Brittany Howard/Alabama Shakes
Alabama Shakes is an American blues rock band formed in Athens, Alabama, in 2009. The band currently consists of lead singer and guitarist Brittany Howard, guitarist Heath Fogg, bassist Zac Cockrell, and drummer Steve Johnson. Wikipedia
In 2019 Bruttany Howard released a solo album, Jaime, adding a second dimension to what Alabama Shakes had accomplished.
See both web sites for updates and video collections.
Brittany
Alabama Shakes
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(Big) Al Anderson
Al Anderson
Listed as one of the top 100 guitar players of the 20th century by Musician Magazine and with over 900 cuts internationally, Big Al’s music career was destined. Raised by his piano teacher mother and a radio that would get WWVA in Wheeling West Virginia late at night, he would devour all genres of music from Hank Williams, The Everly Brothers, The Ventures, Chet Atkins, Elvis, Little Richard, Ray Charles, Motown and Stax paving the way for what would be a giant life in music.
NRBQ years
His first band “The Sixpacks” became “The Wildweeds,” recording a regional hit “No Good To Cry” that went on to chart nationally. With a change in record labels (from Chess to Vanguard) and a change in musical direction, Al caught the attention of the members of NRBQ. In 1971, Al left Connecticut for New York’s to enroll at the “University of Q” — a 22 year planetary course in all things musical. Al’s exposure to a evener wider range of musical genres served him well in the “Q.” His mind and string-bending guitar playing coupled with his giant stage presence had become legendary, and in the course of recording over a dozen albums with them, he had written some of the band’s most memorable songs — ‘Ridin in My Car’, ‘Never Take The Place of You,’ It Was An Accident,’ ‘Comes to Me Naturally,’ ‘What a Nice Way to Go,’ ‘Feel You around Me,’ and many more.
After over two decades of hard touring, hard living and encyclopedic musical knowledge, Al was ready to change his already prodigious song writing talent into a full-time venture.
Two years before he left NRBQ, he wrote a song with Carlene Carter, “Every Little Thing” that she took to top 5 all over the world. That song, and meeting music publisher Pat Daniel McMurry (Escott), were the turning points in Al’s career and life. With the support, guidance and belief that Pat provided, Al became unstoppable. At the same time that Al signed with Pat, he decided to quit drinking and suddenly became one of the most prolific writers in Nashville. “I went from 3 songs a year to writing sometimes 3 a day”.
The parade of hits is long and include singles and cuts by Vince Gill, Bonnie Raitt, Trisha Yearwood, Jimmy Buffett, Martina McBride, Patty Loveless, George Jones, Sheryl Crow, Leann Rimes, Tim McGraw, George Strait, Rascall Flatts, Zac Brown, Anthony Hamilton, Harry Connick Jr and many others.
He latest love is Music City’s premier rock band “The World Famous Headliners” rounded out with top tier penmen/artists/musicians extraordinaire Pat McLaughlin, Shawn Camp, Michael Rhodes and Greg Morrow
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Ballroom Thieves
“A rock band in a folk suit,” The Ballroom Thieves
Calin “Callie” Peters (vocals, cello, bass), Martin Earley (vocals, guitar), and Devin Mauch (vocals, percussion) – released their third album Unlovely on February 14, 2020. With subject matters ranging from female empowerment, to love in a committed relationship, to their fury about the current state of American leadership, this collection of tracks is the distillation of the band’s personal and political passions. Songs like “Vanity Trip” and title track “Unlovely” boil over with exasperation and disgust, in protest of today’s status quo. As the first album entirely co-written by Peters and Earley, Unlovely is also a tangible reflection of their evolution from band members to life partners, as heard in songs like “Love Is Easy.”
Incorporating musical styles that range from Motown to classic rock, Unlovely maintains the recognizable, nostalgia-tinged sound of The Ballroom Thieves’ previous outputs while pushing a heightened brashness. Since the release of their first EP and debut full-length, A Wolf in the Doorway, The Ballroom Thieves have consistently and skillfully crossed genres, joining artists like CAAMP, Langhorne Slim and Shakey Graves to bridge the gap between folk, rock, and soul. It’s their unique brand of powerful and harmonious music, while never shying away from topics and ideas they are passionate about, that has charmed fans around the country, while gaining a loyal live following and selling out shows. (Nettwerk Music Group)
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J. P. Soars
Soars got bitten by the blues bug via a legendary source in 1988, when he won a guitar and two tickets in a raffle to see B.B. King in concert. Meeting the iconic guitarist and singer further enhanced the young musician’s quest to learn more about the timeless power of the music. Soars started his blues recording career a decade ago with the 2008 release Back of My Mind, followed by More Bees With Honey (2011) and Full Moon Night in Memphis (2014). Collectively, his catalog has received extensive airplay on the XM Radio programs of Little Steven (“Underground Garage”) and B.B. King (“Bluesville”); Top 50 status on the “Living Blues” charts, Blues Music Award nominations for “Best Contemporary Male Blues Artist of the Year,” and “Best Blues CD” and “Album of the Year” accolades from the Palm Beach Post.
A gritty and expressive vocalist, Soars elicits signature tones from hollow-body guitars, plus a home-made two-string cigar box guitar for his incendiary slide guitar playing. All of which has helped him earn dates at the Baltic Sea Festival in Germany, the Liberation Day Festival in Holland, and other shows in France, Switzerland, Luxembourg, Austria, and Colombia as well as road work throughout the United States and Canada.
