Josef Kelly
Josef Kelly — The Artist Josef
“Some artists are blessed to “emerge” when they are young, allowing them the luxury of decades of development and sharing of their gifts. Then there are artists who, at a later stage of life, take the opportunity and the risks to launch their artistic gifts and see where they may go. I am such an artist.”
“My goal is to instill a unique view into emotions, feelings of wonder, and joy that odd and beautiful moments lend to life. I love painting in the impressionistic style with a hint of realism, or “Impressionistic Realism”. ” Josef Kelly
Molly Tuttle
Molly Rose Tuttle is an American vocalist, songwriter, banjo player, guitarist, recording artist, and teacher in the bluegrass tradition. She is noted for her flatpicking, clawhammer, and crosspicking guitar prowess. Wikipedia
“A female flat picker extraordinaire with agility, speed, and elegance who distinctively brings American roots music into the spotlight.”—NPR
“A vibrant blend of bluegrass with flashes of Old West, anchored by Tuttle’s earthy-yet-angelic vocal and the entire group’s ace musicianship.” —Billboard
Raised in northern California, singer-songwriter and bluegrass musician Molly Tuttle moved to Nashville in 2015. In the years since, she has been nominated for a Best New Artist Grammy and won awards for Album of the Year at the 2023 International Folk Music Awards, Female Vocalist of the Year at the 2022 International Bluegrass Music Awards, and Instrumentalist of the Year at the 2018 Americana Music Awards. She also won consecutive Guitar Player of the Year awards from the International Bluegrass Music Association in 2017 and 2018—and was the first woman to win the award, let alone win it twice.
Tuttle and her band, Golden Highway, released their latest album, City of Gold, in July 2023. The Grammy-winning album followed Tuttle’s acclaimed 2022 record, Crooked Tree, which also won a Grammy for Best Bluegrass Album. Produced by Tuttle and celebrated progressive bluegrass musician Jerry Douglas, City of Gold was inspired by Tuttle’s constant touring with Golden Highway, during which she and the band have grown and cohered as musicians and performers. Musical Instrument Museum
Her song Crooked Tree (video w/Jerry Douglas) also visits the subject of Alopecia Areata (article) and Molly.
Molly Tuttle has ushered in an exciting new chapter in her career by forming an all-female touring band, stepping away from the four-year run with Golden Highway. This change aligns with the release of her new solo album So Long Little Miss Sunshine, set for August 15, 2025. It signals a stylistic expansion beyond bluegrass, blending pop, country, and rock – a direction further emphasized in her all-female backing band choice.
How To Safely Attend Summer Concerts After Being Vaccinated
Now that you have been fully vaccinated against COVID-19, you may be asking yourself when it will be safe to attend a concert again? We here at Roaming The Arts would like to help you answer that question. More specifically, summer concerts are right around the corner, and we would like to give you the information you need to attend safely. Whether you will see a group of indie music artists or watch a solo performance, safety precautions should still be taken. Although the number of Americans in the US vaccinated against COVID-19 is increasing daily, the risk of contracting the virus is still high in large indoor gatherings and crowds. Here is what you need to know to attend safely.
How To Prepare For Summer Concerts
You should take a few steps before purchasing your tickets to ensure that the venue is following along with CDC guidelines for safe gatherings. Contact the venue via phone or online to check for the following things:
- Is the event located indoors or outdoors? (Indie music artists are known for large outdoor festivals)
- If the event is indoors, is their ventilation system up to code?
- Are they following social distancing guidelines?
- Are face masks required at all times?
- Is there access to sanitation stations and washing stations?
Getting answers to these questions will help ease your mind and ensure that the event is up to safety standards. If you have any issues getting straight answers from the venue, it may be safe to assume that the proper precautions have not been taken, and maybe you should skip that event.
Taking A Road Trip To That Concert?
If your concert plans include a road trip, there are a few things you should keep in mind. Although you have been vaccinated, you will inevitably be surrounded by many who are not, both on your way to the event and while at the event. A mask should be worn during any pit stops along the way, such as bathroom breaks, stopping for food, and fueling up. Also, remember to social distance by at least 6 feet and thoroughly wash your hands or sanitize them immediately after any stops.
