Jon Carroll
At age 18, Jon Carroll was a founding member of Starland Vocal Band, recording the #1 Pop hit “AFTERNOON DELIGHT”. (click to watch video)
The group went on to be nominated for 5 Grammy Awards, winning 2: for Best New Artist & Best Arrangement for Voices (One of Jon’s roles in the group).
Since then, he’s has not slowed down as a performer, composer, arranger, producer, songwriter and musician. His works have appeared in films, commercials and episodic dramas and comedies, and he is highly sought after studio session performer appearing on many recordings.
His songs have been covered by artists such as Linda Ronstadt (Her 80’s hit “Want Love? Get Closer!), Tom Jones and Kenny Rogers, and he’s the long-time keyboardist/vocalist band member with Mary Chapin Carpenter, with touring stints for countless others including Rodney Crowell, Dixie Chicks, Peter Wolf and Eric Lindell.
“Jon Carroll is a one man band, a poet, a songwriter, a singer of every kind of song and above all, a musician’s musician…and I can also attest to his being a not-to-be-missed performer.”
~Mary Chapin Carpenter
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Tedeschi Trucks Band
Go back to December 31, 2008 when guitarist Derek Trucks and his wife, singer/guitarist Susan Tedeschi, were preparing to ring in the New Year. Married since 1999, these two soulmates, equally steeped in the musical roots of blues, jazz, and gospel, had finally decided the time was right to set aside their successful solo careers and commit to a new band melding their vision and talent. It wasn’t the first time they had collaborated; they had shared a stage countless times and traded album guest appearances, all while starting a family together. But on that night, hitting the stage together with members of the Derek Trucks Band and a guest horn section they heard the future.
“The 12-piece outfit puts out a big band sound that still rings intimate, shaking listeners to their emotional core.” – Rolling Stone
Two years later, the couple debuted Tedeschi Trucks Band. The nation’s economy was heading into recession. The popular music landscape was filled with technological theatrics and auto-tuned singers. And here were Tedeschi and Trucks along with their (then) 8-member band, loading up two tour buses and hitting the road with a sound that defied conventional genre boundaries or traditional labels; a gypsy caravan on the rock-and-roll highway. To call it ambitious was an understatement.
During their five-year rise, the group toured incessantly, raising their profile and being handpicked to play with the likes of Eric Clapton, Bob Dylan, and Santana
In pursuit of their ideal sound driven by world class musicianship, Tedeschi and Trucks put together a musical collaborative like no other, flying in the face of any practical or economic considerations. There have been evolutionary changes to the band along the way, but the freight-train force of veteran drummers J.J. Johnson and Tyler Greenwell were there from the start, along with two brilliant Trucks Band veterans to amplify the rhythm section: Kofi Burbridge with his prodigious talent on keys and flute, and Mike Mattison, with his dynamic vocals and songwriting skills. A 3-piece horn section brought on for studio work proved indispensable to the group’s sound and became a permanent addition – now composed of Kebbi Williams’ intergalactic saxophone, Ephraim Owens on trumpet and Elizabeth Lea on trombone. Industry-renowned bassist Tim Lefebvre (David Bowie, Elvis Costello, Sting) joined in 2013, and two years later a third incredible voice, Alecia Chakour, was added to the background vocals provided by Mark Rivers and Mattison; each more than capable of delivering a stirring turn as a lead vocalist.
On the road for upwards of 200 days a year, the TTB family has grown strong, bonding over backyard BBQs and long bus rides, all the while developing a growing repertoire of original material and paying homage to an extensive canon of influences ranging from Sly & the Family Stone, Miles Davis and George Jones to Joe Cocker, Nina Simone, and even Indian sarod master Ali Akbar Khan. Embracing improvisation over convention, and set lists rarely repeated, the collective is adept at exploring almost any musical territory. The genuine respect within its ranks is evident on stage. Trucks’ masterful guitar skills and Tedeschi’s soaring vocals and bluesy guitar shine but don’t overpower the breadth of talent, happily yielding the spotlight as needed in service of what the song deserves.
“I saw them live and it was mind blowing. [Derek] has taken the guitar, specifically slide guitar, somewhere it has never been. His phrasing both with and without slide is uniquely his and just odd and jarring and exciting to listen to. [Susan] is an earnest blues player as well and her voice is astounding. The band was mind-blowing. They take a form that is arguably tired and turn it inside out with originality and musicianship and make it totally their own.” – Marc Maron
Trucks and Tedeschi’s uncompromising vision has paid off. Now 12-members strong, and with a catalog of five albums and nearly a decade of steady touring in the U.S. and abroad, Tedeschi Trucks Band carries a distinguished reputation earned from both audiences and critics as one of the premier live bands in the world. Sold-out multi-night runs at venerable venues like the Beacon Theatre, Ryman Auditorium and Red Rocks Amphitheater are a testament to the can’t-miss concert experience fans have come to anticipate. The band’s own “Wheels of Soul” tour has become a sought-after summer experience from promoters across the country, bringing TTB’s unique stew of upbeat rock and soul together on stage with a slew of guests, sit ins, and supporting bands that have included the late Sharon Jones, Los Lobos and most recently The Wood Brothers and Hot Tuna. 2018 will also mark the sixth year for the TTB-curated Sunshine Music Festival, hosted each January in their home state of Florida.
