Amy Rigby
Amy Rigby
Amy Rigby has made a life out of writing and singing about life. With bands Last Roundup and the Shams in eighties NYC East Village to her solo debut Diary Of A Mod Housewife out of nineties Williamsburg; through a songwriting career in 2000s Nashville and during the past decade with duo partner Wreckless Eric, she’s released records on visionary independent labels Rounder, Matador, Signature Sounds and reborn Stiff Records as well as her and Eric’s own Southern Domestic Recordings. The Old Guys, her first solo album in a dozen years, measures the weight of heroes, home; family, friends and time. Philip Roth and Bob Dylan, CD/cassette players, touring, the wisdom of age and Walter White, groupies, Robert Altman, egg creams and mentors are paid tribute. Twelve songs written by Amy and recorded by Wreckless Eric in upstate New York, The Old Guys is the sound of a good girl grown up, never giving up.
Now a memoir joins her music. Girl to City, out now.
Karin Slaughter
Karin Slaughter is an American crime writer. The author of eighteen novels, Slaughter has sold more than 35 million copies of her books, which have been published in 37 languages.
LOCATION – GEORGIA (MAINLY ATLANTA)
Trigger Hippy
Trigger Hippy
The group was initially formed as a casual collaboration between Govrik, Gorman and other Nashville musicians. Trigger Hippy made its live debut on February 2, 2009, at the Cox Capitol Theatre in Macon, Georgia.
The band played shows in 2011 and 2012, with a rotating cast of band members. A consistent lineup featuring Govrik and Gorman along with Joan Osborne, Jackie Greene, and Tom Bukovac came together and announced plans to record an album in the fall of 2012.
Trigger Hippy released their first EP on Record Store Day’s Back to Black Friday on November 29, 2013.[1]
Trigger Hippy released a full length album on September 30, 2014. In the summer of 2015, the band announced a lengthy break.
A new four piece lineup featuring Jurdi and Woodhouse was announced June 19, 2019.
Jim Harrison
in memoriam
Poet and novelist Jim Harrison spent much of his life in Michigan on a farm near where he was born, as well as Montana and Arizona. His connection to rural landscapes was evident in his free-verse, imagistic poetry, which often explores human and animal drives set against an unforgiving natural world. Noting the poetry’s relation to Hemingway’s prose style in a review of Harrison’s Selected & New Poems 1961–1981, poet and critic Richard Tillinghast declared in the New York Times that “Mr. Harrison has few equals as a writer on outdoor life, the traditional heritage and proving ground of the American male.”
Harrison earned a BA and MA at Michigan State University, and he taught briefly at SUNY Stony Brook. After the publication of his first collection of poetry, Plain Song (1965), he returned to Michigan, where he worked as a freelance journalist and laborer until he began to earn a living from his writing.
Harrison published more than a dozen collections of poetry, including Livingston Suite (2005), Saving Daylight (2006), In Search of Small Gods (2009), Songs of Unreason (2011), and Dead Man’s Float (2016). He was also well known as a fiction writer, publishing numerous novels and collections. His novel Legends of the Fall (1979) received considerable critical acclaim and was made into a 1995 feature film. Harrison wrote several screenplays for Warner Bros. and other studios. He served as poetry editor of The Nation and coeditor of Sumac. He wrote a food column, “The Raw and the Cooked,” for Esquire magazine, and his collection of essays, Just Before Dark (1991), includes some of his food writing along with literary and nature essays. Harrison died in 2016.
Jon Cleary
Jon Cleary’s love and affinity for New Orleans music goes back to the rural British village of Cranbrook, Kent, where he was raised in a musical family. Cleary’s maternal grandparents performed in London in the 1940s, under the respective stage names Sweet Dolly Daydream and Frank Neville, The Little Fellow With The Educated Feet – she as a singer, and he as a crooner and tap dancer.
