Brothers Noah and Adam Levy were already veterans of the Minneapolis rock scene when they formed The Honeydogs in 1994. Elder brother Adam spun his favorite country, soul and rock influences into a vintage-sounding batch of songs on the band’s eponymous 1995 debut featuring bassist Trent Norton. Noah took time off to record and tour with Golden Smog featuring members of The Jayhawks, Wilco, Their second outing, featuring added guitarist Tommy Borscheid, Everything I Bet You (1996) further honed the band’s merging of country and rock, sounding like a Flying Burrito Brothers/Beatles/Clash hybrid. The band toured extensively and secured a major label deal with Mercury Records–leading to their first commercial release, Seen A Ghost (1997 )
Now, in the mid-2020s, a new Honeydogs album is in the works, while for the last five years, Adam Levy has joined forces with two lovely voices to form Turn Turn Turn and tour around the country when they venture from their hometown Minneapolis.

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Lucinda Williams
Three-time Grammy Award winner, Lucinda Williams has been carving her own path for more than three decades now. Born in Lake Charles, Louisiana, Williams had been imbued with a “culturally rich, economically poor” worldview. Several years of playing the hardscrabble clubs gave her a solid enough footing to record a self-titled album that would become a touchstone for the embryonic Americana movement – helping launch a thousand musical ships along the way.
While not a huge commercial success at the time Lucinda Williams (aka, the Rough Trade album) retained a cult reputation, and finally got the reception it deserved upon its reissue in 2014. Jim Farber of New York’s Daily News hailed the reissue by saying “Listening again proves it to be that rarest of beasts: a perfect work. There’s not a chord, lyric, beat or inflection that doesn’t pull at the heart or make it soar.”
For much of the next decade, Williams moved around the country, stopping in Austin, Los Angeles, Nashville, and turning out work that won immense respect within the industry (winning a Grammy for Mary Chapin Carpenter’s version of “Passionate Kisses”) and a gradually growing cult audience. While her recorded output was sparse for a time, the work that emerged was invariably hailed for its indelible impressionism — like 1998’s Car Wheels on a Gravel Road, which notched her first Grammy as a performer.
The past decade brought further development, both musically and personally, evidenced on albums like West (2007), which All Music Guide called “flawless…destined to become a classic” and Blessed (2011), which the Los Angeles Times dubbed “a dynamic, human, album, one that’s easy to fall in love with.” Those albums retained much of Williams’ trademark melancholy and southern Gothic starkness, but also exuded more rays of light and hope. This all lead to the 2014 release of Williams’ first double studio album Down Where The Spirit Meets The Bone. The album received overwhelming praise from the media and fans, thus proving that Williams’ songwriting is as strong and important as it has ever been.
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Tedeschi Trucks Band
Go back to December 31, 2008 when guitarist Derek Trucks and his wife, singer/guitarist Susan Tedeschi, were preparing to ring in the New Year. Married since 1999, these two soulmates, equally steeped in the musical roots of blues, jazz, and gospel, had finally decided the time was right to set aside their successful solo careers and commit to a new band melding their vision and talent. It wasn’t the first time they had collaborated; they had shared a stage countless times and traded album guest appearances, all while starting a family together. But on that night, hitting the stage together with members of the Derek Trucks Band and a guest horn section they heard the future.
“The 12-piece outfit puts out a big band sound that still rings intimate, shaking listeners to their emotional core.” – Rolling Stone
Two years later, the couple debuted Tedeschi Trucks Band. The nation’s economy was heading into recession. The popular music landscape was filled with technological theatrics and auto-tuned singers. And here were Tedeschi and Trucks along with their (then) 8-member band, loading up two tour buses and hitting the road with a sound that defied conventional genre boundaries or traditional labels; a gypsy caravan on the rock-and-roll highway. To call it ambitious was an understatement.
During their five-year rise, the group toured incessantly, raising their profile and being handpicked to play with the likes of Eric Clapton, Bob Dylan, and Santana
In pursuit of their ideal sound driven by world class musicianship, Tedeschi and Trucks put together a musical collaborative like no other, flying in the face of any practical or economic considerations. There have been evolutionary changes to the band along the way, but the freight-train force of veteran drummers J.J. Johnson and Tyler Greenwell were there from the start, along with two brilliant Trucks Band veterans to amplify the rhythm section: Kofi Burbridge with his prodigious talent on keys and flute, and Mike Mattison, with his dynamic vocals and songwriting skills. A 3-piece horn section brought on for studio work proved indispensable to the group’s sound and became a permanent addition – now composed of Kebbi Williams’ intergalactic saxophone, Ephraim Owens on trumpet and Elizabeth Lea on trombone. Industry-renowned bassist Tim Lefebvre (David Bowie, Elvis Costello, Sting) joined in 2013, and two years later a third incredible voice, Alecia Chakour, was added to the background vocals provided by Mark Rivers and Mattison; each more than capable of delivering a stirring turn as a lead vocalist.
On the road for upwards of 200 days a year, the TTB family has grown strong, bonding over backyard BBQs and long bus rides, all the while developing a growing repertoire of original material and paying homage to an extensive canon of influences ranging from Sly & the Family Stone, Miles Davis and George Jones to Joe Cocker, Nina Simone, and even Indian sarod master Ali Akbar Khan. Embracing improvisation over convention, and set lists rarely repeated, the collective is adept at exploring almost any musical territory. The genuine respect within its ranks is evident on stage. Trucks’ masterful guitar skills and Tedeschi’s soaring vocals and bluesy guitar shine but don’t overpower the breadth of talent, happily yielding the spotlight as needed in service of what the song deserves.
