Joseph Craig English is an American artist predominantly known for his silkscreen prints focusing on street and landscape scenery of and about places around the Greater Washington, DC area. He currently resides and works in the historic community of Washington Grove, Maryland.
Andreas Nottebohm, born on October 13, 1944, in Eisenach, Germany, is a German-American artist and pioneer known for his groundbreaking work in metal painting. His career is defined by an innovative approach that combines polished metal surfaces, light, and color to create artworks that challenge traditional perceptions of depth and space. Nottebohm’s artistic journey began at the Academy of Fine Arts in Munich, where he studied under the surrealist painter Mac Zimmermann. He then deepened his knowledge of etching with Johnny Friedlaender in Paris and studied lithography in Salzburg, Austria. During this time, he began using metal as a medium and discovered the unique reflective and transformative properties of the material.
In 1978, Nottebohm held his first exhibition in the United States, where his work was highly praised by critics. This led him to settle in the San Francisco Bay Area, which remains his creative home to this day. A significant milestone in his career occurred in 1981 when NASA commissioned him to create official paintings for the first Space Shuttle mission of the Columbia. This collaboration established him as a visionary artist, seamlessly blending themes of science, technology, and the cosmos with his unique artistic techniques. Nottebohm is particularly renowned for using polished aluminum and other metals as his canvases. His process involves polishing, etching, and painting metal surfaces to create dynamic works that interact with light and change depending on the viewer’s perspective. His art evokes a sense of cosmic wonder and is often compared to the Op Art and visionary art movements.
Nottebohm’s works are featured in prestigious institutions worldwide, including the Smithsonian National Air and Space Museum, the Kennedy Space Center, the Crocker Art Museum, the Nevada Museum of Art, and the Museu de Arte Moderna in Rio de Janeiro. Over the course of his career, he has presented more than 100 solo exhibitions across Europe and the United States. In 2011, the University of Arizona honored him with a major retrospective that highlighted his innovative contributions to contemporary art. In recent years, he has collaborated with musician Pete Sears on a decade-long project that combines his metal artworks with experimental music, expanding the sensory dimensions of his art.
Nottebohm’s ability to transform metal into dynamic, light-reactive artworks has redefined the possibilities of this medium. His works bridge the gap between art and science, inspiring viewers to explore the interplay of light, space, and imagination. With a career spanning decades, Andreas Nottebohm has established himself as a true visionary, leaving a lasting impact on the art world.
He has had over 150 one-man shows. His paintings have been shown in galleries and museums worldwide, including the Smithsonian Museum and the Crocker Museum in Sacramento, Ca. Over the years the value of his artwork in one-of-a-kind original format has steadily increased. Crocker Museum curator observed that Nottebohm “teases the eye and challenges the mind.”
Tom Meyer has been referred to as an ‘outsider’ artist.
He is indeed a self-taught painter. Working primarily with acrylic on canvas or board, Meyer’s paintings originate from impulses within his soul. He has referred to this collection, his first to be exhibited, as ‘narrative visions’.
His cast of characters that inhabit his paintings give an account of his inner life and his imagination. They tell a story with his themes, “of redemption, forgiveness, acceptance, rejection and love,” as he has described it.
Meyer has said, “I don’t paint things, I paint ideas.” His work is informed and inspired by a variety of ideas, from current events to ancient philosophy. Through an outsider or visionary artist, Meyer’s work is part of a creative tradition with roots that include early American folk art and that has continued to evolve in numerous and dynamic ways up to today. Meyer has created a personal universe with his paintings, as many outsider artists have done. This exhibition is a dazzling display of that universe.
Chris Murray
Michael Oberman’s photographs are on permanent display in U.S. National Parks including Steigerwald and Modoc and in museums including the Utah Museum of Natural History and the Ontario Science Centre (Toronto).
Six photos are on a five year tour of U.S. and Canadian museums in an exhibit called “Imaginate”…under the auspices of the Ontario Science Centre in Toronto (where the same six photos are on permanent display).