“Epic is an overused word, but if one contemporary rock band were to rightfully wear it, the Tedeschi Trucks Band might be the ones.” – Santa Barbara Independent
TTB’s most recent CD/film release, Live From The Fox Oakland (2017) was nominated for a Grammy and follows a quartet of critically-hailed and commercially successful albums, including the Grammy-winning debut, Revelator (2011) and Let Me Get By (2016), called “one of the great records of the year” by the Associated Press. The film documents the progress the band has made since its inception, while also showcasing its endless potential to bring out the best in each other every night in any musical direction they choose. It’s clear that the leaders have no intention of slowing down now. As Trucks remarked to Mark Maron on his WTF podcast featured in the film, “I haven’t found this band’s ceiling yet.” For Tedeschi Trucks Band, there may not be one.
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Why & How You Should Support Artists During COVID
It’s time to support artists
The music industry and local musical artists have had to navigate their careers differently since the Covid-19 lockdown. It’s very important for us as consumers to continue to support our favorite music artists, especially during the Covid-19 pandemic. People throughout the United States are struggling during this time. Millions of people are unemployed and are unable to return to work. Thousands of businesses have shut down and even music artists are having trouble making money during this time. Music artists are unable to make money while on a tour which is greatly affecting their ability to earn income. Many bands and hip-hop artists have pointed out in the past that the majority of the money they make is on tour. Even indie artists make a large portion of here money touring local areas to keep the band going. Consumers should try to support their favorite artists so they can stay intact. Artists are unable to have in-person events and signings which can be so exciting and beneficial to the artist. Spotify and streaming services do not pay artists large amounts of money. In 2020 physical albums are almost non-existent and most music is available for free. Roaming the Arts has an online community that supports musicians, artists, and writers. Now is the time for consumers to stand up and support artists during this difficult time!
Ways to Support Artists During Covid
- Branding and promotion can be so beneficial to musical artists. Spreading your favorite artist’s music on social media can be so helpful to them. Retweets and posts on Instagram can during this time will e greatly appreciated.
- You can share music and resources within your circle of friends
- Encourage your friends to support their favorite artists. Buy and stream most as often as you can.
- Tweet and reach out to your favorite artists and tell them how much you love and appreciate their music. Bands and rappers need to know their fans still want them to keep releasing must and that they will be first in line to buy their tickets once they can go on tour again. If you are employed or cannot work it’s fully understandable if you cannot financially support your favorite artists. The smallest things such as a tweet or direct message will always be appreciated. This can potentially help boost sales.
- Music streaming sites don’t pay large amounts of money but they still make up nearly 20% of an artist’s income. If you consumers can accumulate enough stream it definitely can be beneficial to an artist. Streaming sites are even introducing tipping options. If you would like to you can support artists by sending them money directly. Establishing more revenue flow can be so helpful to struggling indie artists.
- Many artists have YouTube channels and live streams where you can come support them I’ve seen many artists focus more on making content and releasing music on youtube to make a living.
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It’s time to support artists!!!
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Peter Himmelman
Peter Himmelman
is a man of many talents and accomplishments who is known to those who have heard of him, but haven’t heard him, as Bob Dylan’s son-in-law. He has been playing in and with bands since sixth grade in the Minneapolis suburb of St. Louis Park. (Filmmakers Joel and Ethan Coen, Sen. Al Franken, and New York Times columnist Thomas L. Friedman are also SLP natives.) He has released a dozen rock albums since 1986�the first half dozen on major corporate record labels, others on smaller indies, others self-released�all of which have received love from critics and none of which have sold well. The only Billboard chart on which he has ever appeared is the Heatseekers chart, limited to artists who have never had an album in the top 200. But the quality of his work has never flagged, and lately he has released some of his finest work, including Imperfect World (2005) and The Mystery and the Hum (2010). There is also an intentional oddity called Flimsy (2011), a collection of spoken-word songs ranging from the absurd to the heartbreaking. His new album, The Boat That Carries Us, now available on his own Himmelsongs label, is about motion, or being in motion, by air (“33K Feet”), by car (“Green Mexican Dreams”), or in spirit (“Angels Die”). (Read more at peterhimmelman.com)
