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The Sheepdogs

The Sheepdogs are a Juno Award-winning Canadian rock band known for their 1970s-inspired southern rock and blues rock style, dual-guitar wizardry, and strong vocal harmonies. They rose to prominence in 2011 as the first unsigned band to be featured on the cover of Rolling Stone magazine. 

Formed in Saskatoon, Saskatchewan, in 2004, the band initially went by the name “The Breaks”. They built their sound around classic rock influences like the Allman Brothers Band, Led Zeppelin, and Creedence Clearwater Revival. 

Their hit singles “I Don’t Know” and “Feeling Good,” as well as the albums Learn & Burn and The Sheepdogs, have achieved platinum status in Canada.

The band continues to record and tour. In 2024, they celebrated their 20th anniversary and launched their own imprint, Right On Records. The band announced a new single “Nobody But You” and a major “Out All Night” Canadian and European tour for 2026. 
The current members are Ewan Currie (lead vocals, guitars), Ryan Gullen (bass), Shamus Currie (keys, trombone), and Ricky Paquette (guitars). Founding drummer Sam Corbett retired in September 2025 to focus on his family.

 

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Roaming Artist’s Studios

Music gets airplay and bands appear live, authors books make best-seller lists and get promoted through Book Bub and other media. Visual artists create their work in a studio, hope that people will see it and appreciate it, and attempt to create an online presence to assist in that goal. This post allows Roaming the Arts to be a patron, visit studios, and drive traffic to those websites. This site will not comment on the art, for indeed, “the eye of the beholder” applies here, so click either the name or the image and visit the site.

Atizana Inspired – Haitian Art

Creating art from metal, including oil drum lids.

Kelsey

Originals and prints from an artist working in the Arts Warehouse in Delray Beach, FL

Deborah Kozak

Hand-made, original woodcut, linocut and drypoint prints.

Jess Burbridge – Ceramics

Artist in Residence at Arts Warehouse in Delray Beach, where she works in porcelain and stoneware.

For more artist posts – click here

Ronnie Baker Brooks

Ronnie Baker Brooks is a prominent American Chicago blues and soul blues guitarist, singer, and songwriter who has carved out a unique identity while honoring his “blues royalty” lineage as the eldest musical son of the late legendary Lonnie Brooks. Born in Chicago in 1967, he has emerged as one of the most electrifying and innovative bluesmen, blending traditional Chicago blues with elements of soul, electric blues, rock, and funk.

Brooks began his musical journey at an early age, first performing on stage with his father at just nine years old. He initially joined his father’s band as a roadie, working his way up through hard work and determination before becoming the full-time second guitarist. He learned not only from his father but also from blues greats such as B.B. King, Buddy Guy, Albert Collins, and Koko Taylor. Koko Taylor notably told him, “You learn from your daddy everything you can. And one day, it’ll be up to you to carry the blues forward,” a mandate he took to heart.

Embarking on a solo career in 1998 with his debut album Golddigger, Brooks established his own sound and label, Watchdog Records, which also released Take Me Witcha (2001) and the critically acclaimed The Torch (2006). His music is often described as witty, soulful, and ferociously energetic, with “astonishing guitar work” and a powerful stage presence. He views his role as a bridge between the traditional blues of his mentors and the younger generation, incorporating modern musical influences like hip-hop to ensure the genre’s continued evolution.

Ronnie’s 2017 album, Times Have Changed, produced by Steve Jordan, featured collaborations with an array of talent, including Bobby “Blue” Bland in one of his final recorded works.

Blues in My DNA, released in October 2024 on Alligator Records, marks his debut on the prestigious label that was home to his father. The album has been a major success, earning Brooks three 2025 Blues Music Awards: “Song of the Year” for the title track, “Contemporary Blues Album of the Year,” and “Contemporary Blues Male Artist of the Year”. This recognition solidifies his place in the upper echelons of the blues world, an honor he now embraces with pride rather than obligation.

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D.K. Harrell

D.K. Harrell is a prominent young American blues singer, guitarist, and songwriter known for his soulful vocals, stinging guitar style, and dynamic stage presence. Born in Ruston, Louisiana, in 1998, Harrell was heavily influenced by B.B. King from an early age, learning King’s music, tone, and stage craft by studying concert footage. This dedication led to an invitation to play one of King’s iconic “Lucille” guitars at the B.B. King Symposium in 2019, his first paying gig. 

Harrell quickly made a name for himself in the blues world, winning the 2022 B.B. King “King of the Blues” Award and finishing third in the International Blues Challenge. His 2023 debut album, The Right Man on the Little Village Foundation label, received critical acclaim for its 11 original songs and blend of blues, soul, funk, and gospel elements. The album earned him the 2024 Blues Music Award in the “Best Emerging Artist Album” category. 

