Tom Green
R.I.P – September 4, 2012
Considered to be one of the most prominent Washington D.C. artists of the last century, Green led art in the city away from the prevalent trend of painters in the Washington Color School while working for 35 years as an instructor at the Corcoran College of Art and Design. He encouraged his students to look inward towards a personal vocabulary of form, a commandment he personified. One of his most defining characteristics to those who knew him was his ever-present black sketchbook in which he would constantly draw, reacting to the world around him.
October 2019 Retrospective – Addison/Ripley Fine Art, Georgetown, Washington, D.C.


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Michael Oberman
Michael Oberman
Author and Photographer
Michael Oberman’s photographs are on permanent display in U.S. National Parks including Steigerwald and Modoc and in museums including the Utah Museum of Natural History and the Ontario Science Centre (Toronto).
Six photos are on a five year tour of U.S. and Canadian museums in an exhibit called “Imaginate”…under the auspices of the Ontario Science Centre in Toronto (where the same six photos are on permanent display).
Before photography, he spent his life in the “music business.” Michael started as a music columnist for the Washington Star and a six year period interviewed more than 300 major recording artists…including David Bowie, Janis Joplin, Jim Morrison, James Brown…the list is too long for this page. He later worked for a record company and managed artists. Now he is back to his true love: Photography.
In 2019, Oberman was signed to a publishing contract for a book about his life in the music business. He spent eight months writing “Fast Forward, Play, and Rewind.” It will be out on October 15, 2020 in the U.S. and December 1 in Great Britain. (adapted from web site)

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Tom Meyer
Tom Meyer
Tom Meyer has been referred to as an ‘outsider’ artist.
He is indeed a self-taught painter. Working primarily with acrylic on canvas or board, Meyer’s paintings originate from impulses within his soul. He has referred to this collection, his first to be exhibited, as ‘narrative visions’.His cast of characters that inhabit his paintings give an account of his inner life and his imagination. They tell a story with his themes, “of redemption, forgiveness, acceptance, rejection and love,” as he has described it.
Meyer has said, “I don’t paint things, I paint ideas.” His work is informed and inspired by a variety of ideas, from current events to ancient philosophy. Through an outsider or visionary artist, Meyer’s work is part of a creative tradition with roots that include early American folk art and that has continued to evolve in numerous and dynamic ways up to today. Meyer has created a personal universe with his paintings, as many outsider artists have done. This exhibition is a dazzling display of that universe.
Chris Murray
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Raj Bunnag
Raj Bunnag is a Thai American artist living and working in Durham, North Carolina. He received his BFA from the Maryland Institute College of Art in 2012 with an emphasis in Printmaking, and an MFA from the University of North Carolina at Chapel Hill in 2022. Bunnag’s practice examines systematic racism inherent to the foundations of the United States, its institutions and domestic/global policies, through themes in the lineage of print. In his more personal work, he is researching the ideas and baggage that come with self-identity as the son of immigrants and what it means to be a non-white body existing in white spaces. He has shown work nationally and internationally as well as received numerous awards for his relief printed work.
Bunnag uses references from pop culture, news headlines, government policy and legislation, and historical research to take a searing look at the failures of the War on Drugs. Various illegal substances and major participants of the War on Drugs are represented as fantastical monsters in a style reminiscent of master printers such as Jacques Collet, Francisco de Goya, and others.
Whether it is teaching printmaking and drawing to Duke students or teaching local high schoolers, Raj finds his inspiration in spreading the gospel of print and educating people on how the printed world is still powerful in a digitally dominated society.
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