As a teen Cleary grew increasingly interested in funk-infused music and discovered that three such songs that he particularly admired – LaBelle’s “Lady Marmalade,” Robert Palmer’s version of “Sneakin’ Sally Through the Alley,” and Frankie Miller’s rendition of “Brickyard Blues” – were attributed to Allen Toussaint as either the songwriter, the producer, or both. Cleary’s knowledge of Toussaint’s work expanded significantly when his uncle returned home to the U.K., after a two-year sojourn in New Orleans, with a copy of a Toussaint LP and two suitcases full of New Orleans R&B 45s.
In 1981 Cleary flew to New Orleans for an initial pilgrimage and took a cab straight from the airport to the Maple Leaf Bar, a storied venue which then featured such great blues-rooted eclectic pianists as Roosevelt Sykes and James Booker. Cleary first worked at the Maple Leaf as a painter, but soon graduated to playing piano there – even though his first instrument was the guitar, which he still plays and has recently reintroduced into his live performances.
As word of Cleary’s burgeoning talent began to spread around town, he was hired by such New Orleans R&B legends as Snooks Eaglin, Earl “Trick Bag” King, Johnny Adams, and Jessie “Ooh Poo Pah Doo” Hill, while also gaining the respect of the great Crescent City pianists Dr. John and the late Allen Toussaint. Years later, in 2012, Cleary recorded a critically acclaimed album of all-Toussaint songs entitled Occapella.
Today, Cleary’s work pays obvious homage to the classic Crescent City keyboard repertoire created by such icons as Jelly Roll Morton, Fats Domino, Professor Longhair, Art Neville, Dr. John, and James Booker – while also using it as a launching pad for a style that incorporates such other diverse influences as ’70s soul and R&B, gospel music, funk, Afro-Caribbean and Afro-Cuban rhythms, and much more.
Deciding to stay in New Orleans, Cleary recorded his first album of nine, to date, in 1989. His ever-elevating profile led to global touring work in the bands of Taj Mahal, John Scofield, Dr. John, and Bonnie Raitt. Cleary has led his own group, the Absolute Monster Gentlemen, for over two decades now, but he still collaborates frequently with these old friends. At the 2018 New Orleans Jazz & Heritage Festival, for instance, Cleary performed alongside Raitt in a heartfelt tribute to Fats Domino.
Deanna Bogart
Deanna Bogart
When it comes to Deanna Bogart, everyone wants to claim her as their own — her hometown, her fans, her fellow musicians and even her instruments. She’s that good–and that good-natured.
Born in Detroit, Deanna spent her early years in Phoenix and New York City, climbing on any available piano bench to plunk and play with preternatural panache. Around the age of six, she was “gently removed” from the Brooklyn Conservatory of Music for playing piano by ear instead of learning to read music. While in middle school, Deanna yearned to play the saxophone. Typical of those times though, she was told, “Girls play the clarinet, not the sax.” Thankfully for us all, that tide has changed.
Today, Deanna Bogart is an award-winning multi-instrumentalist and multifaceted musician whose fans value the diversity of her genre-free zone. As a bandleader/singer/songwriter/producer/pianist/sax player, Deanna combines the best of boogie-woogie, contemporary blues, country and jazz into a splendid blend she calls “blusion.”
Deanna’s fusion of blusion — spontaneous, sophisticated, fearless and fun — has garnered her three consecutive Blues Music Awards’ Horn Instrumentalist of the Year for 2008, 2009 and 2010 and an endorsement contract with Rico Reeds. She has won, at last count, more than 20 Wammies, the music awards for the hotly contested Washington, D.C. region.
Recognized for her dazzling keyboards, soulful saxophone, smoky vocals and cut-above songwriting, Deanna easily wins the hearts of fans on land and at sea on chartered cruises. She is a featured player in the Legendary Rhythm and Blues Revue, jamming with Tommy Castro, Magic Dick (founding member of the J. Geils Band), as well as prominent guitar slingers. Deanna remembers well her early years as a budding musician and is an avid educator and mentor, sharing her insight and wisdom with students of all ages.
