Browsing Roaming the Arts quickly leads to the understanding that music was the inspiration for creating this type of non-commercial web presence devoted to exposing artists to a wider audience, build their fan base, and drive traffic to their websites. Most of the musicians posted so far have been seen by us in live performance or are actively being followed, awaiting an opportunity for live entertainment to return to the fold. Each post has an embedded video chosen to entertain and give a sense of the artists style. Continuing on to “Visit Site” will take you to the artist website to check schedules, new releases, and a variety of information and links to videos.
Just two lovebirds singing without reverb. The War and Treaty, a married duo comprised of Michael and Tanya Trotter, whose songs such as “All I Wanna Do” and “Healing Tide” convey an ecstatic, empowering sense of partnership that serves as the duo’s creative engine and core message.
NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass).[1][2] The group formed in the mid- 1960’s. Through various incarnations, all of them relevant, they remain a force nearly 55 years later.
Happy 75th birthday to Garland Jeffreys – a true original, an absolute treasure of a songwriter, and an ASCAP member for 48 years. May you forever stay wild in the streets…
Younger generations of musicians have heard Jeffreys’ call. He’s been covered by everyone from LA punkers The Circle Jerks (who gave his song “Wild in the Streets” a hardcore makeover, turning it into an unofficial anthem of the skatepunk community) to neo-folk act Vetiver. And he continues to be a staple for TV and commercial placements. As but one example, a recent episode of 13 Reasons Why features both the Circle Jerks cover of “Wild in the Streets” and a raucous reinterpretation by the Peruvian-American psych-punk band Los Huaycos.
“It’s over now / The flag is sunk / The world has flattened out,” are the first words of Extralife, the new album by Boston-based quartet Darlingside. While the band’s critically acclaimed 2015 release Birds Say was steeped in nostalgia and the conviction of youth, Extralife grapples with dystopian realities and uncertain futures. Whether ambling down a sidewalk during the apocalypse or getting stuck in a video game for eternity, the band asks, sometimes cynically, sometimes playfully: what comes next? Their erstwhile innocence is now bloodshot for the better.
Hope arrives in the form of Darlingside’s signature superpower harmonies, drawing frequent comparisons to late-60’s era groups like Crosby, Stills & Nash; Simon & Garfunkel; and The Byrds. And yet, their penchant for science fiction and speculative futurism counteracts any urge to pigeonhole their aesthetic as “retro”. The four close friends construct every piece of their music collaboratively, pooling musical and lyrical ideas so that each song bears the imprint of four different writing voices. NPR Music dubs the result “exquisitely-arranged, literary-minded, baroque folk-pop”, and calls Extralife “perfectly crafted”.
Darlingside perform all of their music around a single vocal microphone, inviting audiences into a lush, intimate world where four voices are truly one. Their 2016 performance at the Cambridge Folk Festival “earned an ecstatic reception and turned them into instant stars”, according to The Daily Telegraph. The band tours regularly throughout the United States, Canada, the UK, and Europe.
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