Charlie Faye & the Fayettes
“Musically, the group hearkens to Motown, Spector or the Brill Building: Charlie is emerging as a budding Carole King, and the songs are good enough to rate comparison to Goffin & King or Mann & Weil.” – Huffington Post
“In a world of new soul singers who actually get what they’re talking about, enter the name of Charlie Faye and her unbeatable Fayettes to that list. They could go all the way.” – Bill Bentley, The Morton Report
“The album stretches beyond the coy boundaries of ‘60s girl groups with the opener ‘Green Light,’ and though ‘Eastside’ could usher dancers down a Soul Train line, its Stax-styled groove and horn chart service a serious look at social gentrification.” – No Depression
“It’s impossible not to be enchanted by one of this year’s freshest, most delightful and all around grooviest releases.” – American Songwriter
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Albert Castiglia
Albert Castiglia
“It may be a bit premature to crown Albert Castiglia America’s newest King of the Blues, but there’s little doubt that he at least deserves the title of heir apparent.” — Miami New Times
As most artists will attest, the most unexpected circumstance can spark artistic inspiration. That’s a fact that hasn’t been lost on singer, songwriter and guitarist extraordinaire Albert Castiglia. With his latest album, the aptly named Masterpiece, he celebrates an unforeseen triumph — a connection with a daughter he never knew he had. The result is a work that’s both personal and provocative all at the same time.
Castiglia calls this the most meaningful album he’s ever made. “My daughter finding me and opening up my world to an additional family, including two grandchildren, brought out the deepest material I’ve ever created,” he notes, “along with my wife, they were my muses.” Indeed, songs such as “Keep On Swinging”, “Masterpiece” and “Bring on the Rain” address the unexpected emotions that infused his psyche with the discovery of a family he never knew.
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Eric Brace
Eric Brace (and Last Train Home)
Eric Brace runs Red Beet Records and makes music on his own, with Last Train Home and as a trio with Peter Cooper and Thomm Jutz. In 2003, he founded the label and he and his band, Last Train Home moved to East Nashville from the Washington DC area. Brace had been a journalist at the Washington Post and had run the Top Records label.
Eric returns to the DC area with some frequency, playing clubs where he built his loyal following and participating, as in the embedded video, in numerous BandhouseGigs productions, including the recent live stream “From BandHouse to Your House.”
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Rodney Crowell
Born in 1950 in Houston, Texas, Rodney Crowell has built a career as one of the most significant figures in the evolution of Americana music. Raised in a musical household where his father led a honky-tonk band, Crowell began playing drums in that group at age 11. His journey took him to Nashville in 1972, where he befriended a circle of legendary songwriters, including Guy Clark and Townes Van Zandt. This early period was formative, as Crowell absorbed the craft of songwriting with a literary and poetic lens that would define his life’s work. His talent was quickly recognized by Emmylou Harris, who recorded his song “Bluebird Wine” and invited him to join her famous Hot Band as a guitarist and harmony singer in 1975.
During the late 1970s and early 1980s, Crowell established himself as a premier songwriter for other artists. His compositions reached the top of the charts via icons like Johnny Cash, Waylon Jennings, and Bob Seger, whose recording of Crowell’s “Shame on the Moon” became a massive pop and country success. Crowell also served as a producer, notably for his then-wife Rosanne Cash, helping to shape the sound of neo-traditionalist country music. However, it was his 1988 solo album, Diamonds & Dirt, that made him a superstar in his own right. The album achieved the unprecedented feat of producing five consecutive #1 country singles, including “After All This Time,” which won him his first Grammy for Best Country Song.
As the 1990s progressed, Crowell consciously moved away from the mainstream country machine to pursue more personal and autobiographical projects. This shift began in earnest with the 2001 release of The Houston Kid, a semi-autobiographical collection that explored his childhood and roots with stark honesty. This record, along with follow-ups like Fate’s Right Hand and The Outsider, is regarded by critics and Crowell himself as some of his most vital work. His literary prowess eventually extended to the page with his acclaimed memoir, Chinaberry Sidewalks, published in 2011.
Crowell’s later career has been marked by high-profile collaborations and continued innovation. He reunited with Emmylou Harris for the 2013 album Old Yellow Moon, which earned another Grammy for Best Americana Album. He has remained remarkably prolific well into his 70s, releasing projects like the Jeff Tweedy-produced The Chicago Sessions (2023) and his 20th studio album, Airline Highway (2025), which features contributions from younger artists like Ashley McBryde and Lukas Nelson. Inducted into the Nashville Songwriters Hall of Fame and recipient of the Americana Music Association’s Lifetime Achievement Award, Crowell is celebrated as a “songwriter’s songwriter” whose influence spans over five decades of American roots music.
