Thomas Perry
is the author of 25 novels including the Jane Whitefield series (Vanishing Act, Dance for the Dead, Shadow Woman, The Face Changers, Blood Money, Runner, Poison Flower, and String of Beads), Death Benefits, and Pursuit, the first recipient of the Gumshoe Award for best novel.
He won the Edgar for The Butcher’s Boy, and Metzger’s Dog was a New York Times Notable Book. The Independent Mystery Booksellers’ Association included Vanishing Act in its “100 Favorite Mysteries of the 20th Century,” and Nightlife was a New York Times bestseller.
Metzger’s Dog was voted one of NPR’s 100 Killer Thrillers–Best Thrillers Ever. Strip was chosen as a New York Times Notable Crime Book for 2010, and The Informant was a New York Times Notable Crime Book for 2011 and won the Barry Award for Best Thriller, 2011. Poison Flower was chosen among Booklist’s Best Crime Novels of 2013.
His recent books, The Burglar and The Small Town were first rate, and his latest release, Eddie’s Boy is out now.
Watch for “The Old Man” coming to FX as a series.
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Kate Atkinson
Location – Edinboro, Scotland
Kate Atkinson
Latest works include Shrines of Gaiety (London in the Roaring 20’s) and Normal Rules Don’t Apply ( Short Stories)
Kate Atkinson was born in York in 1951 and studied English Literature at Dundee University.
After graduating in 1974, she researched a postgraduate doctorate on American Literature. She later taught at Dundee and began writing short stories in 1981. She began writing for women’s magazines after winning the 1986 Woman’s Own Short Story Competition. She was runner-up for the Bridport Short Story Prize in 1990 and won an Ian St James Award in 1993 for her short-story Karmic Mothers, which she later adapted for BBC2 television as part of its ‘Tartan Shorts’ series. Her first novel, Behind the Scenes at the Museum (1995), won the 1995 Whitbread Book of the Year award, beating Salman Rushdie’s The Moor’s Last Sigh and Roy Jenkins’ biography Gladstone. The book is set in Yorkshire, narrated by Ruby Lennox, who takes the reader through the complex history of her family, covering the events of the twentieth century and reaching back into the past to uncover the lives of distant ancestors. The book has been adapted for radio and theatre, and has been adapted for television by the author. Her second novel, Human Croquet, was published in 1997 and relates the story of another family, the Fairfaxes, through flashback and historical narrative. Her third novel, Emotionally Weird, was published in 2000, and in 2002 a collection of short stories, Not the End of the World.
Kate Atkinson has written two plays for the Traverse Theatre in Edinburgh: a short play, Nice (1996), and Abandonment, which premiered as part of the Edinburgh Festival in August 2000. She currently lives in Edinburgh and is an occasional contributor to newspapers and magazines. The four books Case Histories (2004), One Good Turn (2006), shortlisted for the British Book Awards Crime Thriller of the Year, When Will There be Good News? (2008) and Started Early, Took My Dog (2010), form a crime series featuring ex-policeman Jackson Brodie. These books were adapted for television and a 6-part series starring Jason Isaacs as Jackson Brodie was broadcast in 2011. In 2013 she published Life after Life, winner of the Costa Novel Award and the South Bank Sky Arts Literature Prize; and A God in Ruins (2015), a companion novel to Life After Life, featuring several of the same characters. In 2019 Jackson Brodie returned in Big Sky, and Atkinson also published Transcription.
(British Council – Literature)
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Bosch
TV series taken from the books of Michael Connelly.
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Tom Perrotta
Tom Perrotta is often hailed as the “American Chekhov” of the suburbs, a writer who has spent over three decades dissecting the quiet desperation, suburban ennui, and darkly comic absurdities of middle-class life. Born in 1961 in Newark, New Jersey, Perrotta’s perspective was shaped by his upbringing as the son of a postal worker. This background instilled in him a “down-to-earth, egalitarian” literary voice that treats everyday struggles with the gravity typically reserved for epic drama.
Perrotta’s ascent into the literary mainstream was fueled by his uncanny ability to turn local settings into universal metaphors. His breakout novel, Election (1998), utilized a high school student council race to satirize the broader American political landscape. The introduction of Tracy Flick—a character defined by relentless, terrifying ambition—created a permanent cultural archetype, further cemented by Alexander Payne’s iconic film adaptation. He followed this success with Little Children (2004), a novel that transformed the mundane world of playgrounds and neighborhood pools into a psychological battlefield. By exploring the secret lives and unfulfilled desires of stay-at-home parents, Perrotta exposed the “Dante’s Inferno” hiding behind manicured lawns. The book solidified his reputation for writing with a “crisp and light” style that never shies away from moral complexity.While realism was his initial forte, Perrotta took a daring thematic turn with The Leftovers (2011). Using a “pseudo-Rapture” as a catalyst, he shifted his focus toward communal grief and the search for meaning in an indifferent universe. The novel’s adaptation into a celebrated HBO series, which Perrotta co-created, marked a major evolution in his career. He became a rare “writer’s writer” who successfully navigated the worlds of prestige television and literary fiction, a trend he continued with the 2019 adaptation of his novel Mrs. Fletcher.Perrotta’s prose is characterized by its lack of judgment. Whether his characters are struggling with sexual identity, religious zealotry, or professional failure, he presents them with a compassionate clarity. He draws heavy inspiration from his former teacher, Tobias Wolff, and the disciplined storytelling of Raymond Chandler. Like his father’s commitment to his mail route, Perrotta maintains a rigorous work ethic, viewing his writing as a way to process subconscious material that holds deep personal and social significance.In his most recent works, Perrotta has explored the complexities of aging and the weight of the past. Tracy Flick Can’t Win (2022) revisited his most famous character in middle age, finding her still fighting for a seat at the table. His 2026 novel, Ghost Town, marks another shift toward a “pared down” and essential style, focusing on abandonment and the lingering presence of those we have lost. Living in Belmont, Massachusetts, Perrotta remains a vital voice in American letters, consistently proving that there is nothing “small” about suburban life. His legacy is defined by a body of work that finds original and beautiful truths in the most ordinary of places.
