Music

Browsing Roaming the Arts quickly leads to the understanding that music was the inspiration for creating this type of non-commercial web presence devoted to exposing artists to a wider audience, build their fan base, and drive traffic to their websites. Most of the musicians posted so far have been seen by us in live performance or are actively being followed, awaiting an opportunity for live entertainment to return to the fold. Each post has an embedded video chosen to entertain and give a sense of the artists style. Continuing on to “Visit Site” will take you to the artist website to check schedules, new releases, and a variety of information and links to videos.

The Nighthawks

What sustains a band for more than three decades? Not a hit radio band, but a roll-up-your-sleeves/drive to the next gig overnight/carry your own gear up the steps and night after night make people happy kind of band. One that makes them dance; sends them home to come back again—and again. What makes that kind band stay together through relatively few personnel changes? Answer: A good idea; a universal yet somehow unique, good idea.

The Nighthawks sought not so much to reinvent rock and roll, but simply to have it reinvent itself by taking the original ingredients and following—if somewhat loosely—the original recipe. And like good cooks, the individual personalities involved ultimately affected the outcome.

The band was over 10 years old and had baffled the mainstream industry before the term “roots rock” was coined to explain the likes of West Coasters like Los Lobos and The Blasters. By then, the affiliation with many of the living blues greats seemed to brand The Nighthawks a “blues band” despite the fact that they played with Carl Perkins as well as Muddy Waters.

The Nighthawks had its genesis when lead singer-harmonica player extraordinaire Mark Wenner returned to his native Washington, D.C. after six years in New York City, lured back by the success of his friend Bobby Radcliff’s local acclaim with a blues band. Mark joined forces with a then very young Jimmy Thackery and formed The Nighthawks in 1972. They spent a couple of years building The Nighthawks’ reputation with a revolving cast of characters until, in 1974, they decided to get the best rhythm section the area had to offer: Jan Zukowski on bass and Pete Ragusa on drums.

The Nighthawks set off on a musical mystery tour that took them to 49 states and a dozen countries. They played with nearly all the living blues legends as well as a new generation of bands, sometimes called “the Blue Wave”, and released several important albums including the best-selling Jacks and Kingswith Pinetop Perkins, Luther “Guitar Junior” Johnson, Calvin Jones and Bob Margolin. (Servern Records 2017)

Could not resist the throwback video..enjoy

Dave Alvin

David Albert Alvin is an American singer-songwriter, guitarist, music producer and poet. He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations.

The Blasters

with brother Phil Alvin.

James McMurtry

James McMurtry is an American rock and folk rock/americana singer, songwriter, guitarist, bandleader, and occasional actor. He performs with veteran bandmates Daren Hess, Cornbread, and Tim Holt. His father, novelist Larry McMurtry, gave him his first guitar at age seven.

Alejandro Escovedo

Simply one of the finest singer-songwriters of his generation, Alejandro Escovedo’s critical cachet has always outstripped his name recognition and commercial impact.” — Slant

Honeydogs

Brothers Noah and Adam Levy were already veterans of the Minneapolis rock scene when they formed The Honeydogs in 1994. Elder brother Adam spun his favorite country, soul and rock influences into a vintage sounding batch of songs on the band’s eponymous 1995 debut, which featured bassist Trent Norton. Noah took time off to record and tour with Golden Smog featuring members of The Jayhawks, Wilco, Their second outing, featuring added guitarist Tommy Borscheid, Everything I Bet You (1996) further honed the band’s merging of country and rock, sounding like a Flying Burrito Brothers/Beatles/Clash hybrid. The band toured extensively and secured a major label deal with Mercury Records–leading to their first commercial release, Seen A Ghost (1997 )

The War and Treaty

Just two lovebirds singing without reverb. The War and Treaty, a married duo comprised of Michael and Tanya Trotter, whose songs such as “All I Wanna Do” and “Healing Tide” convey an ecstatic, empowering sense of partnership that serves as the duo’s creative engine and core message.

NRBQ

NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass).[1][2] The group formed in the mid- 1960’s. Through various incarnations, all of them relevant, they remain a force nearly 55 years later.

Garland Jeffreys

Happy 75th birthday to Garland Jeffreys – a true original, an absolute treasure of a songwriter, and an ASCAP member for 48 years. May you forever stay wild in the streets…

Younger generations of musicians have heard Jeffreys’ call. He’s been covered by everyone from LA punkers The Circle Jerks (who gave his song “Wild in the Streets” a hardcore makeover, turning it into an unofficial anthem of the skatepunk community) to neo-folk act Vetiver. And he continues to be a staple for TV and commercial placements. As but one example, a recent episode of 13 Reasons Why features both the Circle Jerks cover of “Wild in the Streets” and a raucous reinterpretation by the Peruvian-American psych-punk band Los Huaycos.

Donna the Buffalo

Donna the Buffalo offers everything you want in a roots band.

