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Band of Heathens

Band of Heathens

Performance Video — Heaven Help Us All

When The Band of Heathens decided to dub their sixth studio album of original material Stranger (its first since 2017’s Duende), the veteran band, formed in Austin, TX nearly 15 years ago, had no idea how prophetic that title would turn out to be. Although the name references the famed existential Albert Camus novel and Robert Heinlein’s sci-fi classic Stranger in a Strange Land, it also touches on the “strangers” who make up the band’s loyal fan base, who supported the band during this period with all touring canceled.

As co-founder Ed Jurdi acknowledges, it is certainly an unusual time to release a new album. “The strangest,” he says. “Maybe no time stranger. Since we started, there have been sweeping, revolutionary changes in the music business, but, in this global pandemic, we’re just a microcosm.”
“We’re really fortunate that we have been able to turn directly to our fan base during the pandemic,” adds fellow co-founder Gordy Quist. “The last few months we’ve spent four nights a week live-streaming personal private concerts to fans, and one night a week publicly live-streaming with the whole band Zooming in from their respective homes in California, Texas, North Carolina and Tennessee. At first it seemed very strange until
these walls started coming down and we realized how connected we are by the fabric of music.”

Extending the metaphor of Stranger even further. The Band of Heathens traveled to another city, Portland, OR, with a brand-new producer, Tucker Martine [The Decemberists, My Morning Jacket, Modest Mouse, Camera Obscura], and the result is something different – a more airy, intimate atmosphere, with added emphasis on songcraft and intricate arrangements set in a spacious sonic landscape that reinvents the band’s sound. These are songs stripped of pretense, but teeming with the emotion borne of personal experience, as has been The Band of Heathens’ method from the very start. Stranger moves off into a new place, but still echoes the group’s artful songwriting and multi-layered narrative observations.

The Stranger was released in 2020 and is a top ten roots rock album riding high in the charts.

 

William Kent Krueger

William Kent Krueger

Location-Minnesota

William Kent Krueger is an American novelist and crime writer, best known for his series of novels featuring Cork O’Connor, which are set mainly in Minnesota. In 2005 and 2006, he won back-to-back Anthony Awards for best novel. In 2014, his stand-alone book Ordinary Grace won the Edgar Award for Best Novel of 2013. Wikipedia

His latest This Tender Land is a Roaming the Arts favorite of 2020.

 

James Lee Burke

James Lee Burke

Location – New Orleans/Iberia Parish Louisiana

James Lee Burke, a rare winner of two Edgar Awards, and named Grand Master by the Mystery Writers of America, is the New York Times bestselling author of more than thirty novels and two collections of short stories. He lives in Missoula, Montana.

