Leftover Salmon
For the past quarter-century, Colorado’s Leftover Salmon has established itself as one of the great purveyors of Americana music, digging deep into the well that supplies its influences; rock ‘n’ roll, folk, bluegrass, Cajun, soul, zydeco, jazz and blues. During their twenty-five plus years as a band they have headlined shows and festivals from coast to coast, released nine albums, and maintained a vibrant, relevant and influential voice in the music world. The evolution of Leftover Salmon’s music is influenced by Leftover Salmon co-founders Drew Emmitt (mandolin/vocals) and Vince Herman‘s (guitar/singer) keen musical instincts, and follows a musical path that adheres to the deep tradition the duo started when they first formed the group along with deceased banjo player Mark Vann. The addition of new band members over the years has nurtured an unmistakable evolution and freshness in Leftover Salmon’s sound, and has added an edge to the long-lasting power of the band’s music. (youtube)
Our Designer
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Etienne Charles
Etienne Charles
Hailed by The New York Times as “an auteur” (Ben Ratliff), by Jazz Times as “A daring improviser who delivers with heart-wrenching lyricism” (Bill Milkowski). According to Downbeat Magazine “Charles delivers his ebullient improvisations with the elegance of a world-class ballet dancer.” (John Murph). He has received critical acclaim for his exciting performances, thrilling compositions and knack for connecting with audiences worldwide. In June 2012, Etienne was written into the US Congressional Record for his musical contributions to Trinidad & Tobago and the World. Perhaps more than any other musician of his generation or Eastern Caribbean origin, Etienne brings a careful study of myriad rhythms from the French, Spanish, English, and Dutch speaking Caribbean to the table. Crucially, as a soloist, he fully understands the New Orleans trumpet tradition; which is readily discernible in his trademark instrumental swagger, and what famed Crescent City Pianist, Jelly Roll Morton so succinctly captured in the now immortal phrase, ‘The Spanish Tinge’. He has performed and or recorded with Monty Alexander, Roberta Flack, Frank Foster, Ralph MacDonald, Johnny Mandel, Wynton Marsalis, Marcus Roberts, Maria Schneider, Count Basie Orchestra, Eric Reed, Lord Blakie, David Rudder, and many others. He holds a Master’s degree from the Juilliard School and a Bachelor’s degree from Florida State University. Etienne Charles has taught as an Assistant Professor of Jazz Trumpet at Michigan State University and the University of Miami.
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Eric Brace
Eric Brace (and Last Train Home)
Eric Brace runs Red Beet Records and makes music on his own, with Last Train Home and as a trio with Peter Cooper and Thomm Jutz. In 2003, he founded the label and he and his band, Last Train Home moved to East Nashville from the Washington DC area. Brace had been a journalist at the Washington Post and had run the Top Records label.
Eric returns to the DC area with some frequency, playing clubs where he built his loyal following and participating, as in the embedded video, in numerous BandhouseGigs productions, including the recent live stream “From BandHouse to Your House.”
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Dawes
Dawes is an American folk-rock band that has spent the last decade and a half serving as the primary torchbearers for the “Laurel Canyon sound.” Formed in Los Angeles in 2009 following the dissolution of the post-punk band Simon Dawes, the group transitioned into a more organic, roots-oriented aesthetic. Led by brothers Taylor and Griffin Goldsmith, the band quickly established itself as a critical darling, blending the poetic introspection of 1970s singer-songwriters with the muscular, live-performance energy of a seasoned rock ensemble. Their music is often described as timeless, evoking the ghost of Jackson Browne, the harmonies of Crosby, Stills, and Nash, and the gritty guitar sensibilities of Neil Young.At the heart of the band’s identity is Taylor Goldsmith’s songwriting. He is widely regarded as one of his generation’s most gifted lyricists, possessing an uncanny ability to spin conversational phrases into profound existential observations. His songs often function as short stories, populated by characters grappling with the passage of time, the nuances of modern love, and the quiet tragedies of everyday life. This narrative depth is anchored by his brother Griffin’s drumming, which is characterized by a melodic, soulful touch that provides the band’s rhythmic backbone. Together, their sibling chemistry creates a telepathic musical foundation that has remained the group’s constant through various lineup changes.The band’s discography serves as a chronicle of their evolution from retro-leaning folk-rockers to sophisticated studio craftsmen. Their debut album, North Hills, was recorded live to analog tape, capturing a warm, hazy atmosphere that felt like a rediscovered relic from 1971. As they progressed through albums like Nothing Is Wrong and Stories Don’t End, their sound expanded to include more polished production and adventurous arrangements. However, they never lost the “live in a room” feel that makes their records feel intimate and authentic. By the time they reached All Your Favorite Bands, they had solidified their status as a premiere live act, known for extended jams and a rotating setlist that rewards a dedicated, cult-like following.In recent years, Dawes has navigated a significant transition. After the departure of long-time members Wylie Gelber and Lee Pardini, the Goldsmith brothers decided to continue as a duo, a move reflected in their ninth studio album, Oh Brother (2024). This latest era emphasizes the raw connection between the two siblings, stripping back some of the auxiliary instrumentation to focus on the interplay between Taylor’s guitar and Griffin’s percussion. Despite the smaller core membership, the band continues to tour with a robust live lineup, maintaining their reputation for high-energy performances that bridge the gap between indie-folk and classic stadium rock.Ultimately, Dawes occupies a unique space in the modern musical landscape. They are a band’s band, frequently invited to back legendary artists like Jackson Browne, Robbie Robertson, and Elvis Costello. They have avoided the fleeting trends of the digital age, opting instead for a career built on craftsmanship, touring, and a deep respect for the tradition of American songwriting. For their fans, a Dawes song is more than just a melody; it is a mirror reflecting the complexities of growing up and growing older in an ever-changing world.Dawes-FB page