What To Know When You Get There
Planning for your first concert outing since COVID-19 hit the US may seem daunting, but your hard work and preparation will pay off. Give yourself a little wiggle room regarding arrival time because the check-in process may require a temperature check upon entry. It is better to be at the front of a long line as opposed to the back of one! Also, make sure you have your face mask and a couple of extras just in case. Festivals featuring many indie music artists may look different this year, and you may need to plan to bring a supply of food and water for the event due to ongoing restrictions. Finally, do your best to maintain 6 feet of social distancing, although the CDC highly recommends 10 feet.
Contact Us
All of us here at Roaming The Arts dedicate ourselves to helping you stay connected and plan your next outing to summer concerts here in the US. Contact us today for more information.
Eilen Jewell
From: Bernard Zuel – Music Journalist
FULL DISCLOSURE: WHY THE RULES HAVE CHANGED FOR EILEN JEWELL
MAYBE IT’S THE MIDWEST UPBRINGING of politeness and reserve that lay behind it. Maybe it’s the natural defence of someone who already was out and exposed as an artist in a corner of Americana that values the personal as much as the historical. Whatever it might be with Eilen Jewell, in about 13 years of interviewing her, she has always shown herself adept at talking about her songs and her life in a way that deflected personal revelations.
It’s not that she didn’t answer questions, but those answers made the generalities of her characters the focal point and gave just enough to let us see how she’d build relationships to them but not be defined by them. It was politely done of course, and was not without things to chew on given a sharp intelligence and an eye on American culture whether it was her love of Loretta Lyn and Howlin’ Wolf, the pay gap between the sexes, or political resistance as something of a progressive island in a state that’s anything but.
Well, things have changed with the coming record, Get Behind The Wheel. Not only has Jewell written an album that came out of the Covid-era breakup of her marriage to long-time drummer, co-manager, and co-parent, Jason Beek, and some deaths in her wider family, but she has been talking openly, frankly, about her circumstances.
It’s hard to imagine that was a comfortable transition, not least because growing up in Idaho you kept your business to yourself, but you have to wonder if it has been dragged out of her, or did she feel it was inevitable and stopped fighting.
“It is really new for me to talk about anything having to do with my personal life,” the Boise-based Jewell says. “But this time around it seemed like it would be wrong to not discuss it because this album is so, so directly influenced by everything that I’ve gone through in the past couple of years. I just feel like I would be lying if I said ‘oh, I don’t know, it’s just about people and things’ [she laughs].
“Also the pandemic taught me that that there’s something really important about sharing parts of ourselves. That’s what sharing my music is [and] I guess it dawned on me this actually could be a good thing for me, it could open me up to my fans and there’s a chance there could be some cathartic sharing on both sides.”
There probably won’t be any problems getting her fans to share their thoughts next month when she will spend several weeks in Australia (heaven knows we’re not a quiet bunch), but when you put these things out like Jewell is now doing, not only are you exposing yourself but you are setting the agenda for how things are interpreted. And this is before even considering that Beek is still playing in her band and will be on the tour.
How people interpret your songs and your album, and inevitably yourself, will be shaped by these revelations and explanations. Is that a good thing? Was it even planned?
“The label was saying you’ve got to figure out how to talk about this new album, so I was like, yeah, shoot, I’ve gotta decide how much do I want to disclose? How much do I want to set the stage for these songs?,” she says. “Because, yeah, in the past I’ve not done that and thought that the songs should stand on their own and people can interpret them how they want. People are still free to interpret them however, obviously, but this album really did occur at a particular point in time for me. It was a disaster of a moment in my life this album was born out of, beyond anything else I’ve ever experienced, and I felt this album deserved an exception to my normal rule.” It was time? At 43, maybe it’s as simple as that.
“I guess I do want to talk about this stuff, this stuff being the pandemic, the divorce that came out of that, or coincided with it, and then family losses, people near and dear to me – not even Covid-related, but just one after another,” Jewell says. “For the first time in my life it feels cathartic to talk about what was going on behind the scenes. I don’t think it’s necessary information to appreciate the album, but there’s a few Neil Young albums where I gleaned he was going through a particular thing in his life and then read later that in fact, yes that’s happening, and something about that makes me appreciate the album just a little bit more. I have a sense of who he is more.”
From a long low base of knowledge about the album so far – it’s not yet available to media, let alone the public, though we will hear some songs from it at her March shows – a title like Get Behind The Wheel suggests maybe taking control of her life, or at least setting the direction. How did she handle this resetting and reclaiming of control?