Before photography, he spent his life in the “music business.” Michael started as a music columnist for the Washington Star and a six year period interviewed more than 300 major recording artists…including David Bowie, Janis Joplin, Jim Morrison, James Brown…the list is too long for this page. He later worked for a record company and managed artists. Now he is back to his true love: Photography.
In 2019, Oberman was signed to a publishing contract for a book about his life in the music business. He spent eight months writing “Fast Forward, Play, and Rewind.” It will be out on October 15, 2020 in the U.S. and December 1 in Great Britain. (adapted from web site)
Considered to be one of the most prominent Washington D.C. artists of the last century, Green led art in the city away from the prevalent trend of painters in the Washington Color School while working for 35 years as an instructor at the Corcoran College of Art and Design. He encouraged his students to look inward towards a personal vocabulary of form, a commandment he personified. One of his most defining characteristics to those who knew him was his ever-present black sketchbook in which he would constantly draw, reacting to the world around him.
Loren Salazar was born in California in 1951. Graduated with Honors in 1973 from Central Washington State University with a degree in Fine Arts and Sciences. Salazar has painted and exhibited extensively in the western states of Washington, California, and Alaska. His work has been exhibited across the country and his published images are found internationally. Currently calling Cost Rica home, Salazar continues to paint image locations from Italy to South America.
Salazar’s photorealistic technique developed into a long series of works based on visual memory. This involved numerous images and places occupying the same picture plane. These images dissolved in and out of one another in long horizontal compositions.
With the encouragement of close friend and mentor Andreas Nottebohm, Salazar set fourth on a 4 year series of works on etched aluminum, a technique pioneered by San Francisco artist Nottebohm. While living near Lake Arenal in Costa Rica, Salazar’s nights were consumed creating a series of paintings based on “The “Northern Lights” or “Aurora Borealis”. This series was painted in layers of transparent acrylic on etched aluminum. From Arenal, Salazar shipped the Northern Light Series to galleries in Alaska, Washington, and California.
Marti Jones & Don Dixon have been performing together, off and on, for over twenty years. This longtime partnership has resulted in an intimate stage rapport as well as the seamless blending of two of the most distinct voices around today. With over two hundred songs in their collective recorded catalogue, you never know quite what to expect when they hit the stage, but rest assured their performance will feature thoughtful lyrics and heart-felt singing.
Don Dixon has devoted his entire life to the popular song. Whether working as a singer, songwriter, musician or producer, he has always tried to capture the essence of his life in the moment.
He began playing and recording in his mid-teens, co-founding ARROGANCE, a band that helped forge the North Carolina scene which brought the world Let’s Active and The dBs, along with dozens of other bands that followed in their wake. Dixon went solo in 1983 and has released nine cds. He is currently at work on a new recording with his long-time touring band, Jamie Hoover and Jim Brock. After twenty years, Jamie has named the group “Don Dixon & the Jump Rabbits”. The new platter is called “The Nu-Look” and is due in May 2008.
Dixon’s writing, production and session credits include astroPuppees, Baby Shaker, Richard Barone, Jim Brock, Mark Bryan, Kim Carnes, Mary Chapin Carpenter, Caitlin Cary, Joe Cocker, The Connells, Counting Crows, Marshall Crenshaw, Pat DiNizio, The Edison Project, Fetchin Bones, GB Leighton, The Golden Palominos, Guadalcanal Diary, Hootie and the Blowfish, In Tua Nua, Marti Jones, Tommy Keene, Let’s Active, James McMurtry, Moxy Fruvous, REM, The Red Clay Ramblers, The Smithereens, Snagglepuss, Ronnie Spector, The Spongetones, Chris Stamey, Matthew Sweet, The X-Teens and dozens more.
Born in New Jersey, Anne Silber studied at Cornell University in Ithaca, New York, and has lived and worked in the Boston area since 1977. Silber’s work has been shown in numerous one-person and group exhibitions around the U.S. and Europe, and her prints are included in many corporate and museum collections. Her work has also appeared on the sets of a large number of television series and major motion pictures.
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question.