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yacht rock revue
Music

Yacht Rock Revue

Yacht Rock Revue

The Yacht Rock Revue is everything the late ‘70s and early ‘80s should’ve been: massive sing-along soft rock hits, tight bell-bottom jeans, impeccable musicianship, polyester shirts, glorious vocal harmonies, sunglasses at night, breezy dancing and sax … lots of sax. “The Greatest Show on Surf.”

 

 

peter mulvey
indie music artists Music

Peter Mulvey

Peter Mulvey

is an American folk singer-songwriter based in Milwaukee, Wisconsin. Since the early 1990s, he has developed a strong national following in the indie folk/rock scene through his relentless touring and critically acclaimed albums. Wikipedia

Peter is live streaming on a regular basis during the pandemic.

Click on his site below.

 

avett brothers
indie music artists Music

The Avett Brothers

The Avett Brothers

The Avett Brothers are an American folk rock band from Concord, North Carolina. The band is made up of two brothers, Scott Avett and Seth Avett along with Bob Crawford and Joe Kwon. Mike Marsh and Bonnie Avett-Rini are touring members of the band. Wikipedia

The band has gotten much exposure over the last few years and need no further introduction. Explore their site.

burdett
Books by Location Books/Authors

John Burdett

Location – Thailand

John Burdett

John Burdett is a British crime novelist. He is the bestselling author of Bangkok 8 and its sequels, Bangkok Tattoo, Bangkok Haunts, The Godfather of Kathmandu, and Vulture Peak. His most recent novel in this series, The Bangkok Asset, was published on 4 August 2015. Wikipedia

perrotta
All Time Favorites Book Club Books/Authors Word & Film

Tom Perrotta

Tom Perrotta is often hailed as the “American Chekhov” of the suburbs, a writer who has spent over three decades dissecting the quiet desperation, suburban ennui, and darkly comic absurdities of middle-class life. Born in 1961 in Newark, New Jersey, Perrotta’s perspective was shaped by his upbringing as the son of a postal worker. This background instilled in him a “down-to-earth, egalitarian” literary voice that treats everyday struggles with the gravity typically reserved for epic drama.

Perrotta’s ascent into the literary mainstream was fueled by his uncanny ability to turn local settings into universal metaphors. His breakout novel, Election (1998), utilized a high school student council race to satirize the broader American political landscape. The introduction of Tracy Flick—a character defined by relentless, terrifying ambition—created a permanent cultural archetype, further cemented by Alexander Payne’s iconic film adaptation. He followed this success with Little Children (2004), a novel that transformed the mundane world of playgrounds and neighborhood pools into a psychological battlefield. By exploring the secret lives and unfulfilled desires of stay-at-home parents, Perrotta exposed the “Dante’s Inferno” hiding behind manicured lawns. The book solidified his reputation for writing with a “crisp and light” style that never shies away from moral complexity.
 
While realism was his initial forte, Perrotta took a daring thematic turn with The Leftovers (2011). Using a “pseudo-Rapture” as a catalyst, he shifted his focus toward communal grief and the search for meaning in an indifferent universe. The novel’s adaptation into a celebrated HBO series, which Perrotta co-created, marked a major evolution in his career. He became a rare “writer’s writer” who successfully navigated the worlds of prestige television and literary fiction, a trend he continued with the 2019 adaptation of his novel Mrs. Fletcher.
 
Perrotta’s prose is characterized by its lack of judgment. Whether his characters are struggling with sexual identity, religious zealotry, or professional failure, he presents them with a compassionate clarity. He draws heavy inspiration from his former teacher, Tobias Wolff, and the disciplined storytelling of Raymond Chandler. Like his father’s commitment to his mail route, Perrotta maintains a rigorous work ethic, viewing his writing as a way to process subconscious material that holds deep personal and social significance.
 
In his most recent works, Perrotta has explored the complexities of aging and the weight of the past. Tracy Flick Can’t Win (2022) revisited his most famous character in middle age, finding her still fighting for a seat at the table. His 2026 novel, Ghost Town, marks another shift toward a “pared down” and essential style, focusing on abandonment and the lingering presence of those we have lost. Living in Belmont, Massachusetts, Perrotta remains a vital voice in American letters, consistently proving that there is nothing “small” about suburban life. His legacy is defined by a body of work that finds original and beautiful truths in the most ordinary of places.
 
Jay Hawks
indie music artists Music Who is Hot

The Jayhawks

The Jayhawks

One of the most enduring and beloved groups of the last thirty years, The Jayhawks first emerged from Minneapolis in the mid-1980’s, though their commercial and critical breakthrough didn’t arrive until the release of their 1992 masterpiece, Hollywood Town Hall. Over the ensuing decades, the band would go on to record a series of highly influential albums and tour the world countless times over, sharing stages with everyone from Bob Dylan and Tom Petty to Lucinda Williams and Wilco along the way. Following an extended hiatus in the mid-2000’s, Louris and his long-time bandmates—bassist Marc Perlman, drummer Tim O’Reagan, and keyboardist Karen Grotberg—returned to the studio, most recently releasing the acclaimed Paging Mr. Proust and Back Roads and Abandoned Motels in 2016 and 2018, respectively.

The 11th Jayhawks studio album XOXO was released on July 10, 2020 through Sham/Thirty Tigers. Recorded in late 2019 at Pachyderm and Flowers Studios in Minnesota, XOXO represents a bold step forward. For the first time, all four members contribute writing and lead vocal duties. XOXO is the most diverse and wide-ranging in the group’s storied history. Rather than marking a sonic departure, though, the collection signals a sharpening of focus for the band, an elevation in understanding of who they are and what they do best. In classic Jayhawks fashion, the songs here mix the influence of American roots music with British invasion and jangly power-pop, but there’s a newfound vitality at play, as well, an invigoration of confidence and energy that could only come with the injection of fresh blood. The result is an album that, much like the band’s lush harmonies, brings multiple distinctive voices together into a singular whole, a collection that, ironically enough, finds unity in individuality and identity in reinvention.

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