Raj Bunnag
Raj Bunnag is a Thai American artist living and working in Durham, North Carolina. He received his BFA from the Maryland Institute College of Art in 2012 with an emphasis in Printmaking, and an MFA from the University of North Carolina at Chapel Hill in 2022. Bunnag’s practice examines systematic racism inherent to the foundations of the United States, its institutions and domestic/global policies, through themes in the lineage of print. In his more personal work, he is researching the ideas and baggage that come with self-identity as the son of immigrants and what it means to be a non-white body existing in white spaces. He has shown work nationally and internationally as well as received numerous awards for his relief printed work.
Bunnag uses references from pop culture, news headlines, government policy and legislation, and historical research to take a searing look at the failures of the War on Drugs. Various illegal substances and major participants of the War on Drugs are represented as fantastical monsters in a style reminiscent of master printers such as Jacques Collet, Francisco de Goya, and others.
Whether it is teaching printmaking and drawing to Duke students or teaching local high schoolers, Raj finds his inspiration in spreading the gospel of print and educating people on how the printed world is still powerful in a digitally dominated society.
Kathleen Edwards
For decades, Kathleen Edwards has been a cornerstone of North American roots music.
Since making her debut with 2002’s Failer, she’s spent the 21st century occupying the grey area between genres, swirling together her own mix of alt-country, folk, and heartland rock & roll. It’s a sound that has earned its creator more than a half-dozen Juno nominations, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty, Neil Young, and Lucinda Williams — she’s opened the door for others, too, inspiring a new generation of artists who, like her, blur the boundaries between genre and generation.
A native of Ottawa, Ontario, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album’s warm, woozy sound — crystallized on radio hits like “Six O’Clock News” — quickly turned her into one of the era’s alt-country heroes. From the very start, though, Edwards’ music seemed to exist somewhere out of time, resisting categorization even as Failer received a Juno nomination for “Roots & Traditional Album of the Year.”
“No one knew what to call my type of music back then,” she says of those early years. “The Americana genre didn’t exist yet, so they couldn’t categorize me. I just made the kind of music I wanted to make.”
Edwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012, Americana very much did exist as a genre, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard’s Folk Albums chart. Even so, a busy decade on the road had left her exhausted. After touring in support of Voyageur’s release, Edwards left the music business altogether and moved to suburban Ontario, where she opened a coffee shop called — defiantly — “Quitters.”
“Before I turned 30, I toured the world and put out nearly four records, performed on TV, and had an incredible run,” she says of her first 10 years in the spotlight. “What’s interesting is that I walked away from all of it, too — and when I came back, I felt better than the person who put out Failer.”
By the late 2010s, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris, who was looking for songwriting partners for a new project, Edwards jumped at the chance to collaborate. The two musicians co-wrote “Good Woman,” which appeared on Morris’ Grammy-nominated album Girl in 2019. Back home in Canada, Edwards continued to write new material, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020, the album expanded her sound and her audience, boosted by two hit songs — “Options Open” and “Hard on Everyone” — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn’t just mark her return to the music industry. It was a rebirth, too.
What’s next? New music, of course. She and Grammy-winner Jim Scott co-produced and released an album called Covers, which pays homage to some of her songwriting heroes – Tom Petty, REM, John Prine, Bruce Springsteen, et al. Edwards remains a fan of “ripping guitar riffs and good songs,” and she’s combining both into a follow-up album co-produced by Grammy-winners Jason Isbell and Gena Johnson that will showcase her legacy as well as her evolution.
She maintains a presence on the road, too, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson, John Fogerty, and Bob Dylan — the next.
“The amount of things I’ve gone through might make someone else quit…but quitting doesn’t quite do it for me,” she says. “I can’t help but want to write great songs, connect with people, and see what’s ahead. I don’t love looking behind, even though it’s one of the ways we can see what we’ve done, so I’m looking forward.” from High Road Touring bio
In keeping with her love of dogs and the great photo used on this post…give a listen to “Who Rescued Who”
2025 – new record out now “Billionaire”
Christone Kingfish Ingram
“Kingfish”
Christone “Kingfish” Ingram is a Grammy Award-winning blues guitarist and singer from Clarksdale, Mississippi, who is celebrated for reinvigorating the blues for a new generation. He began his musical journey at the Delta Blues Museum, mastering multiple instruments as a child before focusing on the guitar. Blending traditional Delta and Chicago blues with modern blues-rock, soul, and gospel, his music captivates audiences with its passion and technical skill.
Ingram quickly rose to prominence as a teenager, garnering millions of views for his YouTube performances, appearing in the Netflix series Luke Cage, and performing at the White House. His 2019 debut album, Kingfish, earned a Grammy nomination and shot to the top of the Billboard Blues Chart. His 2021 follow-up, 662—named for his Mississippi Delta area code—secured a Grammy Award for Best Contemporary Blues Album. His live performances are also critically acclaimed, with NPR noting he is “even scarier live”.
