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Lake Street Dive

Lake Street Dive 

Lake Street Dive is a multigenre band that was founded in 2004 in Boston, Massachusetts. The band’s original members are Rachael Price (lead vocals), Mike “McDuck” Olson (trumpet, guitar), Bridget Kearney (upright bass), and Mike Calabrese (drums). Akie Bermiss (keyboards) joined the band on tour in 2017 and is on their 2018 album. Lake Street Dive started at the New England Conservatory of Music in Boston.[1] The band was named after a street with many dive bars in Olson’s hometown of Minneapolis, Minnesota. The band tours in North America, Australia, and Europe from their base in Brooklyn.

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Time Capsules and Progressive Radio Sets created over more than 45 years.

Each Time Capsule was created in the year shown. (1975-1994)

Followers are saying they have listened while driving cross country and have not run out of music.

Sample Playlists:

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1979 Time Capsule #4

1981 Time Capsule #1

1982 Time Capsule #2

1983 Time Capsule #1

1984 Time Capsule #6

1985 Time Capsule #5  

Subdudes

Subdudes

The Subdudes are an American roots rock group from New Orleans. Their music blends folk, swamp pop, New Orleans rhythm and blues, Louisiana blues, country, cajun/zydeco, funk, soul and gospel with harmonic vocals. Their sound is notable for the band’s substitution of a tambourine player for a drummer.

New recording out now

Delbert McClinton

Delbert McClinton

Rolling Stone calls him the “Godfather of Americana Music,” and rightfully so. Delbert’s musical style grew from his Texas roots. A little Tejano. A little Bob Wills. Throw in some Jimmy Reed harmonica. Add a splash of Big Joe Turner, and a big band horn section. He has also been nominated for Grammys in the Country category, and has been featured in media from the Los Angeles Times to the Washington Post. He has developed a sound that continues to serve him well, as evidenced by the three Grammy Awards for Contemporary Blues on his mantel.

Born in Lubbock, raised in Fort Worth, and now with homes in Austin, Nashville, and San Miguel de Allende, Delbert recognizes that he has been One Of The Fortunate Few. He grew up with a backstage pass to some of the most significant moments in American culture and music history.

From his early Fort Worth bands, the Straitjackets and the Rondels, to his current band, Self‑Made Men + Dana, he continues to play sold‑out concert halls and dance halls, historical theatres and music festivals across the nation. A major player in several waves of the national surge of Texas music popularity, Delbert has performed multiple times on Saturday Night Live, has been featured on Austin City Limits seven times, as one of the most celebrated guests on the popular series; and appeared on many other national television shows. 

His career truly defines Americana music: Delbert’s unique story of American history – with big horns, a strong rhythm section and a hot harmonica lead.  To borrow from one of the songs on Tall, Dark & Handsome, whether he’s doing a live show or a recording, you can be assured that Delbert McClinton “don’t leave no chicken on the bone.”

 

Dawes

Dawes is an American folk-rock band that has spent the last decade and a half serving as the primary torchbearers for the “Laurel Canyon sound.” Formed in Los Angeles in 2009 following the dissolution of the post-punk band Simon Dawes, the group transitioned into a more organic, roots-oriented aesthetic. Led by brothers Taylor and Griffin Goldsmith, the band quickly established itself as a critical darling, blending the poetic introspection of 1970s singer-songwriters with the muscular, live-performance energy of a seasoned rock ensemble. Their music is often described as timeless, evoking the ghost of Jackson Browne, the harmonies of Crosby, Stills, and Nash, and the gritty guitar sensibilities of Neil Young.
 
At the heart of the band’s identity is Taylor Goldsmith’s songwriting. He is widely regarded as one of his generation’s most gifted lyricists, possessing an uncanny ability to spin conversational phrases into profound existential observations. His songs often function as short stories, populated by characters grappling with the passage of time, the nuances of modern love, and the quiet tragedies of everyday life. This narrative depth is anchored by his brother Griffin’s drumming, which is characterized by a melodic, soulful touch that provides the band’s rhythmic backbone. Together, their sibling chemistry creates a telepathic musical foundation that has remained the group’s constant through various lineup changes.
 
The band’s discography serves as a chronicle of their evolution from retro-leaning folk-rockers to sophisticated studio craftsmen. Their debut album, North Hills, was recorded live to analog tape, capturing a warm, hazy atmosphere that felt like a rediscovered relic from 1971. As they progressed through albums like Nothing Is Wrong and Stories Don’t End, their sound expanded to include more polished production and adventurous arrangements. However, they never lost the “live in a room” feel that makes their records feel intimate and authentic. By the time they reached All Your Favorite Bands, they had solidified their status as a premiere live act, known for extended jams and a rotating setlist that rewards a dedicated, cult-like following.
In recent years, Dawes has navigated a significant transition. After the departure of long-time members Wylie Gelber and Lee Pardini, the Goldsmith brothers decided to continue as a duo, a move reflected in their ninth studio album, Oh Brother (2024). This latest era emphasizes the raw connection between the two siblings, stripping back some of the auxiliary instrumentation to focus on the interplay between Taylor’s guitar and Griffin’s percussion. Despite the smaller core membership, the band continues to tour with a robust live lineup, maintaining their reputation for high-energy performances that bridge the gap between indie-folk and classic stadium rock.
 
Ultimately, Dawes occupies a unique space in the modern musical landscape. They are a band’s band, frequently invited to back legendary artists like Jackson Browne, Robbie Robertson, and Elvis Costello. They have avoided the fleeting trends of the digital age, opting instead for a career built on craftsmanship, touring, and a deep respect for the tradition of American songwriting. For their fans, a Dawes song is more than just a melody; it is a mirror reflecting the complexities of growing up and growing older in an ever-changing world.

Dawes-FB page

 

Marshall Crenshaw

Marshall Crenshaw

Born in 1953 in Detroit, Michigan, Marshall Crenshaw learned to tune a guitar correctly at age ten and has been trying ever since. His first big break came in 1978 playing John Lennon in “Beatlemania”, first as an understudy in New York, then in the West Coast company followed by a national touring company. Removing himself from that situation in Feb. 1980, Marshall settled in New York City. After crossing paths with the great and legendary Alan Betrock, Marshall recorded his debut single “Something’s Gonna Happen” (for Betrock’s Shake Records label), which led to a deal with Warner Bros. His debut album, Marshall Crenshaw, was acclaimed as a masterpiece upon its release in 1982 and established him as a singular songwriter, record maker, and guitarist. The album spawned the hit single “Someday, Someway,” and other classics such as “(You’re My) Favorite Waste of Time,” “Whenever You’re On My Mind” and “Cynical Girl.”

Over the course of a career that’s spanned three decades, 13 albums, Grammy and Golden Globe nominations, film and TV appearances (Buddy Holly in “La Bamba”) and thousands of performances, Marshall Crenshaw’s musical output has maintained a consistent fidelity to the qualities of artfulness, craftsmanship and passion, and his efforts have been rewarded with the devotion of a broad and remarkably loyal fan base.

Along with touring around the country and the occasional recording project, Marshall currently hosts his own radio show, “The Bottomless Pit”, every Saturday at 10 PM on New York’s WFUV. Other current projects include a documentary film-in progress about legendary record producer Tom Wilson. Says Crenshaw, “This is a road that I never imagined taking before, but it’s been amazing and is going great..”
“Although he was seen as a latter-day Buddy Holly at the outset, he soon proved too talented and original to be anyone but himself.” – Trouser Press

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