Why & How You Should Support Artists During COVID
It’s time to support artists
The music industry and local musical artists have had to navigate their careers differently since the Covid-19 lockdown. It’s very important for us as consumers to continue to support our favorite music artists, especially during the Covid-19 pandemic. People throughout the United States are struggling during this time. Millions of people are unemployed and are unable to return to work. Thousands of businesses have shut down and even music artists are having trouble making money during this time. Music artists are unable to make money while on a tour which is greatly affecting their ability to earn income. Many bands and hip-hop artists have pointed out in the past that the majority of the money they make is on tour. Even indie artists make a large portion of here money touring local areas to keep the band going. Consumers should try to support their favorite artists so they can stay intact. Artists are unable to have in-person events and signings which can be so exciting and beneficial to the artist. Spotify and streaming services do not pay artists large amounts of money. In 2020 physical albums are almost non-existent and most music is available for free. Roaming the Arts has an online community that supports musicians, artists, and writers. Now is the time for consumers to stand up and support artists during this difficult time!
Ways to Support Artists During Covid
- Branding and promotion can be so beneficial to musical artists. Spreading your favorite artist’s music on social media can be so helpful to them. Retweets and posts on Instagram can during this time will e greatly appreciated.
- You can share music and resources within your circle of friends
- Encourage your friends to support their favorite artists. Buy and stream most as often as you can.
- Tweet and reach out to your favorite artists and tell them how much you love and appreciate their music. Bands and rappers need to know their fans still want them to keep releasing must and that they will be first in line to buy their tickets once they can go on tour again. If you are employed or cannot work it’s fully understandable if you cannot financially support your favorite artists. The smallest things such as a tweet or direct message will always be appreciated. This can potentially help boost sales.
- Music streaming sites don’t pay large amounts of money but they still make up nearly 20% of an artist’s income. If you consumers can accumulate enough stream it definitely can be beneficial to an artist. Streaming sites are even introducing tipping options. If you would like to you can support artists by sending them money directly. Establishing more revenue flow can be so helpful to struggling indie artists.
- Many artists have YouTube channels and live streams where you can come support them I’ve seen many artists focus more on making content and releasing music on youtube to make a living.
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It’s time to support artists!!!
Feast Your Ears – WHFS
Watch now on PBS.org
A DOCUMENTARY FILM:
Feast Your Ears: The Story of WHFS 102.3
is a feature length documentary film that will take you on a trip back to the ’60s, ’70s and ’80s when “free form” progressive FM radio was in its heyday in America. Broadcasting from “high atop the Triangle Towers” near Washington, DC the legendary & beloved WHFS was more than just a local radio station – it was the voice of a generation. Hear from local, national and international musicians, the ‘HFS deejays, record label veterans, journalists, historians, fans and more as they reflect on a time when the music united a tribe who spoke out via the radio waves about war, equality and a time of great social, cultural and political upheaval.
Greg Brown
Greg Brown
Greg Brown’s mother played electric guitar, his grandfather played banjo, and his father was a Holy Roller preacher in the Hacklebarney section of Iowa, where the Gospel and music are a way of life. Brown’s first professional singing job came at age 18 in New York City, running hootenannies (folksinger get-togethers) at the legendary Gerdes Folk City. After a year, Brown moved west to Los Angeles and Las Vegas, where he was a ghostwriter for Buck Ram, founder of the Platters. Tired of the fast-paced life, Brown traveled with a band for a few years, and even quit playing for a while before he moved back to Iowa and began writing songs and playing in midwestern clubs and coffeehouses.
Brown’s songwriting has been lauded by many, and his songs have been performed by Willie Nelson, Carlos Santana, Michael Johnson, Shawn Colvin, and Mary Chapin Carpenter. He has also recorded more than a dozen albums, including his 1986 release, Songs of Innocence and of Experience, when he put aside his own songwriting to set poems of William Blake to music. One Big Town, recorded in 1989, earned Brown three and a half stars in Rolling Stone, chart-topping status in AAA and The Gavin Report’s Americana rankings and Brown’s first Indie Award from NAIRD (National Association of Independent Record Distributors). The Poet Game, his 1994 CD, received another Indie award from NAIRD. His critically acclaimed 1996 release, Further In, was a finalist for the same award. Rolling Stone’s four-star review of Further In called Brown “a wickedly sharp observer of the human condition.” 1997’s Slant 6 Mind (Red House Records) earned Brown his second Grammy nomination. His latest CD, One Night (Red House), is a re-release of a 1983 live performance originally on Minneapolis’ Coffeehouse Extemporé Records. (Bio from gregbrown.org)
James (Jim) Sallis
James Sallis
James Sallis (born December 21, 1944 in Helena, Arkansas, United States) is an Americancrime writer, poet, critic, musicologist and musician, best known for his series of novels featuring the detective character Lew Griffin and set in New Orleans, and for his 2005 novel Drive, which was adapted into a 2011 film of the same name.
Film – Drive starring Ryan Gosling
Marcia Ball
Marcia Ball
“Fifty years have passed in a flash,” says Texas-born, Louisiana-raised pianist, songwriter and vocalist Marcia Ball of her long and storied career. Ball, the 2018 Texas State Musician Of The Year, has won worldwide fame and countless fans for her ability to ignite a full-scale roadhouse rhythm and blues party every time she takes the stage. Her rollicking Texas boogies, swampy New Orleans ballads and groove-laden Gulf Coast blues have made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls and clubs.
The New York Times says, “Marcia Ball plays two-fisted New Orleans barrelhouse piano and sings in a husky, knowing voice about all the trouble men and women can get into on the way to a good time.”
The Houston Chronicle says simply, “She’s as perfect as an artist can be.”
Mike’s Basement
Mike Marrone formerly the creator/director of SiriusXM “The Loft” doing what he does. Putting together great sets of music available for streaming.
