Tab Benoit
Tab Benoit
One of the most impressive guitarists to emerge from the rich Bayous of Southern Louisiana in recent years, Tab Benoit’s guitar tone can be recognized before his Otis-Redding-ish voice resonates from the speakers. He doesn’t rely on any effects and his set up is simple. It consists of a guitar, cord, and Category 5 Amplifier. The effects that you hear come from his fingers.

Walter Mosley
Walter Mosley
Walter Mosley is one of America’s most celebrated and beloved writers. His books have won numerous awards and have been translated into more than twenty languages.
Mosley is the author of the acclaimed Easy Rawlins series of mysteries, including national bestsellers Cinnamon Kiss, Little Scarlet, and Bad Boy Brawly Brown; the Fearless Jones series, including Fearless Jones, Fear Itself, and Fear of the Dark; the novels Blue Light and RL’s Dream; and two collections of stories featuring Socrates Fortlow, Always Outnumbered, Always Outgunned, for which he received the Anisfield-Wolf Award, and Walkin’ the Dog. He lives in New York City.
Walter Mosley’s infamous detective Easy Rawlins is back.

Peter Wolf
A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life. Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon. His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.
Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts. While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party. He soon talked himself into membership in that band, The Hallucinations.
“I didn’t join a band to meet girls,” Wolf recalls. “I joined my first band to meet musicians. Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me. I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers. Those roots stayed with me.”
Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN. Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.
Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection. The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,” “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.
After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case. Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.

Dave Alvin
David Albert Alvin is an American singer-songwriter, guitarist, music producer and poet. He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations.
These days the touring band is prinarily Dave Alvin & Jimmie Dale Gilmore with The Guilty Ones.
Jimmie Dale Gilmore is a Texan who spent a few formative years in California. Dave Alvin is a Californian who has spent alot of time in Texas. So of course, when the Blaster and the Flatlander began performing together after nearly thirty years of friendship, they leaned into the overlap. The duo’s first album, 2018’s Downey to Lubbock, was named for their respective childhood homes. Now they’re back with Texicali, from Yep Roc Records. (Texas Monthly)
More about Jimmie Dale:
with brother Phil Alvin.

Suzanne Redfearn
Suzanne Redfearn
Suzanne Redfearn is an award-winning and bestselling American author known for her emotionally resonant and character-driven novels. Before becoming a successful full-time writer, she had a diverse career path that included working as a commercial and residential architect, graphic designer, and copywriter. Her journey to becoming a novelist, which she began in her 30s, was self-taught and motivated by a desire to explore moral themes through fiction. This approach often involves exploring ethical dilemmas with no easy answers, leading to deeply moving and thought-provoking stories.
Redfearn’s writing style is noted for its ability to create heartfelt and emotional narratives, often featuring protagonists facing immense challenges. Readers frequently praise her ability to craft complex characters and build intense plots that keep them engaged. She draws inspiration from real people and relationships, often observing conversations while writing in cafes to capture authentic human experiences. This method helps create stories that feel both realistic and impactful, prompting readers to consider what they might do in similar difficult situations.
Suzanne Redfearn’s novel Call of the Camino is inspired by Redfearn’s own experience walking the Camino de Santiago pilgrimage route in Spain. The book explores themes of love, loss, and self-discovery. The novel was released on October 1, 2025.
2024 – Where Butterflies Wander — The moving story of a family grappling with grief and a woman with the power to help them through it–or stand in their way. (Goodreads) Told uniquely by six characters, each have a voice worth hearing. – Ed.
A 2020 favorite – Hadley & Grace — Two women. Three kids. One unforgettable journey.
One of the characters in the story is based on a special resident of Laguna Beach, Ca. — see article about Skipper Carrillo
Suzanne Redfearn, in addition to being an author, is also an architect specializing in residential and commercial design. She lives in Laguna Beach, California, where she and her husband own two restaurants: Lumberyard and Slice Pizza and Beer.
Jon Cleary
Jon Cleary’s love and affinity for New Orleans music goes back to the rural British village of Cranbrook, Kent, where he was raised in a musical family. Cleary’s maternal grandparents performed in London in the 1940s, under the respective stage names Sweet Dolly Daydream and Frank Neville, The Little Fellow With The Educated Feet – she as a singer, and he as a crooner and tap dancer.
As a teen Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s “Lady Marmalade,” Robert Palmer’s version of “Sneakin’ Sally Through the Alley,” and Frankie Miller’s rendition of “Brickyard Blues” – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn in New Orleans, with a copy of a Toussaint LP and two suitcases full of New Orleans R&B 45s.
In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker. Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano there – even though his first instrument was the guitar, which he still plays and has recently reintroduced into his live performances.
As word of Cleary’s burgeoning talent began to spread around town, he was hired by such New Orleans R&B legends as Snooks Eaglin, Earl “Trick Bag” King, Johnny Adams, and Jessie “Ooh Poo Pah Doo” Hill, while also gaining the respect of the great Crescent City pianists Dr. John and the late Allen Toussaint. Years later, in 2012, Cleary recorded a critically acclaimed album of all-Toussaint songs entitled Occapella.
Today, Cleary’s work pays obvious homage to the classic Crescent City keyboard repertoire created by such icons as Jelly Roll Morton, Fats Domino, Professor Longhair, Art Neville, Dr. John, and James Booker – while also using it as a launching pad for a style that incorporates such other diverse influences as ’70s soul and R&B, gospel music, funk, Afro-Caribbean and Afro-Cuban rhythms, and much more.
Deciding to stay in New Orleans, Cleary recorded his first album of nine, to date, in 1989. His ever-elevating profile led to global touring work in the bands of Taj Mahal, John Scofield, Dr. John, and Bonnie Raitt. Cleary has led his own group, the Absolute Monster Gentlemen, for over two decades now, but he still collaborates frequently with these old friends. At the 2018 New Orleans Jazz & Heritage Festival, for instance, Cleary performed alongside Raitt in a heartfelt tribute to Fats Domino.

