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Bradley Denton

Bradley Denton

Bradley Clayton Denton is an American science fiction author. He has also written other types of fiction, such as the black comedy of his novel Blackburn, about a sympathetic serial killer. He was born in Towanda, Kansas, and attended the University of Kansas at Lawrence and graduated with degrees in astronomy (B.A.) and English (M.A.).

An all time favorite of Roaming the Arts is Denton’s 1993 classic:

Read Kirkus Review of Blackburn

Link above is to Goodreads site while the BradleyDenton.net site is being reimagined.

Crack the Sky

Crack the Sky

Crack the Sky is an American progressive rock band formed in Weirton, West Virginia in the early 1970s. In 1975, Rolling Stone declared their first album “debut album of the year”, and in 1978, Rolling Stone Record Guide compared them to Steely Dan; their first three albums charted on the Billboard 200. Wikipedia

Read about Crack the Sky in Rolling Stone – August 2018

Anne Tyler

Anne Tyler

is an American novelist, short story writer, and literary critic. She has published 22 novels, the best known of which are Dinner at the Homesick Restaurant, The Accidental Tourist, and Breathing Lessons. Wikipedia

 

 

The Record Company

The Record Company

The Record Company is an American rock band from Los Angeles. The members are Chris Vos, Alex Stiff, and Marc Cazorla. Their music is influenced by blues musicians like John Lee Hooker, early punk bands like The Stooges, and rock bands like The Rolling Stones. Wikipedia

These rising stars have been riding up the charts with their latest release Play Loud.

Below is an excerpt from an excellent article featured in RELIX…where Music meets Journalism

From Play Loud’s first notes, it’s quite evident that something has changed. The raw, bluesy feel that lined The Record Company’s first two albums is no longer there; instead, there’s a rock[1]and-roll swagger that shines through. It’s energetic in ways that feel more apt for arenas instead of the home-studio recordings that often looked inward. On the album’s opener “Never Leave You,” Vos laments being a bit lost, searching for answers, finding solace in the sun. It’s a simple song about relationship confusion, but it sets the tone for Play Loud: The music here is catchy as hell. The single “How High” is an anthemic number, driven by Stiff and Cazorla’s thumping rhythms. At times, it feels like a pure adrenaline rush, especially when the chorus asks listeners to consider “how high do you want to fly”—in an aspirational way.

That’s not to say that their past is completely devoid on Play Loud. “Today Forever” is a slow, bluesy number that finds Vos passionately declaring to a lover that a great move would be to run away for “a day that will last forever.” It’s grand gesture thinking, but that’s the running thread throughout Play Loud—be yourself, take a chance, do it with some gusto.

Most of the songs were written pre-pandemic, but the Play Loud recording sessions took place in the spring of 2020. Unexpectedly, the lyrics seem to take on a new life once they started laying down the tracks, particularly “How High,” which seems to touch on themes relating to recovery.

“We were in a new, challenging time,” Vos says. “But at my core, as a human, I was back to being a 14-year-old kid sitting on the edge of my bed, playing guitar because I had nothing else to do today. The only thing on my mind was music. It was the only thing that would make me feel better, making the record. It became the absolute focal point of our lives. That was unexpectedly positive in a field of a lot of negativity. That was one area where we did benefit from being isolated. These songs for me were very emotionally profound. We’d written a lot before [the pandemic] but, all of a sudden, you’re taking it into the studio, and you’re singing this song—and this life, it means something different. We all have a relatable struggle. We all didn’t see our moms and dads for a long time. We all didn’t see our friends for a long time. That’s something we all share.”

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Robert Galbraith

Location – London and elsewhere in Great Britain

Robert Galbraith a.k.a. J.K. Rowling

When you browse Roaming the Arts you may note that the mission is to drive web traffic to known artists who may be familiar, but not “household names.” Thus you won’t find Bruce Springsteen, The Rolling Stones, or authors whose reach is worldwide such as James Patterson or, in this case, J.K. Rowling. They don’t need this post to send fans to their web presence.

You will also note the Word and Film connection, where it is found to be exciting when a great book has been turned into good film or television. That, in our opinion, is not easy, and is a bit rare and extremely exciting when located.

Ms. Rowling, writing as Robert Galbraith, had ducked under our radar, and in all honesty was found by taking note of the HBO series C.B. Strike, where the first four books in the series have been presented with book five, Troubled Blood, in production. Whether looking for a good read or the next show to stream, Galbraith has created characters in Cormoran Strike and Robin Ellacott who will live in your consciousness for some time.

Good news for fans : Book six in the series, The Ink Black Heart, available August 30, 2022

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Peter Wolf

A Cure for Loneliness manifests the same vibrant passion for music that’s motivated Peter Wolf for most of his life.  Growing up in an artistic, politically engaged family in the Bronx, he became an early rock ‘n’ roll convert after attending an Alan Freed rock ‘n’ roll revue that included performances by Chuck Berry, Buddy Holly, Jerry Lee Lewis, Little Richard and Frankie Lymon.  His thirst for new and old sounds drove him to exploring blues, soul, country, folk and jazz, inspiring weekly visits to Harlem’s Apollo Theatre and leading to acquaintances with many of the music’s surviving originators.  

Wolf’s talent as a painter won him a grant to study at the Boston Museum School of Fine Arts.  While a student there, he experienced a life-changing epiphany after jumping on stage to sing with a blues band at a loft party.  He soon talked himself into membership in that band, The Hallucinations.  

“I didn’t join a band to meet girls,” Wolf recalls.  “I joined my first band to meet musicians.  Painting was a fascination for me, but I was a music fanatic, and sitting in with that band was a born-again type of experience for me.  I was transfixed, and myself and some of the guys in the band would check out performances by the musicians we admired so much, like Muddy Waters and John Lee Hooker and John Coltrane and Bill Monroe and the Stanley Brothers.  Those roots stayed with me.”  

Wolf’s natural loquaciousness won him a job as an all-night DJ on the fledgling FM rock station WBCN.  Adopting the persona of “the Woofa Goofa,” he spun raw rock ‘n’ roll and rhythm ‘n’ blues, channeling the spirit of the flashy, fast-talking DJs he’d grown up listening to.

Wolf’s encyclopedic musical knowledge came in handy when he and some like-minded Boston players formed the J. Geils Band, much of whose early repertoire was drawn from Wolf’s vast record collection.  The band soon became a local favorite injecting a much-needed jolt of raw, uninhibited rock ‘n’ roll into the ’70s scene and was soon signed by Jerry Wexler for Atlantic Records. Between 1970 and 1983, the J. Geils Band released 13 influential albums, topped the pop single charts with 1981’s “Freeze Frame,” “Love Stinks,”  “Centerfold,” and earned a reputation as one of rock’s most exciting live acts, thanks in large part to Wolf’s flamboyant, hyperactive stage presence.

After going solo with 1984’s Lights Out, Wolf continued to stake out new musical territory with the subsequent releases Lights Out, Come As You Are, Up to No Good, Long Line, Fool’s Parade, Sleepless and Midnight Souvenirs, and A Cure For Loneliness. His solo work has seen him collaborate with the likes of Aretha Franklin, Merle Haggard, John Lee Hooker, Mick Jagger, Keith Richards, Little Milton, Wilson Pickett, Shelby Lynne and Neko Case.  Wolf temporarily reunited with his J. Geils Band cohorts for live shows on several occasions between 1999 and 2015, but his solo career has remained his creative focus, as A Cure for Loneliness makes clear.

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