A prolific artist, Ingram has performed alongside musical legends like Buddy Guy, who has called him “the next explosion of the blues,” and even opened for The Rolling Stones. In 2024, Ingram launched his own label, Red Zero Records, and released his studio album, Hard Road. As a multi-instrumentalist with a powerful voice, Ingram continues to push the boundaries of the genre while honoring its rich history.
Della Mae
Della Mae is a GRAMMY-nominated, all-female string band that has spent the last 15 years redefining the boundaries of bluegrass and Americana. Founded in Boston in 2009 by fiddle champion Kimber Ludiker, the group has evolved from a regional sensation into a global force, touring over 30 countries as cultural ambassadors.
The band’s sound is a “melting pot” of their diverse backgrounds, blending high-energy bluegrass with indie-folk and modern country. Their performances are celebrated for their “sensory yet assertive” style, balancing traditional roots with contemporary songwriting.
Della Mae’s discography is marked by steady growth and critical acclaim. Their 2013 album, This World Oft Can Be, earned a GRAMMY nomination for Best Bluegrass Album and helped them win the IBMA Emerging Artist of the Year award. Subsequent releases like Headlight (2020) and Family Reunion (2021) continued to push their lyrical and sonic boundaries.
In early 2025, the band reached a new creative peak with their album Magic Accident, released on January 23 via Compass Records. Produced by banjo legend Alison Brown, the album is described as their most collaborative work to date, featuring original songs from every member. Standout tracks include the title song, penned by Woodsmith, and “Out Run ‘Em,” written by Smith.
Beyond the stage, Della Mae is a “movement” focused on female empowerment and social advocacy. They use their platform to mentor young musicians and support initiatives for gender equality and labor rights. Through their work with the U.S. State Department’s “American Voices” program, they have brought bluegrass to audiences from urban schools in Kazakhstan to rural festivals in Brazil, proving that their music transcends cultural and geographic borders.
Southern Avenue
Southern Avenue is a dynamic, Grammy-nominated blues and soul band from Memphis, Tennessee, celebrated for carrying the Southern soul legacy into the 21st century. The band’s formation is a story of serendipity, bringing together diverse backgrounds to create a sound that is both deeply traditional and refreshingly modern. The band is most notably composed of Israeli-born guitarist Ori Naftaly and the Memphis-native Jackson sisters: powerhouse lead vocalist Tierinii, drummer and vocalist Tikyra “T.K.,” and percussionist, violinist, and vocalist Ava.
The group formed in 2015 and quickly made a name for themselves, reaching the finals of the prestigious International Blues Challenge in 2016. This rapid success led to a historic signing with the newly reactivated Stax Records—the first time in 40 years a Memphis band had been signed to the legendary soul label. Taking their name from a Memphis street running to the original home of Stax Records, Southern Avenue proved to be a fitting choice to represent the city’s rich musical heritage.
Ronnie Baker Brooks
Ronnie Baker Brooks is a prominent American Chicago blues and soul blues guitarist, singer, and songwriter who has carved out a unique identity while honoring his “blues royalty” lineage as the eldest musical son of the late legendary Lonnie Brooks. Born in Chicago in 1967, he has emerged as one of the most electrifying and innovative bluesmen, blending traditional Chicago blues with elements of soul, electric blues, rock, and funk.
Brooks began his musical journey at an early age, first performing on stage with his father at just nine years old. He initially joined his father’s band as a roadie, working his way up through hard work and determination before becoming the full-time second guitarist. He learned not only from his father but also from blues greats such as B.B. King, Buddy Guy, Albert Collins, and Koko Taylor. Koko Taylor notably told him, “You learn from your daddy everything you can. And one day, it’ll be up to you to carry the blues forward,” a mandate he took to heart.
Embarking on a solo career in 1998 with his debut album Golddigger, Brooks established his own sound and label, Watchdog Records, which also released Take Me Witcha (2001) and the critically acclaimed The Torch (2006). His music is often described as witty, soulful, and ferociously energetic, with “astonishing guitar work” and a powerful stage presence. He views his role as a bridge between the traditional blues of his mentors and the younger generation, incorporating modern musical influences like hip-hop to ensure the genre’s continued evolution.
Ronnie’s 2017 album, Times Have Changed, produced by Steve Jordan, featured collaborations with an array of talent, including Bobby “Blue” Bland in one of his final recorded works.
Blues in My DNA, released in October 2024 on Alligator Records, marks his debut on the prestigious label that was home to his father. The album has been a major success, earning Brooks three 2025 Blues Music Awards: “Song of the Year” for the title track, “Contemporary Blues Album of the Year,” and “Contemporary Blues Male Artist of the Year”. This recognition solidifies his place in the upper echelons of the blues world, an honor he now embraces with pride rather than obligation.