Now signed to the legendary Alligator Records, Harrell released his second album, Talkin’ Heavy, in June 2025. The album, produced by Christoffer “Kid” Andersen, features twelve original tracks that cement his place among the new generation of blues stars, showcasing his ability to bridge traditional blues with a modern, fresh perspective. At just 27 years old, Harrell is hailed as a leading light of the younger generation of blues artists, bringing a vital energy and authenticity to the genre. Known for his magnetic stage presence, dapper tuxedo attire, and engaging interaction with the audience, Harrell is dedicated to preserving the blues while ensuring it resonates with contemporary audiences. He has toured extensively across the U.S., Canada, and Europe, performing at major festivals and captivating audiences with his high-energy, unpredictable live shows. As Blues Blast called him, he is “The fastest-rising talent in the blues today.”

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Della Mae

Della Mae is a GRAMMY-nominated, all-female string band that has spent the last 15 years redefining the boundaries of bluegrass and Americana. Founded in Boston in 2009 by fiddle champion Kimber Ludiker, the group has evolved from a regional sensation into a global force, touring over 30 countries as cultural ambassadors.

The band’s sound is a “melting pot” of their diverse backgrounds, blending high-energy bluegrass with indie-folk and modern country. Their performances are celebrated for their “sensory yet assertive” style, balancing traditional roots with contemporary songwriting.

Della Mae’s discography is marked by steady growth and critical acclaim. Their 2013 album, This World Oft Can Be, earned a GRAMMY nomination for Best Bluegrass Album and helped them win the IBMA Emerging Artist of the Year award. Subsequent releases like Headlight (2020) and Family Reunion (2021) continued to push their lyrical and sonic boundaries.

In early 2025, the band reached a new creative peak with their album Magic Accident, released on January 23 via Compass Records. Produced by banjo legend Alison Brown, the album is described as their most collaborative work to date, featuring original songs from every member. Standout tracks include the title song, penned by Woodsmith, and “Out Run ‘Em,” written by Smith.

Beyond the stage, Della Mae is a “movement” focused on female empowerment and social advocacy. They use their platform to mentor young musicians and support initiatives for gender equality and labor rights. Through their work with the U.S. State Department’s “American Voices” program, they have brought bluegrass to audiences from urban schools in Kazakhstan to rural festivals in Brazil, proving that their music transcends cultural and geographic borders.

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Rickie Lee Jones

Rickie Lee Jones occupies a unique space in the American musical landscape, serving as a bridge between the gritty bohemianism of the late 1970s and the sophisticated, genre-bending artistry of the modern era. Often hailed as the “Duchess of Coolsville,” Jones burst into the public consciousness in 1979 with a sound that felt entirely new. Her eponymous debut album arrived with a mixture of street-smart poetry and jazz-inflected phrasing. The massive success of the single “Chuck E.’s in Love” turned her into an overnight sensation, making her the face of a new kind of singer-songwriter—one comfortable with both beatnik aesthetics and pop sensibilities.
Her nomadic childhood laid the foundation for this restless spirit. Born in Chicago and raised across several states, Jones developed a worldview as a permanent outsider. This sense of displacement became a central theme in her songwriting, fueling the cinematic narratives of her albums. By the time she reached Los Angeles in the mid-1970s, she was a fixture of the Troubadour scene. While her relationship with Tom Waits during this period became legendary, it was her own musical identity—characterized by complex arrangements and a refusal to stick to a single tempo—that defined her legacy
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Following her debut, Jones defied the “sophomore slump” with Pirates (1981). To many, this remains her masterpiece. It was an ambitious, darker record featuring sprawling tracks like “The Last Chance Texaco.” Pirates showcased her ability to weave intricate stories of the American road into a tapestry of jazz, rock, and R&B. During this time, her reputation for being uncompromising was solidified; she followed her muse rather than industry trends
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As the years progressed, Jones continued to surprise audiences with stylistic shifts. She delved into the Great American Songbook with albums like Girl at Her Volcano and Pop Pop, proving herself one of the finest interpretive singers of her generation. Her ability to deconstruct a standard allowed her to stand alongside jazz greats. Yet, she never stayed in one place; in 1997, she released Ghostyhead, an experimental trip-hop album that proved her songwriting could thrive even in electronic contexts.
The turn of the millennium saw Jones leaning into her role as a chronicler of the human condition. Albums like Balm in Gilead showcased an artist grappling with spirituality and aging. Her voice gained a weathered, soulful quality that added weight to her lyrics. In 2021, she released her memoir, Last Chance Texaco, providing a raw look at her life from her traumatic youth to her enduring commitment to her craft
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Recently, Jones found a new home in New Orleans, which influenced her 2023 album Pieces of Treasure. This return to jazz roots earned her an eighth Grammy nomination and feels like a full-circle moment for an artist who has retained her edge. Rickie Lee Jones remains a singular figure, a troubadour finding beauty in the margins and poetry in the everyday.
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