Born in New Jersey, Anne Silber studied at Cornell University in Ithaca, New York, and has lived and worked in the Boston area since 1977. Silber’s work has been shown in numerous one-person and group exhibitions around the U.S. and Europe, and her prints are included in many corporate and museum collections. Her work has also appeared on the sets of a large number of television series and major motion pictures.
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Loren Salazar
Loren Salazar
Loren Salazar was born in California in 1951. Graduated with Honors in 1973 from Central Washington State University with a degree in Fine Arts and Sciences. Salazar has painted and exhibited extensively in the western states of Washington, California, and Alaska. His work has been exhibited across the country and his published images are found internationally. Currently calling Cost Rica home, Salazar continues to paint image locations from Italy to South America.
Salazar’s photorealistic technique developed into a long series of works based on visual memory. This involved numerous images and places occupying the same picture plane. These images dissolved in and out of one another in long horizontal compositions.
With the encouragement of close friend and mentor Andreas Nottebohm, Salazar set fourth on a 4 year series of works on etched aluminum, a technique pioneered by San Francisco artist Nottebohm. While living near Lake Arenal in Costa Rica, Salazar’s nights were consumed creating a series of paintings based on “The “Northern Lights” or “Aurora Borealis”. This series was painted in layers of transparent acrylic on etched aluminum. From Arenal, Salazar shipped the Northern Light Series to galleries in Alaska, Washington, and California.
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Tom Green
Tom Green
R.I.P – September 4, 2012
Considered to be one of the most prominent Washington D.C. artists of the last century, Green led art in the city away from the prevalent trend of painters in the Washington Color School while working for 35 years as an instructor at the Corcoran College of Art and Design. He encouraged his students to look inward towards a personal vocabulary of form, a commandment he personified. One of his most defining characteristics to those who knew him was his ever-present black sketchbook in which he would constantly draw, reacting to the world around him.
October 2019 Retrospective – Addison/Ripley Fine Art, Georgetown, Washington, D.C.
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Gallery Links
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