Author Interview from July 2010

The Pretenders/Chrissie Hynde

The Pretenders/Chrissie Hynde

Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde’s songwriting, yet they were a full-fledged band when they formed in the late ’70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also melodic and immediately accessible. Hynde was an invigorating singer who bent the traditional male roles of rock & roll to her own liking, while guitarist James Honeyman-Scott created a sonic palette filled with suspended chords, effects pedals, and syncopated rhythms that proved remarkably influential over the next two decades. After Honeyman-Scott’s death, the Pretenders became a straightforward rock band, yet Hynde’s semi-autobiographical songwriting and bracing determination meant that the group never became just another rock band, even when their music became smoother and pop-oriented.
Originally from Akron, Ohio, Hynde moved to England in the early ’70s, when she was in her twenties. British rock journalist Nick Kent helped her begin writing for New Musical Express; she wrote for the newspaper during the mid-’70s. She also worked in Malcolm McLaren’s SEX boutique before she began performing. After playing with Chris Spedding, she joined Jack Rabbit; she quickly left the band and formed the Berk Brothers.
In 1978, Hynde formed the Pretenders, which eventually consisted of Honeyman-Scott, bassist Pete Farndon, and drummer Martin Chambers. Later in the year, they recorded a version of Ray Davies’ “Stop Your Sobbing,” produced by Nick Lowe. The single made it into the British Top 40 in early 1979. “Kid” and “Brass in Pocket,” the group’s next two singles, were also successful. Their debut album, Pretenders, was released in early 1980 and eventually climbed to number one in the U.K. The band was nearly as successful in America, with the album reaching the Top Ten and “Brass in Pocket” reaching number 14.
During an American tour in 1980, Hynde met Ray Davies and the two fell in love. Following a spring 1981 EP, Extended Play, the group released their second album, Pretenders II. Although it fared well on the charts, it repeated the musical ideas of their debut. In June of 1982, Pete Farndon was kicked out of the band due to his drug abuse. A mere two days later, on June 16, James Honeyman-Scott was found dead of an overdose of heroin and cocaine. Pregnant with Davies’ child, Hynde went into seclusion following Honeyman-Scott’s death. In 1983, two months after Hynde gave birth, Farndon also died of a drug overdose.
Hynde regrouped the Pretenders in 1983, adding former Manfred Mann’s Earth Band guitarist Robbie McIntosh and bassist Malcolm Foster; the reconstituted band released “2000 Miles” in time for Christmas. The new Pretenders released Learning to Crawl early in 1984 to positive reviews and commercial success. Ending her romance with Ray Davies, Hynde married Jim Kerr, the lead vocalist of Simple Minds, in May of 1984.
Apart from a performance at Live Aid, the only musical activity from the Pretenders in 1985 was Hynde’s appearance on UB40’s version of “I Got You Babe.” Hynde assembled another version of the Pretenders for 1986’s Get Close. Only she and McIntosh remained from Learning to Crawl; the rest of the album was recorded with session musicians. Get Close showed the Pretenders moving closer to MOR territory, with the bouncy single “Don’t Get Me Wrong” making its way into the American Top Ten in 1987. Hynde recorded another duet with UB40 in 1988, a cover of Dusty Springfield’s “Breakfast in Bed.”
Hynde’s marriage to Kerr fell apart in 1990, the same year Packed! was released, although it failed to ignite the charts in either America or Britain. Hynde was relatively quiet for the next few years, re-emerging in 1994 with Last of the Independents, which was hailed as a comeback by some quarters of the press. The album did return the Pretenders to the Top 40, with the ballad “I’ll Stand by You.” In the fall of 1995, the live album Isle of View was released, then the group remained silent for a few years. Hynde finally returned in 1999 with an album of new material, Viva el Amor. Three years later, the Pretenders left their longtime label for Artemis. The reggae-tinged Loose Screw appeared in November and a tour followed in January 2003. In March 2006, the band released their first-ever box set, Pirate Radio, via Rhino. The four-disc package included over five hours of music and a DVD of rare performances. Two years later, the Pretenders released Break Up the Concrete, their first album in six years; it debuted at 32 on the Billboard charts and 35 in the U.K.
Following the release of Break Up the Concrete, the Pretenders spent the next few years touring, but after 2012, Hynde put the band on hiatus. In 2014, she released Stockholm, her first-ever solo album, which was followed in 2015 by her memoir Reckless: My Life as a Pretender. In 2016, Hynde revived the Pretenders to record a new album with Black Keys guitarist Dan Auerbach as producer. Alone emerged in October 2016. 2019 saw the belated release of The Pretenders with Friends, a CD, DVD, and Blu-ray package that documented both sound and images from a 2006 concert in which Hynde and her bandmates were joined on-stage by Iggy Pop, Shirley Manson of Garbage, and members of Incubus and Kings of Leon. The Pretenders reunited with producer Stephen Street for 2020’s Hate for Sale, which also was the first album since Loose Screw to feature Chambers on drums. ~ Stephen Thomas Erlewine

David Mitchell

David Mitchell

Location – London (Soho) and around the world.

Check out the 2012 film version of Cloud Atlas on Netflix.

