pop, world music, classical crossover and, yes, folk. That’s a lot of territory for five strings.”
— JON PARELES, THE NEW YORK TIMES
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When it comes to Deanna Bogart, everyone wants to claim her as their own — her hometown, her fans, her fellow musicians and even her instruments. She’s that good–and that good-natured.
Born in Detroit, Deanna spent her early years in Phoenix and New York City, climbing on any available piano bench to plunk and play with preternatural panache. Around the age of six, she was “gently removed” from the Brooklyn Conservatory of Music for playing piano by ear instead of learning to read music. While in middle school, Deanna yearned to play the saxophone. Typical of those times though, she was told, “Girls play the clarinet, not the sax.” Thankfully for us all, that tide has changed.
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