Tedeschi Trucks Band

Go back to December 31, 2008 when guitarist Derek Trucks and his wife, singer/guitarist Susan Tedeschi, were preparing to ring in the New Year. Married since 1999, these two soulmates, equally steeped in the musical roots of blues, jazz, and gospel, had finally decided the time was right to set aside their successful solo careers and commit to a new band melding their vision and talent. It wasn’t the first time they had collaborated; they had shared a stage countless times and traded album guest appearances, all while starting a family together. But on that night, hitting the stage together with members of the Derek Trucks Band and a guest horn section they heard the future.

“The 12-piece outfit puts out a big band sound that still rings intimate, shaking listeners to their emotional core.” – Rolling Stone

Two years later, the couple debuted Tedeschi Trucks Band. The nation’s economy was heading into recession. The popular music landscape was filled with technological theatrics and auto-tuned singers. And here were Tedeschi and Trucks along with their (then) 8-member band, loading up two tour buses and hitting the road with a sound that defied conventional genre boundaries or traditional labels; a gypsy caravan on the rock-and-roll highway. To call it ambitious was an understatement.

During their five-year rise, the group toured incessantly, raising their profile and being handpicked to play with the likes of Eric Clapton, Bob Dylan, and Santana

In pursuit of their ideal sound driven by world class musicianship, Tedeschi and Trucks put together a musical collaborative like no other, flying in the face of any practical or economic considerations. There have been evolutionary changes to the band along the way, but the freight-train force of veteran drummers J.J. Johnson and Tyler Greenwell were there from the start, along with two brilliant Trucks Band veterans to amplify the rhythm section: Kofi Burbridge with his prodigious talent on keys and flute, and Mike Mattison, with his dynamic vocals and songwriting skills. A 3-piece horn section brought on for studio work proved indispensable to the group’s sound and became a permanent addition – now composed of Kebbi Williams’ intergalactic saxophone, Ephraim Owens on trumpet and Elizabeth Lea on trombone. Industry-renowned bassist Tim Lefebvre (David Bowie, Elvis Costello, Sting) joined in 2013, and two years later a third incredible voice, Alecia Chakour, was added to the background vocals provided by Mark Rivers and Mattison; each more than capable of delivering a stirring turn as a lead vocalist.

On the road for upwards of 200 days a year, the TTB family has grown strong, bonding over backyard BBQs and long bus rides, all the while developing a growing repertoire of original material and paying homage to an extensive canon of influences ranging from Sly & the Family Stone, Miles Davis and George Jones to Joe Cocker, Nina Simone, and even Indian sarod master Ali Akbar Khan. Embracing improvisation over convention, and set lists rarely repeated, the collective is adept at exploring almost any musical territory. The genuine respect within its ranks is evident on stage. Trucks’ masterful guitar skills and Tedeschi’s soaring vocals and bluesy guitar shine but don’t overpower the breadth of talent, happily yielding the spotlight as needed in service of what the song deserves.

“I saw them live and it was mind blowing. [Derek] has taken the guitar, specifically slide guitar, somewhere it has never been. His phrasing both with and without slide is uniquely his and just odd and jarring and exciting to listen to. [Susan] is an earnest blues player as well and her voice is astounding. The band was mind-blowing. They take a form that is arguably tired and turn it inside out with originality and musicianship and make it totally their own.” – Marc Maron

Trucks and Tedeschi’s uncompromising vision has paid off. Now 12-members strong, and with a catalog of five albums and nearly a decade of steady touring in the U.S. and abroad, Tedeschi Trucks Band carries a distinguished reputation earned from both audiences and critics as one of the premier live bands in the world. Sold-out multi-night runs at venerable venues like the Beacon Theatre, Ryman Auditorium and Red Rocks Amphitheater are a testament to the can’t-miss concert experience fans have come to anticipate. The band’s own “Wheels of Soul” tour has become a sought-after summer experience from promoters across the country, bringing TTB’s unique stew of upbeat rock and soul together on stage with a slew of guests, sit ins, and supporting bands that have included the late Sharon Jones, Los Lobos and most recently The Wood Brothers and Hot Tuna. 2018 will also mark the sixth year for the TTB-curated Sunshine Music Festival, hosted each January in their home state of Florida.

“Epic is an overused word, but if one contemporary rock band were to rightfully wear it, the Tedeschi Trucks Band might be the ones.” – Santa Barbara Independent

TTB’s most recent CD/film release, Live From The Fox Oakland (2017) was nominated for a Grammy and follows a quartet of critically-hailed and commercially successful albums, including the Grammy-winning debut, Revelator (2011) and Let Me Get By (2016), called “one of the great records of the year” by the Associated Press. The film documents the progress the band has made since its inception, while also showcasing its endless potential to bring out the best in each other every night in any musical direction they choose. It’s clear that the leaders have no intention of slowing down now. As Trucks remarked to Mark Maron on his WTF podcast featured in the film, “I haven’t found this band’s ceiling yet.” For Tedeschi Trucks Band, there may not be one.

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