“It’s really been a mixed bag,” she confesses. “I think when I wrote that song – the song that contains that phrase ‘get behind the wheel’ is called Alive – I felt so inspired to take control and have agency, it was all very new. I was like, well, so much is crashing down around me but this is an opportunity to just up inside my life in a really authentic way. And that’s still present, but I’m also realising that it’s much harder than it sounds, and sometimes [she laughs ruefully] it’s awful.” No one would blame her for looking away.
“There’s part of me that would just love to drift around and say ‘I don’t know, someone else take the wheel: I’m getting tired already’,” says Jewell. “But I was guilty of some of that for many years, going with the flow with my career, and my personal life too … being cooperative, and they really comes at a cost eventually. You can’t keep whittling your life away like that. Eventually you realise that your heart is not fully in it, and there’s always a reckoning with that.” When she looks at who she was, even three years ago, and who she is now, how does she judge that person?
“I … think … that … person … was … somewhat,” she says slowly, before a long pause. “Somewhat overeager to find distractions. The old me really didn’t want to look at life just as it is. The old me was always kind of looking into the future, thinking about how things will be better or should be better, or the past. The here and now was something that I tended to avoid. “But all we really have is the here and now. The past is gone and the future is a fantasy.”
Jimmy Carpenter
Jimmy Carpenter
Jimmy Carpenter is on a roll. For over 40 years Carpenter has plied his trade as Saxophonist, singer-songwriter, and arranger. Having won the 2021 and 2022 Blues Music Award for Best Instrumentalist/Horn, he is nominated again in ’23, his 8th nomination overall. He is also a Grammy-Winning Composer, for a composition he contributed to the New Orleans Nightcrawlers’ winning album, Atmosphere. After many years living and working in New Orleans, Jimmy now resides in Las Vegas, where he serves as Musical Director of The Big Blues Bender.
Praise for The Louisiana Record, Released September 2022 on Gulf Coast Records:
The Louisiana Record is the kind of set that will get your whole neighborhood dancing if played loud enough. Get it and get going! Mike O’Cull, Rock and Blues Muse
“I enjoyed this album from start to finish. Carpenter does a great job on vocals and tenor saxophone throughout and the bands does an exceptional job, too!” Steve Jones, Blues Blast Magazine
“Carpenter’s singing seems to get more soulful with every outing..” Grant Britt, No Depression
“This has really become an album that can really get a party started.” Bluestown, The Netherlands
“Tenor sax man Jimmy Carpenter reminds me of 50s and 60s R&Ber King Curtis, with his big sound grooving through vintage juke box tunes of that period.” George W Harris, JazzWeekly.com
“I have been a Jimmy Carpenter fan for 20 years, from the first time I heard him play with Jimmy Thackery. He’s always been one of the premier sax players around. But Jimmy is also a stellar songwriter and singer. His voice is at its best on ‘Soul Doctor’, Jimmy’s best record to date. This album oozes cool and rocks hard with a classic sound that only Jimmy Carpenter can bring to the table.” — Mike Zito
Steinar Ytrehus
Steinar Ytrehus
This is what is online:
Steinar Ytrehus is a guitarist and recordingartist from Norway. He started out playing the guitar when he was 15 years old, and soon after he started recording music on his Tascam 4track Taperecorder. Since then he has always been making and recording music . Some of his songs were even used on several Norwegian TV shows. The music is a mix of blues, rock, country, jazz and Americana.
For some years he was an active remixer on Indaba music, and he won several contests. When Indaba Music was discontinued he decided to just write and record his own music. Until the end of his remixing career he only made instrumentals, but from now on he started writing lyrics and doing the vocals too.
The result was the release of his debut album Dark Songs in early 2020. The following year he also released 4 singles and he did some collaborations with other artists.
After building up a brand new studio in 2021, he has now finished a new album called “Black Coffee and Sweet Lovesongs” which was released on the 17th of June 2022.
What makes this musician interesting to Roaming the Arts:
Given, he is channeling the sound of other artists, especially Mark Knopfler, but he is writing very good original music, recording and marketing it himself on platforms such as Spotify, and creating a brooding, melancholy sound that is hard to stop listening to. His recent single “Call me King,” is another good example why Steinar Ytrehus deserves, and will be getting more attention well beyond the borders of Norway.
