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Hello, Bookstore

Hello, Bookstore – Lenox, Massachusetts

As Roaming the Arts reflects on the last year or so, the most heartwarming story about books and the people who love them is the story of a small New England bookstore, on the verge of closing due to the pandemic, and the documentary film made to tell the story of survival.

In 2020, on the verge of closing down, a GoFundMe was started and the owner’s friends, the town, and many others stepped up to save this independent bookstore. It’s a great story, and for this website, at the heart of why our passion for authors and books is a sharing experience.

Check out some of what was said in Print:

In the Local paper.

What Variety said.

(also find stories in the NY Times, the Boston Globe, and many others.)

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Brandi Carlile

Brandi Carlile

Brandi M. Carlile is an American singer-songwriter and producer whose music spans multiple genres. As of 2018, Carlile has released six studio albums and earned seven Grammy Award nominations, including one for The Firewatcher’s Daughter and six for By the Way, I Forgive You. Wikipedia

Hank Phillippi Ryan

Location-Boston

Hank Phillippi Ryan

A nationally bestselling author of 11 mystery novels, Ryan has won multiple prestigious awards for her crime fiction: five Agathas, three Anthonys, the Daphne, two Macavitys, and for The Other Woman, the coveted Mary Higgins Clark Award. National reviews have called her a “master at crafting suspenseful mysteries” and “a superb and gifted storyteller.”

Nick Lowe

Nicholas “Nick” Drain Lowe, is an English singer-songwriter, musician and producer. A noted figure in power pop and new wave, Lowe has recorded a string of well-reviewed solo albums. Along with vocals, Lowe plays guitar, bass guitar, piano and harmonica. Wikipedia

Nick Lowe has made his mark as a producer (Elvis Costello-Graham Parker-Pretenders-The Damned), songwriter of at least three songs you know by heart, short-lived career as a pop star, and a lengthy term as a musicians’ musician. But in his current ‘second act’ as a silver-haired, tender-hearted but sharp-tongued singer-songwriter, he has no equal.

Starting with 1995′s ‘The Impossible Bird’ through to 2011′s ‘The Old Magic,’ Nick has turned out a fantastic string of albums, each one devised in his West London home, and recorded with a core of musicians who possess the same veteran savvy. Lowe brings wit and understated excellence to every performance, leading Ben Ratliff of the New York Times to describe his live show as “elegant and nearly devastating.”

Jason Isbell

Jason Isbell

Jason Isbell stands as one of the most vital voices in modern American music, a songwriter’s songwriter who has transcended the boundaries of country and Americana to become a premier chronicler of the human condition. Born in Green Hill, Alabama, Isbell’s musical education was steeped in the rich traditions of the Muscle Shoals sound. He first rose to national prominence in 2001 as a member of the Drive-By Truckers, where his soulful voice and sharp-edged compositions provided a powerful counterpoint to the band’s southern rock grit. However, his tenure with the group was cut short by personal struggles, leading to a solo career that would eventually redefine his life and the landscape of roots music.
The turning point for Isbell came with his sobriety and the release of the 2013 album Southeastern. Widely regarded as a masterpiece, the record stripped away the loud guitars to reveal a vulnerable, surgically precise lyricism. Songs like “Elephant” and “Cover Me Up” showcased an unflinching honesty, tackling subjects like terminal illness and the grueling road to redemption with a grace that few of his peers could match. Since then, alongside his powerhouse band, The 400 Unit, Isbell has released a string of critically acclaimed albums, including Something More Than FreeThe Nashville Sound, and Weathervanes. These works have earned him multiple Grammy Awards and established him as a master of the southern gothic narrative, capable of writing about working-class struggles, racial tension, and the quiet complexities of fatherhood and marriage.
 
Isbell’s impact extends beyond his discography; he is a vocal advocate for sobriety and social justice, often using his platform to challenge the gatekeepers of the Nashville establishment. His guitar playing, deeply rooted in the blues and soul of his Alabama upbringing, is as expressive as his singing, often punctuated by blistering slide work that serves the emotion of the song. Whether he is performing a delicate acoustic ballad or leading a feedback-drenched rock anthem, his work is consistently anchored by an obsession with craft. He avoids easy cliches, opting instead for specific, lived-in details that make his songs feel like short stories. Today, Jason Isbell is more than just a musician; he is a literary figure in the world of rock and roll, proving that the most specific stories are often the most universal.
 

Jason Isbell was married to Amanda Shires. (Click to visit her site) They were part of each other’s bands and often appeared on record together.

Peter Wolf

A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life.  Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon.  His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.  

Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts.  While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party.  He soon talked himself into membership in that band, The Hallucinations.  

“I didn’t join a band to meet girls,” Wolf recalls.  “I joined my first band to meet musicians.  Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me.  I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers.  Those roots stayed with me.”  

Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN.  Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.

Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection.  The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,”  “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.

After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case.  Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.

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