“I saw them live and it was mind blowing. [Derek] has taken the guitar, specifically slide guitar, somewhere it has never been. His phrasing both with and without slide is uniquely his and just odd and jarring and exciting to listen to. [Susan] is an earnest blues player as well and her voice is astounding. The band was mind-blowing. They take a form that is arguably tired and turn it inside out with originality and musicianship and make it totally their own.” – Marc Maron
Trucks and Tedeschi’s uncompromising vision has paid off. Now 12-members strong, and with a catalog of five albums and nearly a decade of steady touring in the U.S. and abroad, Tedeschi Trucks Band carries a distinguished reputation earned from both audiences and critics as one of the premier live bands in the world. Sold-out multi-night runs at venerable venues like the Beacon Theatre, Ryman Auditorium and Red Rocks Amphitheater are a testament to the can’t-miss concert experience fans have come to anticipate. The band’s own “Wheels of Soul” tour has become a sought-after summer experience from promoters across the country, bringing TTB’s unique stew of upbeat rock and soul together on stage with a slew of guests, sit ins, and supporting bands that have included the late Sharon Jones, Los Lobos and most recently The Wood Brothers and Hot Tuna. 2018 will also mark the sixth year for the TTB-curated Sunshine Music Festival, hosted each January in their home state of Florida.
“Epic is an overused word, but if one contemporary rock band were to rightfully wear it, the Tedeschi Trucks Band might be the ones.” – Santa Barbara Independent
TTB’s most recent CD/film release, Live From The Fox Oakland (2017) was nominated for a Grammy and follows a quartet of critically-hailed and commercially successful albums, including the Grammy-winning debut, Revelator (2011) and Let Me Get By (2016), called “one of the great records of the year” by the Associated Press. The film documents the progress the band has made since its inception, while also showcasing its endless potential to bring out the best in each other every night in any musical direction they choose. It’s clear that the leaders have no intention of slowing down now. As Trucks remarked to Mark Maron on his WTF podcast featured in the film, “I haven’t found this band’s ceiling yet.” For Tedeschi Trucks Band, there may not be one.
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The Boneshakers
The Boneshakers w/Jenny Langer
The iconic band lead by world-renowned guitarist Randy Jacobs of Was (Not Was). The Boneshakers and members have toured and recorded with Bonnie Raitt, BB King, Seal, Keb Mo, Aretha Franklin, Elton John, Mindi Abair, Bootsy Collins, Tears 4 Fears, Bob Dylan, Stevie Wonder, Iggy Pop…just to name a few. STORIED CAREER Flashback to 1980 — During his maiden session for Don and David Was, Randy Jacobs meets Sweetpea Atkinson on a cold night in the Motor City at Sound Suite Studio (the recording home of the fledgling band Was (Not Was). The connection was immediate and a bond was forged between the two artists. Their combined talents would help Was (Not Was) become a successful act during the 80’s and into the early 90s culminating with the worldwide hit “Walk The Dinosaur ” co-written by Jacobs. After their European tour with Dire Straits in 1992, the Was Band went on hiatus and Randy started playing and recording with the likes of Bonnie Raitt, BB King, Seal, Paula Abdul, Kris Kristofferson, Ofra Haza, Tears For Fears, Warren Hill and others. Sweetpea was in Los Angeles adding background vocals to artists like Neil Diamond, Bonnie Raitt, Keb Mo, and Bob Segar. When Atkinson heard that Jacobs was putting together a new project, he jumped at the chance to be a part of it. It was Bonnie Raitt who inadvertently gave them their name “Boneshakers” while they were working on her “Longing In Our Hearts” CD. In 1996, the two were signed to Pointblank/Virgin Records and produced two CDs for the label: “Book Of Spells” (1997) which included Randy’s rockin’ swing arrangement of James Brown’s “Cold Sweat” and the powerful “Shake The Planet” (1998). Over the years, The Boneshakers released another four successful albums. Additionally, they joined forces with sax queen Mindi Abair and released Live in Seattle on Concord Records. Two more albums were credited to Mindi Abair and The Boneshakers: The EastWest Sessions (2017) and All I Got for Christmas Is the Blues (2018).
In 2020, the band suffered an unimaginable loss with news of the passing of Sweetpea. THE LEGACY CONTINUES Now in 2022, as The Boneshakers celebrate the 25th anniversary of their first release, a new energy and excitement has emerged. Producer John Wooler, who originally signed The Boneshakers in 1997, connected Randy and the incredible Jenny Langer– a powerhouse singer who was inducted into the Blues Hall of Fame (NYC and VA) at the age of 28 and won the 2020 Int’l Blues Challenge for Best SelfProduced Album. What started as a few tracks for her project quickly morphed in a new album with The Boneshakers featuring no-holds-barred funk, blues, and rock that marries the sounds and spirits of Detroit Rock City, Memphis, and Mussel Shoals. Produced by Wooler, it is back to the original vision of The Boneshakers’ fiery sound, with the vocal dynamo Jenny Langer behind the mic and original musicians from “The Book Of Spells” Sergio Gonzales (Drums), Nathan Brown (Bass), Jon Gilutin (Keys), The Texacali Horns (Joe Sublett, Mark Pender, and Randy’s former band mate from Was (Not Was) Sir Harry Bowens on vocals.
BAND MEMBERS:
Randy Jacobs (Guitar/Vocals)
Holly Montgomery (Bass/Vocals)
Arthur Thompson (Drums/vocals)
Jenny Langer (Vocals)Post Views: 807