Looking For Good Music Artists To Listen To? Visit Us Today!

Ann Beattie

American writer of short stories and novels whose characters, having come of age in the 1960s, often have difficulties adjusting to the cultural values of later generations. Beattie graduated from the American University in Washington, D.C., in 1969 and received a master of arts degree from the University of Connecticut in 1970. Her short stories were published in The New Yorker and other literary magazines beginning in the early 1970s. She published her first collection of stories, Distortions, in 1976. Her first novel, Chilly Scenes of Winter, also appeared in 1976; it was subsequently adapted as the film Head over Heels (1979), which was later rereleased as Chilly Scenes of Winter (1982).

Marshall Crenshaw

Born in 1953 in Detroit, Michigan, Marshall Crenshaw learned to tune a guitar correctly at age ten and has been trying ever since. His first big break came in 1978 playing John Lennon in “Beatlemania”, first as an understudy in New York, then in the West Coast company followed by a national touring company. Removing himself from that situation in Feb. 1980, Marshall settled in New York City. After crossing paths with the great and legendary Alan Betrock, Marshall recorded his debut single “Something’s Gonna Happen” (for Betrock’s Shake Records label), which led to a deal with Warner Bros. His debut album, Marshall Crenshaw, was acclaimed as a masterpiece upon its release in 1982 and established him as a singular songwriter, record maker, and guitarist. The album spawned the hit single “Someday, Someway,” and other classics such as “(You’re My) Favorite Waste of Time,” “Whenever You’re On My Mind” and “Cynical Girl.”

Over the course of a career that’s spanned three decades, 13 albums, Grammy and Golden Globe nominations, film and TV appearances (Buddy Holly in “La Bamba”) and thousands of performances, Marshall Crenshaw’s musical output has maintained a consistent fidelity to the qualities of artfulness, craftsmanship and passion, and his efforts have been rewarded with the devotion of a broad and remarkably loyal fan base.

Along with touring around the country and the occasional recording project, Marshall currently hosts his own radio show, “The Bottomless Pit”, every Saturday at 10 PM on New York’s WFUV. Other current projects include a documentary film-in progress about legendary record producer Tom Wilson. Says Crenshaw, “This is a road that I never imagined taking before, but it’s been amazing and is going great..”
“Although he was seen as a latter-day Buddy Holly at the outset, he soon proved too talented and original to be anyone but himself.” – Trouser Press

Bobby Brooks Wilson

Plateau Music Artist, Bobby Brooks Wilson, is the son of Legendary R&B/Soul Singer, Jackie Wilson. Bobby has the same amazing traits and talents of his father, that many say Jackie Wilson’s legacy lives on through him.

Jesse Winchester

in memoriam

Jesse Winchester, the esteemed singer-songwriter who became a symbol of the anti-war movement when he moved to Canada to escape the draft in the Sixties, died April 11th, 2014, from bladder cancer. Winchester, who was living in Virginia when he died, was 69.

While never as well known as peers like James Taylor and Jackson Browne, Winchester wrote some of the defining singer-songwriter tracks of the seventies — evocations of American and Southern life like “Yankee Lady,” “Biloxi,” “Mississippi You’re on My Mind” and “The Brand New Tennessee Waltz” that ached with feelings of loss for the country he decided he had to leave. The songs gained him a cult following and critical respect, and were covered by everyone from George Strait to Tim Hardin. Winchester was considered such a formidable songwriter that a 2012 tribute album, Quiet About It, featured versions of his songs by Taylor, Elvis Costello, Jimmy Buffett, Rosanne Cash, Lucinda Williams, and Vince Gill, among others.

Born in Shreveport, Louisiana, in 1944, Winchester started playing music in Memphis, where his family later relocated. In 1967, he received a draft induction letter, but instead of showing up, he took a plane to Montreal. “I was so offended by someone’s coming up to me and presuming to tell me who I should kill and what my life was worth,” he told Rolling Stone in 1977. He arrived in Canada with only $300 and no connections, but settled into a new life, joining a local band and finally writing his own material. (Rolling Stone)

Delbert McClinton

Rolling Stone calls him the “Godfather of Americana Music,” and rightfully so. Delbert’s musical style grew from his Texas roots. A little Tejano. A little Bob Wills. Throw in some Jimmy Reed harmonica. Add a splash of Big Joe Turner, and a big band horn section. He has also been nominated for Grammys in the Country category, and has been featured in media from the Los Angeles Times to the Washington Post. He has developed a sound that continues to serve him well, as evidenced by the three Grammy Awards for Contemporary Blues on his mantel.

Born in Lubbock, raised in Fort Worth, and now with homes in Austin, Nashville, and San Miguel de Allende, Delbert recognizes that he has been One Of The Fortunate Few. He grew up with a backstage pass to some of the most significant moments in American culture and music history.

From his early Fort Worth bands, the Straitjackets and the Rondels, to his current band, Self‑Made Men + Dana, he continues to play sold‑out concert halls and dance halls, historical theatres and music festivals across the nation. A major player in several waves of the national surge of Texas music popularity, Delbert has performed multiple times on Saturday Night Live, has been featured on Austin City Limits seven times, as one of the most celebrated guests on the popular series; and appeared on many other national television shows.

His career truly defines Americana music: Delbert’s unique story of American history – with big horns, a strong rhythm section and a hot harmonica lead. To borrow from one of the songs on Tall, Dark & Handsome, whether he’s doing a live show or a recording, you can be assured that Delbert McClinton “don’t leave no chicken on the bone.”