Extended Interview – w/ Neil Gaiman @ virtual Politics & Prose Bookstore

David Mitchell was born in Southport, Merseyside, in England, raised in Malvern, Worcestershire, and educated at the University of Kent, studying for a degree in English and American Literature followed by an M.A. in Comparative Literature. He lived for a year in Sicily, then moved to Hiroshima, Japan, where he taught English to technical students for eight years, before returning to England. After another stint in Japan, he currently lives in Ireland with his wife Keiko and their two children. In an essay for Random House, Mitchell wrote: “I knew I wanted to be a writer since I was a kid, but until I came to Japan to live in 1994 I was too easily distracted to do much about it. I would probably have become a writer wherever I lived, but would I have become the same writer if I’d spent the last 6 years in London, or Cape Town, or Moose Jaw, on an oil rig or in the circus? This is my answer to myself.” Mitchell’s first novel, Ghostwritten (1999), moves around the globe, from Okinawa to Mongolia to pre-Millennial New York City, as nine narrators tell stories that interlock and intersect. The novel won the John Llewellyn Rhys Prize (for best work of British literature written by an author under 35) and was shortlisted for the Guardian First Book Award. His two subsequent novels, number9dream (2001) and Cloud Atlas (2004), were both shortlisted for the Man Booker Prize. In 2003, he was selected as one of Granta’s Best of Young British Novelists. In 2007, Mitchell was listed among Time Magazine’s 100 Most Influential People in The World. Mitchell’s American editor at Random House is novelist David Ebershoff. (Goodreads)

His latest novel (July 2020) Utopia Avenue tells the fictional story of a British band of the same name, who emerged from London’s psychedelic scene in 1967, against the backdrop of real world characters and events.

Check it out on Goodreads (Click cover below)

 

Mother’s Day and Other Stories

Mother’s Day and Other Stories

A book of short stories written by Roaming the Arts webmaster. 

Mother’s Day and Other Stories is comprised of six short stories. The first three take place on Mother’s Day weekend. As in modern life, cell phones play a role. The stories weave family, growing up with and without, and the role of chance in life. Filled with seriousness and humor, they are quick reads with memorable characters and events.

from Kirkus Review:

Schwartz thoughtfully addresses real life dilemmas that other writers may overlook, such as the question of deleting a parent as a cell phone contact after the loved one’s death: “There at the top of her favorites list was the name ‘Mom.’ She had not had the will to delete the contact. Would anyone?” His use of a question is particularly effective here, provoking uncomfortable reflections from readers. It is also compelling to learn how each of the tales is interlinked–which the author reveals incrementally.

And in the Life Imitates Art category — check out this related story:

A bittersweet Thanksgiving for the grandmother and teenager who met via an accidental text in 2016
Four years ago, a grandmother accidentally invited a stranger to her Thanksgiving dinner via text message. Ever since, they’ve celebrated the holiday together and despite the pandemic, this year was no exception. Watch VIDEO

See Kirkus Review

Chuck Prophet

Chuck Prophet shapes his restless career with inimitable subtle flair: a vivid parade of razor-edged one-liners camouflaged in a slack-jawed drawl, songs about heartbreak and everyman heroism, drenched in twisted lines of rude Telecaster.

 

Marcus King

Marcus King (Band)

Songwriter. Guitarist. Singer. Bandleader. At only 23 years of age, Marcus King has been writing songs and performing onstage for half his lifetime, delivering a blistering brand of Americana inspired by rock n’ roll.

King is a Blue Ridge Mountain boy, born and raised in Greenville, South Carolina. A fourth-generation musician, he traces his lineage back to his fiddle-playing great grandfather, while his grandfather was a fiddler and guitarist. His dad is Marvin King, is a singer/guitarist who has toured nationally since the ‘70’s with various artists as well as his own group, Marvin King and Blue Revival.

Marcus King doesn’t strive for authenticity, he never had to—it’s busting out of his DNA in every note he plays and every word he sings. This focused, firmly rooted artist isn’t just perpetuating the proud legacy of American rock and soul music, he is adding his own eloquent chapter to that rich narrative in his new hometown, Nashville. Playing for Change

 

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