Crack the Sky
Crack the Sky is an American progressive rock band formed in Weirton, West Virginia in the early 1970s. In 1975, Rolling Stone declared their first album “debut album of the year”, and in 1978, Rolling Stone Record Guide compared them to Steely Dan; their first three albums charted on the Billboard 200. Wikipedia
Read about Crack the Sky in Rolling Stone – August 2018
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Marcus King
Lead singer and guitarist for The Marcus King Band, 25-year-old Marcus King has a lot of experience under his belt despite his young age. With over a decade of performing live, King has already made a name for himself among today’s top indie artists. Not many musicians can claim to be a professional by the age of eleven! With King’s dedication to his craft, he has sought to revamp the indie music industry through his unique spin on the genre. Read on to learn more about The Marcus King band from Roaming the Arts.
Marcus King And The Early Years Of His Life
Music was a huge factor in King’s upbringing. With a four-generation legacy of musicians in the family, King seemed to be destined to leave his mark on music as well. Learning from both his father and his grandfather, Marcus King learned how to play the guitar by the tender age of just four years old. His passion for the guitar has only grown with time, prompting the design of the Marcus King Gibson ES 345, a custom vintage design inspired by the Blue Ridge Mountains King called home. Talent for string instruments can be traced back to King’s great-grandfather, who was an avid fiddler. With his grandfather transitioning from fiddle to guitar, and dear ol’ dad being a professional guitarist himself, King certainly had a lot of talent to learn from.
Further Inspiration For King’s Unique Brand Of Music
Through his upbringing in Greenville, South Carolina, much of the influence for The Marcus King Band can be attributed to his hometown. The indie music artist can be described as a powerhouse combination of classic rock-n-roll blended with soul and country influences. Some inspiration for this sound can be seen from King’s father, guitarist and singer Marvin King, who is known for his own band, Marvin King and The Blues Revival. King’s grandfather lent his guitar expertise to the country scene, contributing again to the type of music King would later showcase.
Where The Marcus King Band Is Today
Alongside Marcus King (guitar and vocals), The Marcus King Band is made up of members Stephen Campbell (bass), Dean Mitchell (sax and guitar), Justin Johnson (trombone and trumpet), and Jack Ryan (drummer). The five musicians have been performing together since 2013 – That’s 8 years performing as the Marcus King Band! Their record, El Dorado, is out now and available to be enjoyed by music lovers everywhere! The group is currently located in Nashville, Tennessee, where they continue to write and perform music regularly. Concert information can be found on their website, along with all of the latest updates on The Marcus King Band.
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NRBQ
NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass).[1][2] The group formed in the mid- 1960’s. Through various incarnations, all of them relevant, they remain a force nearly 55 years later.
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Jon Cleary
Jon Cleary’s love and affinity for New Orleans music goes back to the rural British village of Cranbrook, Kent, where he was raised in a musical family. Cleary’s maternal grandparents performed in London in the 1940s, under the respective stage names Sweet Dolly Daydream and Frank Neville, The Little Fellow With The Educated Feet – she as a singer, and he as a crooner and tap dancer.
As a teen Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s “Lady Marmalade,” Robert Palmer’s version of “Sneakin’ Sally Through the Alley,” and Frankie Miller’s rendition of “Brickyard Blues” – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn in New Orleans, with a copy of a Toussaint LP and two suitcases full of New Orleans R&B 45s.
In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker. Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano there – even though his first instrument was the guitar, which he still plays and has recently reintroduced into his live performances.
As word of Cleary’s burgeoning talent began to spread around town, he was hired by such New Orleans R&B legends as Snooks Eaglin, Earl “Trick Bag” King, Johnny Adams, and Jessie “Ooh Poo Pah Doo” Hill, while also gaining the respect of the great Crescent City pianists Dr. John and the late Allen Toussaint. Years later, in 2012, Cleary recorded a critically acclaimed album of all-Toussaint songs entitled Occapella.
Today, Cleary’s work pays obvious homage to the classic Crescent City keyboard repertoire created by such icons as Jelly Roll Morton, Fats Domino, Professor Longhair, Art Neville, Dr. John, and James Booker – while also using it as a launching pad for a style that incorporates such other diverse influences as ’70s soul and R&B, gospel music, funk, Afro-Caribbean and Afro-Cuban rhythms, and much more.Deciding to stay in New Orleans, Cleary recorded his first album of nine, to date, in 1989. His ever-elevating profile led to global touring work in the bands of Taj Mahal, John Scofield, Dr. John, and Bonnie Raitt. Cleary has led his own group, the Absolute Monster Gentlemen, for over two decades now, but he still collaborates frequently with these old friends. At the 2018 New Orleans Jazz & Heritage Festival, for instance, Cleary performed alongside Raitt in a heartfelt tribute to Fats Domino.
