Amy Rigby
Amy Rigby has made a life out of writing and singing about life. With bands Last Roundup and the Shams in eighties NYC East Village to her solo debut Diary Of A Mod Housewife out of nineties Williamsburg; through a songwriting career in 2000s Nashville and during the past decade with duo partner Wreckless Eric, she’s released records on visionary independent labels Rounder, Matador, Signature Sounds and reborn Stiff Records as well as her and Eric’s own Southern Domestic Recordings. The Old Guys, her first solo album in a dozen years, measures the weight of heroes, home; family, friends and time. Philip Roth and Bob Dylan, CD/cassette players, touring, the wisdom of age and Walter White, groupies, Robert Altman, egg creams and mentors are paid tribute. Twelve songs written by Amy and recorded by Wreckless Eric in upstate New York, The Old Guys is the sound of a good girl grown up, never giving up.
Now a memoir joins her music. Girl to City, out now.
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Eric Lindell
Eric Lindell
Eric Lindell is an American singer-songwriter. His recording career began in 1996 as a regional Sonoma County-based artist. Since 2006, when he was picked up by Alligator Records, he has toured nationally and internationally. Wikipedia
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Jason Isbell
Jason Isbell
Jason Isbell stands as one of the most vital voices in modern American music, a songwriter’s songwriter who has transcended the boundaries of country and Americana to become a premier chronicler of the human condition. Born in Green Hill, Alabama, Isbell’s musical education was steeped in the rich traditions of the Muscle Shoals sound. He first rose to national prominence in 2001 as a member of the Drive-By Truckers, where his soulful voice and sharp-edged compositions provided a powerful counterpoint to the band’s southern rock grit. However, his tenure with the group was cut short by personal struggles, leading to a solo career that would eventually redefine his life and the landscape of roots music.The turning point for Isbell came with his sobriety and the release of the 2013 album Southeastern. Widely regarded as a masterpiece, the record stripped away the loud guitars to reveal a vulnerable, surgically precise lyricism. Songs like “Elephant” and “Cover Me Up” showcased an unflinching honesty, tackling subjects like terminal illness and the grueling road to redemption with a grace that few of his peers could match. Since then, alongside his powerhouse band, The 400 Unit, Isbell has released a string of critically acclaimed albums, including Something More Than Free, The Nashville Sound, and Weathervanes. These works have earned him multiple Grammy Awards and established him as a master of the southern gothic narrative, capable of writing about working-class struggles, racial tension, and the quiet complexities of fatherhood and marriage.Isbell’s impact extends beyond his discography; he is a vocal advocate for sobriety and social justice, often using his platform to challenge the gatekeepers of the Nashville establishment. His guitar playing, deeply rooted in the blues and soul of his Alabama upbringing, is as expressive as his singing, often punctuated by blistering slide work that serves the emotion of the song. Whether he is performing a delicate acoustic ballad or leading a feedback-drenched rock anthem, his work is consistently anchored by an obsession with craft. He avoids easy cliches, opting instead for specific, lived-in details that make his songs feel like short stories. Today, Jason Isbell is more than just a musician; he is a literary figure in the world of rock and roll, proving that the most specific stories are often the most universal.Jason Isbell was married to Amanda Shires. (Click to visit her site) They were part of each other’s bands and often appeared on record together.
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Tom Perrotta
Tom Perrotta is often hailed as the “American Chekhov” of the suburbs, a writer who has spent over three decades dissecting the quiet desperation, suburban ennui, and darkly comic absurdities of middle-class life. Born in 1961 in Newark, New Jersey, Perrotta’s perspective was shaped by his upbringing as the son of a postal worker. This background instilled in him a “down-to-earth, egalitarian” literary voice that treats everyday struggles with the gravity typically reserved for epic drama.
Perrotta’s ascent into the literary mainstream was fueled by his uncanny ability to turn local settings into universal metaphors. His breakout novel, Election (1998), utilized a high school student council race to satirize the broader American political landscape. The introduction of Tracy Flick—a character defined by relentless, terrifying ambition—created a permanent cultural archetype, further cemented by Alexander Payne’s iconic film adaptation. He followed this success with Little Children (2004), a novel that transformed the mundane world of playgrounds and neighborhood pools into a psychological battlefield. By exploring the secret lives and unfulfilled desires of stay-at-home parents, Perrotta exposed the “Dante’s Inferno” hiding behind manicured lawns. The book solidified his reputation for writing with a “crisp and light” style that never shies away from moral complexity.While realism was his initial forte, Perrotta took a daring thematic turn with The Leftovers (2011). Using a “pseudo-Rapture” as a catalyst, he shifted his focus toward communal grief and the search for meaning in an indifferent universe. The novel’s adaptation into a celebrated HBO series, which Perrotta co-created, marked a major evolution in his career. He became a rare “writer’s writer” who successfully navigated the worlds of prestige television and literary fiction, a trend he continued with the 2019 adaptation of his novel Mrs. Fletcher.Perrotta’s prose is characterized by its lack of judgment. Whether his characters are struggling with sexual identity, religious zealotry, or professional failure, he presents them with a compassionate clarity. He draws heavy inspiration from his former teacher, Tobias Wolff, and the disciplined storytelling of Raymond Chandler. Like his father’s commitment to his mail route, Perrotta maintains a rigorous work ethic, viewing his writing as a way to process subconscious material that holds deep personal and social significance.In his most recent works, Perrotta has explored the complexities of aging and the weight of the past. Tracy Flick Can’t Win (2022) revisited his most famous character in middle age, finding her still fighting for a seat at the table. His 2026 novel, Ghost Town, marks another shift toward a “pared down” and essential style, focusing on abandonment and the lingering presence of those we have lost. Living in Belmont, Massachusetts, Perrotta remains a vital voice in American letters, consistently proving that there is nothing “small” about suburban life. His legacy is defined by a body of work that finds original and beautiful truths in the most ordinary of places.
