It is a matter of taste, who may qualify as ones favorites. We believe that those listed in this category have earned favoritism in many ways. We will continue to add musicians and authors to this tab. Take a moment and check them out.
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Marti Jones & Don Dixon
Marti Jones Art
Don Dixon
Marti Jones & Don Dixon have been performing together, off and on, for over twenty years. This longtime partnership has resulted in an intimate stage rapport as well as the seamless blending of two of the most distinct voices around today. With over two hundred songs in their collective recorded catalogue, you never know quite what to expect when they hit the stage, but rest assured their performance will feature thoughtful lyrics and heart-felt singing.
Don Dixon has devoted his entire life to the popular song. Whether working as a singer, songwriter, musician or producer, he has always tried to capture the essence of his life in the moment.
He began playing and recording in his mid-teens, co-founding ARROGANCE, a band that helped forge the North Carolina scene which brought the world Let’s Active and The dBs, along with dozens of other bands that followed in their wake. Dixon went solo in 1983 and has released nine cds. He is currently at work on a new recording with his long-time touring band, Jamie Hoover and Jim Brock. After twenty years, Jamie has named the group “Don Dixon & the Jump Rabbits”. The new platter is called “The Nu-Look” and is due in May 2008.
Dixon’s writing, production and session credits include astroPuppees, Baby Shaker, Richard Barone, Jim Brock, Mark Bryan, Kim Carnes, Mary Chapin Carpenter, Caitlin Cary, Joe Cocker, The Connells, Counting Crows, Marshall Crenshaw, Pat DiNizio, The Edison Project, Fetchin Bones, GB Leighton, The Golden Palominos, Guadalcanal Diary, Hootie and the Blowfish, In Tua Nua, Marti Jones, Tommy Keene, Let’s Active, James McMurtry, Moxy Fruvous, REM, The Red Clay Ramblers, The Smithereens, Snagglepuss, Ronnie Spector, The Spongetones, Chris Stamey, Matthew Sweet, The X-Teens and dozens more.
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Danny O’Keefe
Danny O’Keefe
In the 1970’s, Danny O’Keefe put out a string of albums that cemented his reputation as being among the best songwriters of his generation. These days, casual fans know him best for his Top Ten hit “Good Time Charlie’s Got The Blues” or Jackson Browne’s version of “The Road” from the classic Running On Empty album. But the story didn’t end in the 70’s. He recorded “The Day To Day” in 1985 with the two Top Twenty Adult Contemporary songs “Along For The Ride” and “Someday”. Working with Bob Dylan’s company, Special Rider Music, he co-wrote “Well, Well, Well” with Bob and other songs successfully recorded by artists like Nickel Creek, Alison Krauss, and Alan Jackson.
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Tom Perrotta
Tom Perrotta is often hailed as the “American Chekhov” of the suburbs, a writer who has spent over three decades dissecting the quiet desperation, suburban ennui, and darkly comic absurdities of middle-class life. Born in 1961 in Newark, New Jersey, Perrotta’s perspective was shaped by his upbringing as the son of a postal worker. This background instilled in him a “down-to-earth, egalitarian” literary voice that treats everyday struggles with the gravity typically reserved for epic drama.
Perrotta’s ascent into the literary mainstream was fueled by his uncanny ability to turn local settings into universal metaphors. His breakout novel, Election (1998), utilized a high school student council race to satirize the broader American political landscape. The introduction of Tracy Flick—a character defined by relentless, terrifying ambition—created a permanent cultural archetype, further cemented by Alexander Payne’s iconic film adaptation. He followed this success with Little Children (2004), a novel that transformed the mundane world of playgrounds and neighborhood pools into a psychological battlefield. By exploring the secret lives and unfulfilled desires of stay-at-home parents, Perrotta exposed the “Dante’s Inferno” hiding behind manicured lawns. The book solidified his reputation for writing with a “crisp and light” style that never shies away from moral complexity.While realism was his initial forte, Perrotta took a daring thematic turn with The Leftovers (2011). Using a “pseudo-Rapture” as a catalyst, he shifted his focus toward communal grief and the search for meaning in an indifferent universe. The novel’s adaptation into a celebrated HBO series, which Perrotta co-created, marked a major evolution in his career. He became a rare “writer’s writer” who successfully navigated the worlds of prestige television and literary fiction, a trend he continued with the 2019 adaptation of his novel Mrs. Fletcher.Perrotta’s prose is characterized by its lack of judgment. Whether his characters are struggling with sexual identity, religious zealotry, or professional failure, he presents them with a compassionate clarity. He draws heavy inspiration from his former teacher, Tobias Wolff, and the disciplined storytelling of Raymond Chandler. Like his father’s commitment to his mail route, Perrotta maintains a rigorous work ethic, viewing his writing as a way to process subconscious material that holds deep personal and social significance.In his most recent works, Perrotta has explored the complexities of aging and the weight of the past. Tracy Flick Can’t Win (2022) revisited his most famous character in middle age, finding her still fighting for a seat at the table. His 2026 novel, Ghost Town, marks another shift toward a “pared down” and essential style, focusing on abandonment and the lingering presence of those we have lost. Living in Belmont, Massachusetts, Perrotta remains a vital voice in American letters, consistently proving that there is nothing “small” about suburban life. His legacy is defined by a body of work that finds original and beautiful truths in the most ordinary of places.
